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CONTAI.YLNO A GREAT VARIETY OF TIIE MOST
APPROVED CHURCH MUSIC,
SELECTED CHIEFLY FROM THE OLD STANDARD AUTHORS,
JBify Jilnni] (Original (Compositions.0
ON A NEW SYSTEM OF NOTATION.
DESIGNED FOR THE USE OF CHURCHES, SINGING SOCIETIES, AND ACADEMIES.
BY A. S. HAYDEN.
CINCINNATI:
MOORE, WILSTACH <fc MOORE,
14 1 & 14:: H \ C V. STR BET.
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CONTAIXINO A GREAT VARIETY OF THE HOST
APPROVED CHURCH MUSIC,
SELECTED CHIEFLY FROM THE OLD STANDARD AUTHORS,
Kutlj ftliniii cDriquinl Conujositioiiu.
ON A NEW SYSTEM OF NOTATION.
DESIGNED FOR THE USE OF CHURCHES, SINGING SOCIETIES, AND ACADEMIES.
BY A. S. HAY I) I ; s
C I N C I N N A T I :
MOORE, WILSTACH & BALDWIN,
2 5 WEST FOURTH STREET,
18 6 8.
Entered according to Act of Congress, in the year 1849, by A. S. Hayden, in the Clerk's Office of the District Court of the
Eastern District of Pennsylvania.
P R E F A C E.
Mmc is power; and it should always be employed in behalf of the cruise of
man's redemption. The hymn-bonk and the music-book belong together. Neither
is <-• >m pi i-if without the oilier. The one is a branch from the vineyards of Kngedi.
Kvery livmi; is ;i cluster, every stanza :i grape riel.lv Willi new wi in1. In the voice
oi sow ill.- wine breaks its eon linen ii -hi. mi. I flows through all Uie heart, ex hi la rat-
inn our spiritual nature with dte joys and comforts of religion. Still we have too
much church music. To have a ferw gooddovottoua] tunes well learned and repeat-
edly sii nor. is infinitely more delightful and useful than to have many tunes, know n
bv scarcely half the worshippers- A crying complaint is heard almost everywhere
of the displacing of the old, well-tried, and heart-Stirring melodies, by many new
ones which have lillle else than novelty to recommend them. The tunes that OUI
fathers loved are becoming strange to us and to our children. The music of the
church and the Christian family should rather lead its way to the heart than to the
ima L'l nation ; it should consult the feelings rather than the fancy. Mueh that is
called church music is distinguished hy the regularity of Us cadences, and the
chime of its classic harmony; hut it possesses no power to lay hold of our moral
nature, and melt anil mould us into the lovely form of divine truth. An attempt is
here made to embody the grave, touching, and enrapturing tunes that enkindle devotion
and cause the spirit of the Christian to glow with piety. It is not so much the pur-
pose of this work to present new music to the public, (although many choice new
tunes are contain. <l in it.) as to collect and give anew to 'be world many pieces
hallowed by long use in the sanctuaries of the family ami the church, and endeared
10 mvriads by their power tr. please and "arm the heart to praise.
A nother evil, loudly and justly complained of. is the alteration of the harmony and
SO i net I in. > even the n icloil v of I lie old, well-known time*. Often the choir sing a tune,
as it stands altered in a hook before iliem, which c peU all lite Christians in the as-
sembly to lie silent, for the inspiration is Liken from Iheir lips. Thus the singing
(not the worship, for such it is not) is removed quite a way from the body of the church.
As far as possible, the limes in this book are given in their original structure.
Kvery simplification of the process of teaching a science is an improvement.
An effort to in ike it clear and plain to the understanding is an effort to confer a be-
nefit on the world. Such elforts must not liench on the science itself — they must
leave it in its entireties-; .mil integrity. To d > this Would he to strike down the
columns of her temple, to in ir its x riicture and deface its beauty. Hut the " vision
should lie written and made plain, so that he aiav run that nadeth it." The obstacles
should he removed ill ii i listru :l the entrance to the temple. To many persons the
know ledge ol music seems as perplexing and difficult to obtain as that of the Creek
'anyuaije. These persons consider tbo effort a fruitless one, and they conclude to
pass through life without it. Professor J. P>. Aikin,* in bis " Christian Min
strel," published in Philadelphia, has introduced a new system of musical notation
which greatly abbreviates the time of study, by removing a number of useless and
perplexing distinctions which have too long encumbered this st useful ami de-
lightful science. This ivork is published on that system, in the lull per--
that it is evidently so superior to the others)-', i n that it cannot but
scon pass into favour with all who become acquainted with it. These improve
incuts consist chiefly of the following parlicul
1. In correcting the position of the I. it. r> mi the staff.
J. Discarding the theory of the minor scale.
.'!. The use of flats ami sharps as signatures, to determine the key, is laid aside
4. The use of only three varieties ol time instead ot nine.
0. The shape of every note in the scale indicates its name.
"A few words will be deemed Sufficient in explanation of these particulars.
Formerly the letters were applied to the staff in three different ways, as shown by
the following examples :
K < nil -II...-.-. _f^ O cliir.— Tri'hlr unrl Triior. Cclrff. I
O
r^ ui=— ziz
LLii
n
F.
Here was confusion. Here are llirce not only differing but conflicting theories
in the principle of selling the letters to the stalT, in the same hook, nay in the same
tune ! Why embarrass the pupil with three systems, when one answt r- every pur-
pose ? The trulh is, few learners ever made iheillselves/a/'uVi'ttr with more than
i in' system of lettering, (he one belonging to the pari they were taught in sing. The
Llase singers, for example, learned the letters as applied to lheir staff, chiefly or
entirely neglecting the ethers ; and so of the rest. At length authors struck oul the
C clelf, thus reducing, by one third, the curs, . I sludj in ibis branch of the sci-
ence, 'f'his wa9 found lO answer every purpose of the former inetln.il. l!
llnre remain Iwo systems to he taught and learned. And why not. as lure pro-
posed, proceed one step farther, and set the Utters on all the slalTs alike 1 Then
w Inn .me is learned all are learned.
Another very important advantage in this improvement is, th it n ■ Ihe per-
former 10 discover and trace the harmony of all the parts with so much ease. The
iiiosl difficult 'Jung, perhaps, for the pupil to acquire, in the whole course of his
' 11..- null. it I- in. I. I.ti. I to IbiK RVUtUmU for mmll uatUucr 111 1 I, \ J.IUJ,; UUU TUlumc, eJc«ti»llT LB
ni.i.-iuv to the inUoJutlory nuttu.
I'REFACF.
study, is the relation of the notes or sounds ot the Base to tne other parts, in spue
of theory, he wants to believe that notes on the same line or space in all the staffs
are on the same degree of sound. But the double notation theory says Wo : and
it is hard for him to understand and believe this contradiction of the voice of com-
mon sense. By the single system of notation this difficulty is removeci ; and he
feels the fitness of placing the same /titer, the same mite, and the same sound, on
the same line or space of all the staffs.
Performers on instruments, the piano for instance, will derive, if possible, still
greater advantages from this correction. The right hand is taught that a certain line
is 15, another D, another F. Now for the left hand. That which is B for I he
right hand is not 13 for the left hand, but another one is B. The degree on the
stalf that the right hand strikes for A, the left hand must not touch, but look out.
another. Here are two theories to be learned by the same hands of the same person!
and it is hard for Miss Left Hand to see why she may not follow Master Right
Hand, and apply the letters to the same degrees that lie does. But adopt one no-
tation and all is harmony. The ordinary range of the human voice is about two
octaves, and the medium sound of thio range belongs properly to the middle line of
the staff But the letter G on well-tuned instruments represents this medium sound ;
therefore the letter G ought to stand on the middle line. Thus the range of letters
and of sounds is as far above as it is below this medium sound and middle line ; and
both in fact and to tins eye the voice is correctly represented on the stiff.
2. In regard to the theory of the minor sctle. It is said that every major scale
lias a relative minor t and that this minor scale is obtained by a new and artificial
arrangement of the semitones. It is confessed that this is not natural, but " artificial.
Now the simple truth touching this point is, that there is one, only one scale of
musical sounds, embracing seven intervals. This one natural scale, with its sharp
4ih, 5ih, &c, contains every possible variety of musical sound. All music is com-
posed in this scale. What is called the minor scale is in fict portions of two scales.
Take a range of sounds commencing below the kejj, on the 6th of the scab', and as-
cend above the key to the Gth of the scale above, ami compose tunes in this range,
With reference to the Gth as the tonic, and such tunes will generally have a plain-
tive and soothing effect; not '• artificially, " but naturally.- and then the semitones
remain in their natural places and obey their own ordinary rules. It is plain that the
minor scale is in reality sections of two natural scales. It follows, therefore, that
when the pupil is fully instructed in the octave, he has fully learned all the natural
Bounds, and all their relations. Then after the scholar has learned all this, to tell him
there is another set of scales, called minor, is to tell him what is not true in fact,
Ind to confuse and perplex his mind with new and useless distinctions.
3. How to find the key. To ascertain the phase of one, or ttie'first 'decree of the
scale, flats or sharps are set at the beginning of the tunes. These ll its and sharps
are styled llie " signature," or sign of the key. This sign is a dark symbol to my-
riads. A in! why use the didicull sig'i, when the word Key so plainly tells .precisely
the same thing.
1 '''he continued use oi nine or more varieties of time seems rot necessary . All
autnors, indeed nature herself, recognise three kinds or measure, depending on the
spirit or movement of the tune. 1. The double measure: '2. The triple; 3. The
compound. More than these there are not. But authors have divided the double
measure into four varieties; the triple into three; and the compound into two.
The object of so many varieties is to direct the rate or time of singinc the tune
But it is clear that these signs of time do not give the tune any certain or absolute
movement. The speed or time of performance depends far more on the tastes and
habits of the leader than on these signs. One leader will perform the quickest va-
riety of double measure in more time than another would 'he slowest. These dis-
tinctions answer no purpose therefore, but to impede the progress of the pupil. Use
one symbol to show the nature of the measure, and a directive term over the tune
to indicate the rate of movement, and every useful purpose is gained.
5. In regard to character notes. Any thing that enables the singer to strike the
tones with certainty and fulness is of advantage to the practical musician. Giving to
each of the sounds in the octave a symbol or note to represent it, is so manifest an ad-
vantage to the performer that it is dillicult to see what objection could be reasonably
urged against it. The eye is the quickest of all the senses, and not only is the singer
directed to the sound by the position of the note, (a conclusion to which he conies,
however quickly, by a process of calculation,) but, in addition, he enjoys the ad-
vantage of an instantaneous perception of it by the sight of the eye. He can thus leap
from one interval to another, and range through all the tones with a facility which.
few attain without this aid. Farther, in the science of numbers we have nine nu
merical values represented by nine figures or symbols. How absurd the attempt to
publish an arithmetic with only one figure ,- and in which the value which this figure
represents could be known only by the position it occupies ! Music books all in
round notes are arithmetics with only one figure ; those with four shapes have only
a little more than half enough figures to represent the values contained in the science.
Fvery sound should have its own note or symbol, and every note its own name.
In this work, as in a former one, the author has endeavoured to displace words
that are entirely religious, and to supply their place with good moral poelry. The
reason for this change will appear obvious and satisfactory on a little reflection. If
the Most Nigh "will not hold him guiltless that laketh his name in vain ;" and
if to utter it in a light and thoughtless manner is to take it in vain, what <ruih is
incurred in the singing-school! Kven the conscientious pupil is, by the common
use of sacred stanzas to the tunes, in some sort obliged to incur the guilt of pro-
fanity, as it is nearly or quite impossible for him whilst learning the tune and ap-
plying the lines, to bestow the attention on the sentiment that words of devotion
require. This is a point of great importance; and parents, if they desire their chil-
dren to grow up in innocency, with consciences pure and lender, ought not to place
them in ciii'iinisLinces where they are obliged to tritle with the most pyloric US and
fearful names t!i it human or angelic language can express. 'I'll auks lo many dis-
tinguished and conscientious persons, whose influence encourages this reform in the
publication of this work.
Euclid. Ohio. Nov. 1348. A. S. Havi.ki-
ELEMENTS OF MUSIC.
Mi'sical soimas may De consiocreu in rererence 10 innr Pitch, Length,
nnd force. And upon these are founded three departments, which embrace
the whole of the elementary principles of music.
Pitch regards a sound as high or low. Length, as long or short. Force,
ns loud or soft.
FIRST DEPARTMENT.— Pitch.
At the foundation of the high and low sounds lies a series of eight sounds,
called the octave.
The distance between two sounds is called an interval.
The intervuls, throughout the .yhole variety of pitch, are always uniform,
though not eipial to one another.
Certain of these intervals nrc only half as great as others. Hence we
have what are properly called the greater and the less intervals, which,
for the sake of convenience, are denominated whole-intervals and ha/J-
interi a/a.
The voice, in producing the eiq-ht sounds ascending, naturally passes
from the first sound taken, a whole-interval to the second sound ; from the
second sound, a whole-interval k> the third ; from the third sound, a hall-
(iUESTlOXS.
What three qualities helong to every musical sound J [Ana. Pitch. length, and force. 1
Into how many deportments ore ihe elements of music divided? [Ant. Throe.) What
18 (inch f [Aim. I'llch regards a sound a* hiL'h or low.] What is length f [Aug. Length
regards a sounJ us Ion;; bi ilipri.) Wli.u is Force I (/!«.<. Force regards i sound as
loud or soli] W.nu docs the hr~t department embrace i \nt All I" lugl d low
Rounds, ol every voriet) ol nroh. What lifs ai ■ he lone ':.• hi h and low
sounds] [Aim. A series of eight sounds, called the octa' c .] What is an interval ? \Aut.
'Ihe nisiance oetwiini two sounds.) Are ihe intervals or at ens in the voice uniform and
cnuui to one another? \Ahs. 'J'hey are unilortn. hut not ei|tial ] What are the greater
mrrrvnU colledt >jtr* Whoir-m'icrvais.) What the less? 'Ant Half-interval*. It.
interval to the fourth — then proceeds to the fifth, sixth, and seventh, by
whole-intervals : and from the seventh, the i-ext step is a half-interval, to
tlic eighth, making five whole-intervals, nnd two half-intervals. These
eight sounds and the. seven natural intervals form ;he scale of an octave ;
thus :
8 AJoe
7 C See
i ;
C C Law
6 O Sole
I
4 S F,?w
3 O Mee
I
2 o nay
I
1 A Doc. First sound taken.
These notes, cnlled Doe,' fifty, fife, Ac, represent the smnds; and the
spnecs between the notes represent tin' whi le and half-intervals. From 1 to
2, from 'Z to :J, from 4 to f>. from •■> i" <>, and from (i to 7, are whole-mt-i —
fr m -\ to I, and from 7 to 8, are half-intervals.
QUESTIONS.
what order tlo the intervals occur when the voice produces the eight sounds ascending 1
[A tin. Two tt'liolc-intcrvuls in succession, then a nail-tnicrval, then three whole-ii
in succession, then another hall-interval.] Is this nrder natural or arnfieinl I \A»t.
Natural. | What is an oemve f [An*. Eight sounds. 1 What do the notes Doe. Ray.~Me,
Si ■■ represent? [An$ Musical sounos.) What interval occurs fiet ween I and J. ui Doe
and Roy f (.■!».«. A whole-interval.) Whm tictwccnSand 3. or Roy and Met &c. What
is Ihe distance between I and 31 [Ant Two who'e-it W n i-. I he distance
land i' [Ant. Two whole-itncrvots dnda htflf.) What is the uviamc between
I and til [A>ut. Five whole-intervals and iwo hall-iiuervnls.l
ELEMENTS OF MUSIC.
In descending, the voice naturally falls from the first sound taken a half-
interval — then three whole-intervals in succession — then another half-inter-
val— then two whole-intervals in succession — making five whole-intervals
and two half-intervnls.
These eight sounds and seven natural intervals form the scale of an octave
descending, thus :
8 & I"'* First Bound taken.
7 9 See
Law
I
G <p Scle
4 [$. Faw
3 O Mee
2 O Raj
1 A Doe
Thus it may be seen, the voice produces the same scries of sounds, and
passes over the same intervals, and forms the same scale, whether in ascend-
ing or descending an octave.
If the voice is extended either above or below the octave, it will naturally
pass over the same gradation of sounds and intervals, as far as the compass
of the voice extends. For example, tak.j am/ sound, and raise the voice by
the regular intervals an octave — then descend the octave, by the same steps,
QUESTIONS.
By what intervals does the voice proceed in forming nn octave descending;? [Ans.
First, a half-interval, ilien three whole-intervals in succession, then another hall, then two
whole uner/als in succession.] Is ilus order o! sounds and intervals natural or artificial ?
[Ait*. Natural.] What will he the result il the voice is extended ahove or below the
Octave ? \Ans. il will naturally pass over t lie same gradation of sounds and
intervals, as tar u the compass of the voice extends. J What is this Key? [Ans.
to the first sound taken — proceed an octave below — and you have a scale ol
two octaves in all respects similar, in each cf which are eight sounds and
seven natural intervals. The voice thus naturally forms, upon the first
sound taken, two octaves; and this (the first sound taken) becomes the key
or jroverninp; sound in the ear and voice.
1 A Doe
7 0 See
G D liw
6 O Sole
1
4 b. Faw
3 $ Mee
2 d R»y
Key— 1 A Doe First sound taken.
7 ^See
G u Law
r> O Sole
1
1 *
4 E^ Fhw
3 £ Mee
2 O Ray
1 A Doe
QUESTIONS.
The governing sound in the ear and voice.] How the governing pound T [Ans. It governs
or determines the pitch ol all the oilier sounds in the octave.] How docs the voice form a
scale of two octaves ? [Ans. Take nny sound and raise the voice by the regular intervals
an octave — then descend ihe ociave l»y ilie same sups to the first sound taker. — proceed ar
octave below, and \:>a have a scale ol two octaves.] Is this gradation af sounds and inier-
vats natural or arli'xta* 1 [An*. Natural.]
ELEMENTS OF MUSIC.
The figures I, 2, 3, &€., are used to dist'npuish 'he different sounds in
the octave, and designate precisely the distance or each sound from the key,
and its relation to it.
The key is always called I, ami the other numbers are appropriated to
the sounds of the octave ascending.
The eighth sound of the octave ascending is always the first, or key o(
the octave above, and is therefore called 1, and the key or 1 i» always the
eighth of the octave below.
The key is not any particular sound ; it may be of any pitch, higher or
Mower, and the natural rise and fall of the voice will be the same.
Neither is 2, or 5, or any other number in the scale, a particular sound
except with reference to the key. Whatever may be the pitch of the key,
2 will always be one whole-Interval above the key, 3 will be two whole-
interval;;, and 4 will be two whole-intervals and one half-interval above the
kev. Sec.
From the fact that the voice assumes no particular pitch as the key, and
always distributes all the other sounds of the octave with reference to the
key, throughout the whole range of its compass, arises thu necessity of
having fixed or stationary sounds by which to be governed.
The fixed or :-lalionari) sounds are obtained by means of instruments.
Instruments are constructed and tuned so as to please the ear ; and of
course are made to correspond with the sounds and intervals of the voice.
QUESTIONS.
What is the use of (lie figure? 1. 2. X Sic. t [Ann. They are used to distinguish the
different sounds in the octave.) What numeral is always applied 10 the key t [Ann. 1]
How are the oilier numbers, appropriated ? [Ans. To the sounds of the octave ascending.]
How do you explain fhe connection ol the octaves 1 [A tm. The eighth sound of the octavo
n-. en ling i< always the first or the key of the octave above, and is called 1. and the key
or 1 i- always the ei^nth of the octave In low ; Do you mean by the key a sound of any
particular pitch I An*. No, it may he of any pitch higher or lower, and the natural rise
ami fipll of the voice will be ihe same. Is -. or 5, or any other number in the BCale a
particular sound I I ■■■«. Ii is not, except with reference to the key; whatever may be
the pitch of the key, 2 will always be one whole-interval above the key. 3 will be two
whole-intervals, & C. Whence arises I he 111 cessily of havmi» fixed or s'a'ionary sounds f
An*. From the fact thai me ruice assumes no particular piicn as toe key. and conse-
quently distributes all the otfier Rounds <>t the octave variously, throughout the whole
*»m»c of in compass.] How arc fixod or stationary sounds obtained? 'Anj. Uy means
But as the ear readily distincuishes sounds Dotn nt<rner and lower than tne
compass of the voice extends, instruments are made to embrace a much
wider range, extending often to six or seven octaves.
It is found by experience, that the ordinary compass of the voice embraces
about two octaves — but it is by means ol instruments alone, thai it is ascer-
tained what sounds are embraced within the usual extent of its compass; ana
thus the sounds which the voice is capable of producing are located and
sp< Red, so that one sound may be compared with another, the instrument
always being the standard of comparison.
The sounds on instruments are named after the first seven letters of the
alphabet, as in the following illustration.
Q
r> K F G A
"t V
E F G A r. c n K F b
DC
Compass of ihe voice
It, this illustration, the lettered lines represent the sounds on instruments,
and the spaces between the lines the whole and half-intervals.
The compass of the voice is indicated by the brace, which extends from
G to G, embracing two octaves.
QUESTIONS.
of instruments How are instruments made? [Ant. Constructed and tuned so as to
please the ear.] Do ihe sounds and intervals on instruments correspond with the sounds
and intervals of the voice? [An*. They do, from the fact dial nature has iionstituied or
formed ihe ear so as to agree with the voire .May instruments be made higher mid lowei
than the compass of the voice! [Ant. Yes. It is found by i ihai the ordinary
compass of the voice embraces about two octaves, but the ear will distinguish sounds and
intervals on an instrument in a range from six to seven octovp«. How i- ii ascertained
what sounds are embraced within th< i ol ihe voiu ■ Ins. By ascend
(tine the fixed or stationary sounds on insirumemn.i Why" study instrumental
sounds, when you only desire to learn vocal music? [Ant. Because it is only by means
ol !i\cd or stationary sounds that music is reduced to a science. (low are lie sounds fn
instruments named! Ans. After the fir^t seven letters ol the alphabet, W'hai is tne
figure on this pu'je designed lo illustrate ? Ann. The bounds and intervals on instru-
ments.;
*
ELEMENTS OF JUIJSIC
In the application of these seven letters as names to the several sounds of |
•he octave on instruments, it was necessary that one of the seven should bo
applied to the key. Any letter might have been selected ; but C was the I
letter applied to the key-
Th'e half-intervals, therefore, on all instruments occur between E and F,
and between 15 and C
C is the same sound on all instruments. D is the same sound ; A ; and
so of all the other letters.
An instrument that produces but one sound, if it produces that sound at
all times without variation, (which is the case with the tone-fork,) will fur-
nish the means of ascertaining all the other sounds. If the instrument, for
example, gives C, and the sound D is required — D is obtained by rising
cne whole-interval above the sound given ; if B is required, it is always
found a half-interval below C, &c.
Thus by means of instruments we have fixed and definite sounds, so that
when we speak of A, or C, or G, we pper.k of a sound which is known to be
always and in every part ot the world the same.
paper, and be known by its own name. For tms purpose a staff" is used,
which is composed of five lines and the spaces between them, thus* —
In order to write these sounds, a scale of letters corresponding with the
letters on the instrument must be constructed, and so arranged as to indicate
the pitch of any sound intended to be represented — so that upon this scale
each sound upon the instrument shall have its own fixed position upon the
QIJKSTIONS.
What letter is applied to the key or goverttinil sound on instruments ?
\Ant
C.} Was
thts arbitrary? (Ana. It was.] What letter should have been applied to the key?
[Ant. A.) Why should A have been applied to the key instead of C? [Ann. Because
A is t lie first lei tor of the alphabet, and the octave on instruments should have commenced
wnli A. so that A on the instrument, and 1 of the voice, B and 2, &.C.. would have heeu
together. 1 From ihe tai- 'hat C is applied to the key, where do the half-iiucrvals occur
in instruments? iAns. Between K and F, nnd R and C.l Do the sounds on all correct
instruments correspond 1 \An*. They do.l Are the numbers 1. 2. ?>. &c, ever appro-
priated as names lii tin- sounds of instruments? [Ana. No Ii is only when we speak of
th<! voice that we use the numbers. Could you arrive at ihe true sound of any milliner
or leuer by means ot an instrument that produces invariably a given pitch I \Ans. Yes. I
If an instrument gives the sound C, how do you obtain the pitch D? I Ant. By rising one
Compass of th«. voice.
•
The letters or names of the sounds on instruments are thus transferred t">
the staff; each line and space having its corresponding name, and repre-
senting a particular sound. The first line of the staff is C ; the first space
is D; the second line is E, &c. These five lines with their spaces consti
tuting the most convenient staff, furnish nine places for notes.
Tne compass of the voice is from G, second space below the rtaff, to G
second space above it; and when music is written for the full con pass of
the voice, the spaces immediately above and below the staff; alco the short
lines, called added lines, are used.
QUESTIONS.
whole-interval above the sound given.] What is necessary in order to write music t
[Aim. The staff ] What is the stair? [Ant. Five lines and four spaces.] Why are the
lines and spaces named after the lirsl seven letters of the alphabet ? [Ant. Because ihe
sounds on instruments are thus named.] How many places for notes does the stall fur-
nish ? [Anx. Nine | Does the compass of the voice extend above and below the staff?
[Au.s. Yes. The ordinary compass of the voice is from G, second space below ihe staff,
to '!, second space above it.) Why is the staff constructed of five lines aril y ? [Ant. It
is lound to be the most convenient. I What is the use of added lines? [Aug. They are
used when music extends above or below the siaff | Why is 0 olaeed on the middle I'm*
ol ihe staii ! [Ant, Because ihe sound called G on instruments m tound to be about the
centrai sound of the compass of the voice.]
ELEMENTS O I Tl I M <
C SCALE.
1
-o —
-x<itfo-
o- -a-
5 6
7 i
J23
I
1
t V?
D
3 4
I I
E P
7 1
ii e
3 4 G Voioe.
I)
K P
Q Instrument.
This scale of notes occupying the places o( the letters on the stuff", repre-
sents the fixed or stationary sounds on the instruments.
(J is the key or govt |» soutld'j thrs is therefore called the O
. tale.
To assist in obtaining witn accuracy and fixin? in the ear each sound of
he scale, seven distinct names are applied In the tlbttfa m the OCtftVe. In
singing the scale, 1, (the key,) is called Due; 2 is called Ray ; -i is called
UUKSTIONS.
How is the pilch of sounds indicated f [Am. By the position of the notes on the staff]
VVhai is tins scale called r [Am. The C scale. i What d<> yon understand by the key '
[Ann. The governing round in the car and voice Wliai do I lie numerals iinilcr Hie -ill
■mw I [An*. The immral rise and fall ol mc voice.] in Binding ilie scale. how mmiy
names or syllable iire ; 1 1 > | • 1 1 «-t ( u> ihe n....-s in I tie octave I [Aits. Seven.) U'hai names
are used? [Ami Hot is alwaya applied to 1, Ray lu 2, AfeetoS, finis lo I. v«/r to 5, /..no
ui 6. and 6« to 7.1 Is the najiio nuine or syllable alwaya given lo '^" name number I
Mee ; 4 iscalled Fan-, (4 ns in far ;) 5 is called Sole ; (5 is called Law, (i as
iny'cfr;) and 7 is called See. The same syllable, and the same note, being
always applied to the same number ol the scale.
'I'his C scale, and the succeeding scales, should be practised first conti
.itiou.sly, anil then by skips, as 1, A, ">. p; — I, 5; — I, 5, B; — |, 8, <Jtc,
until (the key being <jiven) the pupil can give the sound of any number
required, or of any note pointed out on the stall".
QIKSI IONS.
! I'm Yes. always] On what fine 6r BpaCe is Dot in this scale f [Ans. (Jn the tirst o.
lower In"', and fourth space.] On w'hni is M,ei [Ant. <>n the second Ime. and lirsi
space aimw rhe sinlf.] On what is Satr l [An$. On ilie second space below the •
nn the third or iniclille line of the stall', and on ihe second space above ihe siatf.) To « Mat
ii<i in in-r of the Rfn(e is Salt always applied I [Atu. to the fifth.] To wlia' IS Met I
[Ant. To ihe third.] To what is Iaiu. I [Ant. To t':e s xili .', To wbit i» /'mil
[Am. To the fourth J Sing; the «r*Je.
io
ELEMENTS OF MUSIC.
G SCALE.
E
.0 In"
Ktvo/a.
;~: — v~*
2 3 4
7 1 2
l i
3 ,4 5 6 7 1 Voice.
I I !
I !
i I
III I I ■ # 7 I I I U I I # I
G A BC D E F | G A B C » EF|G Instrument
I i ii i ii i i i i ; i i I i i
T«*U0t*O
This is called the G scale, because G is the key or governing sound
of the scale.
The natural rise and fall of the voice is the same, whatever may be
the key.
Different letters or sounds are taken as the key, in order to produce a
greater variety in the combination of sounds.
INSTRUMENTAL.
In this scale G is taken as the key ; consequently the voice, which natu-
rally produces the half-intervals between 3 and 4 and between 7 and 8. will
QUESTIONS.
What letter or »ound is taken as the key in this scale? [Ans. G.] Does the voice
rise and fall from G in this scale precisely as it does from C in the C scale? [Ans. Pre-
cisely the Bame.] Why take different letters or sounds as the key? [An.?. In order to
produce a greater variety in the cornhination of sounds upon the instrument and staff.]
On what line or space is Doe in this scale ? [Ant. On the second space below the staff,
on the third or middle line, and on the second space above the staff.] On what line or
•pace is Hole t [Ans. On the first space, and fifth line.] Sing the scale.
Inttrumtntal. — Between what letters do the half-intervals occur in this scale ? [Ans.
produce them between B and C, and between F and G; the half-interval
between 1\ and C on the instrument will correspond with the voice between
3 and 4, but the half-interval between E and F will not correspond with
the whole-interval between 6 and 7 in the voice. Instruments, therefore,
in order to perform this scale, must be constructed so as to produce an
intermediate sound between F and G, conforming to the whole-interval
between G and 7 in the voice.
A sound thus raised a half-interval is said to be sharped, marked thus if.
Hence the rule, fl@»When G is the key, F must be played sharp in every
octave.
QUESTIONS.
B and C, F and G.] Does the instrument ascend and descend the octave from G in this
scale as it does from C in the C scale? [Ans. No.] What sound or sounds not intro-
duced in the C scale are required in order to perform the G scale ? [Ans. An interme-
diate sound between F and G in each octave.] What letters are performed differently ?
Ans. [F is played sharp.] Why is F played sharp? [Ans. To make the instrument
correspond with the natural rise and fall of the voice.] What is meant by F sharp T
[Ans. The sound is raised a half-step, or half-interval.] What is the rule for perform-
ing the G scale? [Ans. When G is the key, F must be played sharp.]
ELEMENTS OF MUSIC.
11
B SCALE.
KWD
*=JZ±
-O 3-
I
4 6
(i
7 1
i
" C
3 4
#
? 9 T I V I ? c
7 1
8
K K
3 4 Voice.
3
Ia««ram»nt-
This is called the D scale, because D is the key or governing sound of
the scale.
The gradation of sounds as produced by the voice is the 6ame whatever
may be the pitch of the key.
INSTRUMENTAL.
In this scale D is assumed as the key.
From D= I to E = 2 is a whole-interval on the instrument. From E=2
to F sharp=;J is a whole-interval. From F sharp =3 to G = 4 is a half-
Ql'ESTIONS.
What letter is taken an the key or governing sound in this scale 1 [Ann. D.l Does
the voice produce the same (frtltKition "I rounds nrlien it mumnie*. r) as ihe key. as when it
assumes C f l .-Ins. Precisely the samel Wh.ii name ur syllable is applied m I he note
on I) in this seme f [An*. Doe.] How oh en does 1) our in tins scale 1 [Ant
Twice.l How ol ten does Fa w 1 [Ant. Three limes. j Sing the scale.
interval. From G=4 to A— f) is a whole-interval. From Aaa>6 to B = fl
is a whole-interval. From I$ = i> to C=«7 is a half-interval. But the voice
naturally rises a whole-interval from 0 to 7.
Instruments, therefore, in order to perform this scale, must, in addition to
being capable of making F sharp, be constructed so as to make an interme-
diate sound between C and D called C sharp. Then from Baa*6 to C sharp
=7 is a whole-interval, and from C sharp«="7 to D is a half-interval, which
completes the octave.
EJTiuLE. — When D is the key, F and C must be played sharp in erery
octave.
QUESTIONS.
fnitrumrvlnl. — What sounds different from those nrccssarv in the C scale are required
to perform tnnl \Ati». Intermediate sound-, between F and (.. and C and 0. «hat
li-mrs ere required to be performed differently! Ant h and C must m plavcd «hi»-p.
W'hv f [.•)«.« To make the instrument pk-ase I he ear and correspond with Hie natural
rise and tall of the voice.) What is t lie rule lor perlumung ihis scaie t A**. When V
is the kev. F and C must he played aharp.l
1*
ELEMENTS OF MUSIC.
A SCALE.
This is calJed the A scale, because A is the key or governing sound of
the scale.
The voice ascends and descends the octave by the same steps, whatever
ruay be the pitch of the key.
INSTRUMENTAL.
In this scale A is taken as one, or the key ; consequently, as may be Seen
QUESTIONS.
Why is this called the A scale? [Ant. Rceaiise A is the key or envern\ne sound
of the scale.] What name do you give tin: noic on A I [Ann Due.] Is Doe always
apuhed to tht- key or governing sound I [Au* Yen.] I >«««•*■ the voice ascend and
descend i he octave by ihe same slept, or intervals, whatever may he ihe pitch o- 'he
Key t [Ant. Yes.) What do you call the note on the third line? [Aus. Sec.| Smj;
the scale.
lnntrumnttal. — What sounds additional to those necessary in the C scale are required in
this T [Ana. Intermediate si.unds between F and (J. C and D, and C> and A.| Which
of these letters are performed dilleretitly 1 [Am. F. C, and <• are played stiurp.l What
at once, an additional intermediaie sound will be ivcuiired between G and A.
Insti'umeflts, InerCTore, in order to penurm fins scale, must be capable of
elevating G a hail-interval, ur, of making G sharp as well as ¥ and C.
Rule. — /E3?~Wh<jn A is ihe key, F, C, and G must be played sharp.
Note. — This scale may be performed by assuming A flat as ihe key or
governing sound, then observe the following
Rule. — ^STWhen A flat is the key, B, E, A, and D must be played
flat.
, ! .
QUESTIONS.
is the rule for performing the A scale? [.4ns. When A is the key. F. C, and (J must be
played sharp.] What is the second rule? [Ans When A flat is the key, 1!. E. A, and
D must he pi tved flat.] How do you piny a letter or sound flat? [Ant. 1 1 is played a
half-interval lower | Do tin- notes, syllables, and numerals occupy the same lines ami
space* on the stall' when the A scale is performed with three .sharps a* with four flats?
[Aril. Tln-v do ] What is ihe difference in playing tilt- A scale with (our flats? [Ans
A flat is tjiketi as the key or governing sound ; consequently tue whole scale is a lialf-
iuletval lower.)
ELEMENTS OF JTIUSIC.
13
I
WEI
2 3 4
O
F SCALE.
7 i
1 ■-■"— M-l-llll
u i p f. f g
v-&«-
-CL
I
3 4 5 0 7 1 2 Vo!«.
II C D K F G Instrument
1'liis is called the F scale, because F is the key or governing sound of | interval — from O to A is a whole-interval. From A to B is a whole-intcr-
the scale
T!.e natural rise and fall of thv iroice is always the same
INSTRUMENTAL.
val ; hui this will not correspond with the voice, which naturally rises and
falls a half-interval between -l and -1. \\"e must therefore have on interme-
diate sound between A and 15, called 15 flat — marked thus j,.
IJii.k. — jyWhen F is the Ley, li must be played flat in every
In ibis scale F is taken as the key. F is 1. From F to G is a whole- octave.
QUESTIONS.
W liai leuer is the k"y o« governing sound in t lie ear and voice in this «rale f \An*.
K. Does ihe vujee ri. c and fail from I' in litis scale iu ii d u - from (J in the C suatef
\Ant V'l-i. The natu.ul rise and lull oi'lkc vuuv w always iheannii WIhstp is l)m» hi
(his scale! \Ah.<. (Jii me si-o-.J space, mid on ihe iaJed-Uiiu above die rtari'. iin
«vhai .i:ie or IpaUl u Sole f \A.u. On ilie lir»t line mid iounli vpace.j Sine lue j V*Hw rule Inr pcrioraiing this scale 1 [Am. W lien F is the key, b must l>« pluyca flat m
2***- I everv ociuve.
QUESTIONS.
tmitrnmpntol. — Wlinl sound-; Iwdidr" those mirndnrrd in the C scale are required in pcr-
lonn iliisf [An*. An iniWniedhiie sound between A am! I! in earn octave WIibi InHf
i- in I..- performed liill'eTcnily ' An* I! is to be plavcd a hall-inirrvql lower. When n
Iimit i~ i'im i.inniil u hall-inirrvai lowei. « liai is ii i :i 'i ,1 ' | !«'», fi u> called flat. Wliat
14
EL.FWEIVTS OF MUSIC.
lib SCALE.
I
*a, B&-
-n- -9-
6 7 1
G A
? e ^7
2 3 4
B C D
I T i
I I
I
7 1
i
>>
M
I I
3 4
i
E P C? ABC D
E P
l I
6 Voice.
Instrument
In this scale B flat is the key or governing sound ; it is, therefore, railed
the B [) scale.
The voice naturally rises and falls by the same intervals, whatever may
be the pitch of the key.
INSTRUMENTAL.
In this scale B flat is taken as the key or governing sound. And to per-
ytlKSTIONS.
On what line or spare is Pop in this scale 1 \A»s. On ilio fourth line and first spare
lielnw ihe stall. | What note is on the ironic! line anil lir»l space uhov« 1 [A MS. Kiiw.J
What is the inline ul (lie note on tlie milled line aliove the Mall I \Ant. Sole.J >m^ the
■cale.
tntlnimrniiil. — What is the pit. Ii ol I lit.' Key or ifnvernine sound in tins scale? \An>.
B|,.] I'itp the instrument a.-. end and dv»c> nd the octave by the battle intervals
from U), u n Ooe» itvm C in me C scale ' 4itt. -\o.' Wisai bounds uillereui iroiu
form this scale an intermediate souud between D and E is required, called
E flat.
Hulk. — B^^AVhen B flat is the key or governing sound, B and E must
be played flat in every octave.
Notk. — This scale is played with B flat and E flat as a convenience to the instru-
mental performer.
Take B as the key or governing sound, and it will be necessary to play five sharps,
in order to make the instrument correspond with the natural rise and fall of the voice.
QUESTIONS.
those in the C scale are required to perform this? [Ann. An intermediate sound be-
tween A and li, and between I) and E.] What letters are performed differently?
[j4«.?. Band E ate played Hal.] What is ihe rule for performing this scale? [Ana.
When B Hat is the key or governing sound, B and E must be played flat in every oc-
tave. Why must B and E bo played flat? [Aus. To make the instrument correspond
with the natural ri.se and fall of the voice.]
EEEMEIVT* OF MUSIC
Eb SCALE.
. — _ 9 — & .
-4>
*1. E^-
3 4 6
O B-
1
« f i
8 8 4 5
■ II —^MMJlBaf .-J1HMI
u
1 1
D
3 Vote*.
E"F
G Instrument.
In this scale V.\) is the key or governing found ; this is, therefore, called
the K[? scale.
The voice rises and falls by the same intervals, whatever may be the
pitch of the key.
In the preceding scales, the hey note, Doc, has been on every letter on
the staff.
INSTRUMENTAL.
In this scale the pitch assumed is E flat. To perform this scale no addi-
tional sound is required different from those in the preceding scales. A must
QUESTIONS.
Is the natural rise and fall of the voire always ihe same, whatever niay l>e the pitch
of the key ? [Ant. Yes.] In the preceding mates lias the key (or 1 ) been on every
letter of the itatT? [Ant. Yes] Why are only seven letters used? [Ant. Because
seven are all th:it can be U • l on an instrument, which limits seven to the stair.] What
is the use of taking different letters at the key? [Ant. [I produces a greater variety
in the combination of sounds upon the Instrument an.! staff.] Why have such n variety
of high and low sounds ? [.-) nt. They lire used in Composing a great variety of tunes ]
Is it easier or more natural to sing in one scale than another? [An*. No.] Why?
[Ana. Because the key may be ol any pilch, higher or lower, and the natural ri
rail of the voice' will be the same.] On what line oi space is Doe in this scale? [Ann.
On the second line and first spi shove Ihe staff.] On what letter is Doef [Ans, K ]
Is the syllable Doe always applied to the kev or 1 ? [Ant. Yes.] What sellable is
always applied to B 7 [Ant. M.-e.] What ie 5T [Ant. Sole.] What to 7? [Ana.
See.] What to 2 7 [Ana. Hay.] Sing the scale.
be played flat, but G sharp has been already introduce: and is precisely the
same sound.
Rule. — 15^ When E flat is the key or governing sound, B, E, and A
must be played flat.
Note. — This scale may be performed by assuming E as the key or
governing sound, then observe the following
Rule. — !3r"When E is the key, F, C, G, and D must be played sharp.
Instruments, in order to perform the scales, based on every letter, must,
it is evident, be constructed upon a scale of half-intervals. Accordingly, all
correct instruments are so ".iade.
qi ks noxs.
Instrummtnl — What is the key or governing sound of this scale? [Ant T. flaL| Is
any sound different from those already introduced necessary to perform tin-- scale? [Ant.
No] Is A il.it the same as (i sharp? [Ans Yes.] Is the sharp of any letter the same
as tlie Hat of the one next above it? [Ant. Yes] What sounds different from those in
the C scale are necessary to perforin this? [.4ns An intermediate sound between A and
li. 1) and K. (i and A ]' Which of these are to be performed dif&rentryl [Ana H. K
and A must be played flat] Whai is tie- rule for performing this scale? [Ant. When K
Hut is the key or governing sound. B, K, and A must be played flat] Must an lostrameat
be constructed upon a scale of hall-intervals in order to perforin the sole based on every
letter! \Ans. Yes ] Can in-trumetits thus made perform this scale of notes, by as-
BUflling E as the key? [Ant. Yes ] What is the rule? [Ana When E is the key, F
0, li. and 1' mUSl be played sharp ] Do the numerals, notes, and syllables occupy the
same lines and spaces On the statf. when the scale is performed with three flats, as with
four sharps? f Ant. They do.]
le
elements of music
SECOND DEPARTMENT. -Length.
The consideration of the length of sounds naturally follows that of pitch.
The first question in regard to notes is, What sounds do they represent? Or
what is their pitch ? The second question is, How long are these sounds to
be continued ?
We have heretofore considered sounds in reference only to their pitch,
and their relation to each other as high or low.
The pitch of sounds is not affected by their length. The same sounds, of
whatever pitch, may be continued for a longer or shorter time.
The notes (Doe, Ray, Mee, Faw, Sole, Law, See) which are used to repre-
sem pitch, also represent leni/th, by adding a stem, tilling the head of the
note, &c, as in the following illustration :
Whole note.
A
Half.
Quarter.
Eighth.
Sixteenth
X
These notes represent five varieties of length, each having its appropriate
name expressive of its relative length.
A dot (•) adds to a note otic-half its length.
Thus, a dotted half-note &' is equal to three quarters A A A or ^ A
A dotted quarter
is equal to three eighths A A A
kiW-U
A A
I l»*
QUESTIONS.
What is the first question in regard to notes? [Ans. What is their pilch ?] What is
the second? [Ans. How Ions are ihese sounds to be continued?] Does the lcn<:lh of
sounds affect their pitch t [Ant. No. The same sound*, of whatever pitch1, may he
continued for a longer or shorier time.] Are we now to consider ilie same high and low
sounds (embraced in the preceding scales) as long or short ? [Ans. Yes. J Do the same notes
winch represent pitch, also represent Icngikt [Ans. They do ; by adding n stem, filling
the head of the note, &x.] How many varieties of length do the notes represent* [Aus.
Five.] What are their names ? [Ans. Whole riole, hall, quarter, eighth, and sixteenth.]
How do jrou know a whole note 1 \Ans. It is an ojien note without a stem.] How do
It should he observed that these notes, whole, naif, quarter. &c., do nm
indicate the positive, but only the relative length of the sounds which
thev represent. Thus, if the whole note hi: considered as representing a
sound to be continued four seconds, the half-note must have two seconds ;
the quarter, one second ; the eighth, half a second ; the sixteenth, the fourth
of a second ; and the dotted whole note, six seconds ; the dotted quarter, one
second and a half.
Or if to the quarter he given two seconds, the half-note must be four, the
whole note eight, the dotted quarter three seconds, &c, each note claiming
its relative length in comparison with the others.
The lime occupied in the performance of a piece of music, or of any par-
ticular passage, is governed by the nature of the music or the character of
the sentiment ; according to the taste, judgment, or habit of the performer.
A general idea of the movement of a tune, or of a particular passage, is
suo-gested by the use of the following terms, viz : Moderate — slow — very
slow — lively — very lively, &c.
Measures. — To regulate the lime, and to preserve equality throughout,
written music is divided into equal portions called measures.
Bars. — The measures are marked oft' by straight lines drawn across the
staff, which are called bars.
QUESTIONS.
you know a half-note? [Ans. It is an open note with a stem.] How do you know a
quarter-note? [Ans. 'The head of the note is filled.] How do you know an eiglnh-nole
from a sixteenth ? [Ans. The eijjhih-note has one mark to the stem, and 'he sixteentn
has two.] Why is the open note with a stem called a half-note ? \Ans. Because it repre-
sents a sound half as long as the whole nole.] What one note is equal 10 two halves?
[Ans. The whole note.] What nole is equal to two quarters? [Atts. The half-note.]
How much does a dot add to the length of a note? [Ans. The sound is to be continued
one-half longer.] .Have notes Uay positive length I [Ans. No; only the reliilice lengih
of the sounds which they represent.] What is to he our guide as to the time to he occu-
pied in singing a piece of music? [Ans. The lime occupied in the performance of a piece
of music, or any particular passage, is governed ^y t lie nam re of 'he music or ihe character
ol the sentiment ; according to the tasie, judgment, or haliii of ihe performer] How is an
idea of i he lime suggested ? [Ans. A general idea of the movement ol & tune, or of a par-
ticular passage, is given by the terms moderate, slow, very slow, lively, very lively, &,c]
What are measures? [Ans.. The equal porlions between ihe bars.] What arc liars?
[Ans. Straight lines drawn acioss the stall', which divide the tune into the equal portion*
called measures.!
ELEMENTS » E MISS t*
I?
Each measure, or portion between the bars, must occupy tin- same Uw
in the performance, whatever may be the number of the notes.
Measures are also divided into equal portions, called parts of measures.
There are two kinvls of measures, equal and unequal.
A measure with two parts is called equal measure.
A measure with three parts is called unequal measure. jy
Music written with equal measure is in equal time, ar.d is marked £i
because two balf-notes constitute a measure. •"■'■
Music written with unequal measure is in unequal time, and is marked
R because three half-notes constitute a measure.
The unequal measure is sometimes doubled, and forms what is called
compound time. It is marked , because six quarter-notes constitute a
nv.sure. -^
'\v aid in the computation and equal division of the timp, certain regular
motions of the band are made ; this is called beating time.
Equal measure has two beats, one to each part of a measure ; the first
down, the second i<p.
l/iii/iiul measure has three heats, one to each part of aj measure; the first
duirn, the second horizontally to the breast, the third up.
QI'F.STIONS.
For what are measures used? [Arm. To rcgula'e >!ic time, and to preserve a uniformity
between different pur's ol the same piece of inHftie. Are we governed in nine hy 'he
length ol i he measures ? [Arm. No. I!y 'he v:ilne of ihe notes « Inch till the i wm a
ll one measure is filled with the u/Iule note the next measure wirh two halves, and 'he
next with four quarters. must ihe nine occupied in the performance he > he same in each
measure} [Ant. Vis. !)•>« an niea-nre- dividi d I [Ant. Into eipinl portions, i ailed
parte ul measures.] How i.-.,ny kinds ol measures are there f [An* Two. Winn are
tScy called? [Am. Eqiii iihmiipb and unequal measure, whet is equal measure}
Lint A measure with two "dr'B.| What is unequal measure? [An* A measure wt'h I
three pans When music is written wilh ei|nal pleasure, what kind ..I nine is il called' I
[Ant Equal time., How h ii marked? [An* with a Retire ■.' over a .' hi the com
minieineiit ol the tune. U hv IS n thus marked ? [Ant. localise two half-nnie- eon-
Stlluie a measure. When music is wrrien win unequal DltWUW whal kino ol lime is it |
calliiif [An*. L'tHMjuai nine How is it mark' d I [Ans With ■ figure 3otw a figure
1 at 'h«! commencenieni nil 'lie tune. Why is it thus u,nrked ' [.ins Because three
o»u notes constitute s mcasu.-j., When the unequal measure is d'">l>l<«( what kind ol I
Compound time has two beats to '.he measure, -vith tnree quarter-notes.
ir their value, to each beat.
ItvhR. — • S" The downward beat always hejpns 'he measure.
Rests. — There -ire five different regfSg or marks • •!' s:l>-n- c, corresponding
n time with the live different kinds of notes, as follows:
Whole rest. Hall.
Quarter. E'ghth. Sixteenth.
1 1
A dot (•) adds to a rest one-half its length.
A pause ( t> ) is sometimes used. Trie notes over or under which
it is written are to be |>rol< nged indefinitely at the pleasure of the |>.r-
tonii'T.
Staernk).— When a m te or several m (ps are to be performed in a short,
pointed and instinct manner. Hie staccato (i : is used.
Slur. — When one syllable of poetry is to be applied to two or more notes,
a. slur is drawn over or under them, or the stems of the notes are connected.
Thus •
F-i i r ! i i I [ ^^=±
yt ESTION8.
time does i' form ' [An*. Compound nine. How is it marked ? [An*. With a figure 6
over a figure 4 Why? [An*. Because six qUBrteeVROTtt rsinsBJU'i a tin -a-ure. Mow
are we aided in the coiiipuiaiirjn and equal division of the lime I .-!»« Hv regular mo.
Uons ol the hand, which is called I. eating nine. How rrrany heats has eqtnrl measure I
[An* Two; one In each part ol the measure; the lir-.' down, 'he second up. How
manv heals has unenuu'l measure ' [Am '! •. . ; ... , m each car- ol ihe measure ; the
first flown, ihe s nd lefi 'he third up. Whal is the rule ? [An*. The downward beat
■l ways beams ihe sietrntre, What are rests? [An* Marks uf silence. Ilow manv
ar>- used' Maui Five How much does a dot add tn a rest 7 [An*. One hall its
'ength. Whai is said ol ihe pause! An* The note- over or under which n is written
are to he prolonged indefinitely at 'he pleasure of me performer. For what u the atac-
caio used ? [An*. It is written over or under n note or several notes when thev sre 'o oe
perloniied in a -hurt, pointed, and distinct manner. Wen' is the. use ot a slur? Am.
When one svUnble ol poetry is to he applied to two 'ir inure notes, a slur is drawn over •
aider i In in. ol the oil ills of the nous are connected. j
IS
Triplets. — When tnree notes are to be nerformed in the time of two of
the Siine nominal value, the figure 3 is written over or under them.
ELEMENTS OP MUSIC.
Thus:
Thus f f f equal to P • or f P f equal to f •.
Rrpra*. — A passage to be repeated is embraced between two dotted lines
across tht staff.
t
I
A double bar ( I ) shows the end of a strain of the music, or of a line of
2 Doetrv. I
the poetry
PRACTICAL EXERCISES.
Klin* I. TIME.
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si
CNEatTlL TIME.
Cbou«
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COMPOUND TIME.
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Note. — The teacher may add to these exercises, by selecting measures Irom different tunes through the book, and writing them on the black-baard.
QUESTIONS.
What effect is intended by the figure 3 over or under three notes? [Am. When three
»oie« are to be performed ill the time of two of the same nominal value, the figure 3 is
written over or under them.] When a passage is to be repeated, what sign is used?
[Am. Two dotted lines across the etaff.J What are they called ? [A?is. Repeat marks.]
What is ine uac of a double bar ? [Am. A double bar showa me end of a strain of the
QUESTIONS.
music, or of a line of the poetry.] How do you know when a piece ot music is written in
eijual time ? [Ann. By the measures being always filled with two hall-notes or their value,
or by the figure 2 over 2 at the commencement of the tune.i How do you know when a
tune is written in unequal time? [Am. By the measures neing always filled with three
half-notes or their value, or by the figure 3 over 2 at the commeueement ot the tune.i
ELEMENTS OF MUSIC.
THIRD DEPARTMENT— force.
Musical sounds may be loud, very loud, soft, very soft, moderate, or ordi-
nary as to force, without affecting their pitch or length.
Medium. — A sound produced by the ordinary action of the organs of
voice or of an instrument is a medium sound, and is marked M.
Piano. — A sound produced by the vocal organs somewhat restrained, is a
soft tone; it is called piano, *nd is marked P.
Pianissimo. — A sound produced by a very slight exertion of the vocal
organs, yet so as to be distinctly audible, is called pianissimo, and is
marked PP.
Forte. — A loud sound, called forte, is produced by a strong and full exer-
tion of the vocal organs. It is marked F.
Fortissimo. — A very loud sound is called fortissimo; it must not be
attempted beyond the power of the vocal organs so as to degenerate into a
•cream. It is marked /'/'.
Accent. — General flutes. 1st, The first note in every measure must be
accented.
2d, \V hen there is more than one note to a beat, the first is accented.
3d, In unequal time, when the measure is filled with two quarters and
two half-notes, the first half-note is accented.
In compound time, the first and fourth notes in the measure are nccen:o<i.
Organ sounds. — A sound which is commenced, continued, and ended
with an equal degree of force, is called an organ sound.
Diminishing sound. — A sound commencing loud, and gradually dimi
ni.shed until it becomes soft, is marked thus :>-.
Increasing sound. — A sound commencing soft, and gradually increased
until it becomes loud, is marked thus ~=c
Swill. — A sound commencing soft and gradually increased till it becomes
loud, then diminish. -d till it becomes soft, is marked thus -=C^=»-.
Pressure tone. — A very sudden swell is marked thus o.
Explosive tone. — Wh >n a sound is to be struck with great force, and
inst£.""!y diminished, it is marked thus ->.
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PRACTICAL EXERCISE.
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QUESTIONS.
How are musical pounds distinguished in regard to force f [Ana. By the use of letters
and other characters written over or under the notes which represent pilch and length.]
What are ihe.-r characters called? [A tit. Musical expression. What letter is used to
Signify medium! [Ant. M.\ What letter signifies soli, or ymnnl [Ant. /'. What
for very solt, or puntit »im» fj [Ant. /'/'.] What dues F signify} [An*. Loud, or
/one.\ What dits /-"F-sit'tnivT [Ant. Very loud, or fortittmo.] what is the first rule
in regard to accent f \_Ana. The tir^t note in every measure must he accented.) What
is the second rule: Ld.au. When mere is more than one note lo a beat, the first is
accented. 1 What is the third rulef [Ant. In unequal time, whon the measure is lillerJ
QUESTIONS.
with two quarters and two half-notes, the first half-note is accent) I Wnat is an oraan
sound I \Ant. A sound which is commenced, continued, and ended with an eoual decree
<il force.] What is a diminishing sound? [Ant. A sound commencing loud, and en
dually diminished until it becomes soft, What is an increasing sound I [Ant. A sound
commencing soft, and gradually increased nil ii becomes loud, Whni m a swell' \-''-*
A sound commencing soft, and gradually increased till it hecomes loud, men ditnin'shed
mi it becomes soft.] What is a pressure tone f [Ant. A very sudden swell.' What •
un explosive tone I [Ant. A sound struck with very great li>rce, aiul instantly dinu-
mshed.)
*o
ELEMENTS OF MUSIC.
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■Cotapnua of the voice of females, aluo of boy. before the change-
-Compaaa of the male voice after Ihe change-
In the preceding scales, we hav • already seen that an instrument, in or-
der lo perform tunes written in all the various keys, must be constructed
upon a scale of half-intervals.
But this figure in connection with the staffs, &c, is introduced with a view
of illustrating the relations of the different voices.
The human voice is divided into four classes. The treble or highest
voice of females, the alto or lowest voice of females. The tenor or highest
voice of males, and the base or lowest voice of males. The brackets above
and below the staffs show the range of sounds from which the different parts
are ordinarily written.
The sound called G on instruments is about the centre of the compass of
the voice; it is, therefore, written on the middle of the staff", and the other
sounds or letters located accordingly. It must be remembered, however, that
the voice of boys — which corresponds with that of females, and is clnssed
with the alto — undergoes a change before thev arrive at maturity, and is
UUESTIONS.
Into how man-, clan*?* of sound* is the human voice divided? Wtiv is the le»:.T '!
placed o-i the third or middle line oi the stall ? Wuui in the relation of the male voice to
depressed an entire octave. The voice after the change is on the tenor and
base staff.
On referring to the tunes, it will be seen that the music for the four classes
of voices is written on four staffs, marked base, treble, alto, and tenor. The
G on the middle line of the base and tenor staffs, reprfsentinir the centre of
the ordinary compass of the voice of males, is an octave lower than G on
the treble and alto staffs. Performers on the organ, piano-forte. &c, should
not forget that the notes written upon the base and tenor staffs are to be
played an octave l< wer than the notes written upon the treble and alto starts.
Instruments must have a compass of at least three octaves, to embrace tLese
voices, or to play two octaves of written music.
Note. — Instruments may he constructed or tuned to different sounds. For example. th«
German fliiie is based upon I), some of the clarinets upon B flat, and others upon K flat.
The church organ, piano-lone, and several oilur leading instruments are constructed or
tuned to ihe sound called C. This key, or scale, is ihcrclore called natural to instruments,
and is made ihe universal standard ot reference and comparison.
Ul'ESTIONS.
that of the female? [Ann. The male voice after the chanp-e is an octave lower."; Does
mi instrument require three ociaven to pla) .wo octaves of written music f
ELEMENTS OF 1IIM<
21
THROMATIC SCALE
59 h"
It is proved by instruments that the less irtervals which occur between X
anil 4, and between 7 and 8. are precisely half as great as those which occur
between the other sounds <>f the octave.
N i\v between the other sounds of the octave it has been found by expe-
rience that tlie voice, by an effort, may produce intermediate sounds. Thus
intermediate sounds may be produced between I and 2, 2 and S, -1 and 5,
5 and I), and between fi and 7; but not between -i and 4, and 7 and 8,
because the intervals between those sounds are naturally half-intervals, and
no smaller interval is practicable.
The notes representing intermediate sounds may be written on the same
line or space of the stair with either of the n< tes between which they occur.
Thus, the note representing t he sound between I and 2 may be written on
the same line or space with either of those notes. I may be elevated a half-
interval, or 2 may be depressed a half-interval, and the same sound will be
produced.
If it is proposed to elevate the lower sound, a # is used, and the sound is
Called a sharp 1st, a sharp 4th, &c.
If it is proposed to depress the ppper *i>und, a \y. (the sitjn of depression,)
iy used, ano trie sound is called a Hat :ld, a flat 7th, Sec.
rF*A sharp (if) elevates the pitch of a note a half-interval.
£F"A flat ( (j ) depresses the pitch of a note a half-interval.
UJURSTI0N9S
now is it proved that the teas Intervals ire hatf as sreat as the whole- Intervals? Be-
tween what numbers ol the •>• tave may the voii e produce intermediate sounds f Are the
intervals thus umducod natural ? \Atut. No. Why may we not have intermediate
sound- lit i with < anil I and lieiwi en 7 and 8? What is a Chromatic scab?! J. Ins. A
scale othnli'-mferviiis. H >w are nnerin'd'a'i- pounds written f>rn hi -intl ' Whai character
is a siui. ol elovaiwin' What is the dign ot depression S Where a no'e Rjhiears on ihe
staff with a * prrtnirt n,.w |s n to in sung} An*. 'I He -«>>i>ui is rai-rd a iiad-inu rval.
How w Uci «lib preujeud f \.A%>. The bound ls tu he lowered * halt-interval. J Is it any
lii the application of nam* s to the intermediate sounds, the voice is assisted
in producing the proper elevation or depression by changing the vowtel
s mill of the syllable used. Thus when a sharp occurs before Due. Hav,
Faw". &c, th">e syllables should I"- prom unced Dee. Hoe. F«e,"&c. When
a flat occurs before a note, the intenned site sound should be attempted bv
pronouncing See.Mee, &c, thus, Sat May, &c.
In attempting lu sino this scale, it nil be dilficull to obtain the artificial
sounds perfectly without the aid of an instrument.
In the practice, therefore, an instn; -i.t should always be introduced as a
guide, that shall give the intermediate sounds with accuracy and certainty.
In the preceding scales the key bus tr-en so varied as to occupy every
letter on the stall' and every variety i/t hitrh and low sounds exhibited,
requiring ouly to extend the scales higher and lower in order to reach the
widest ratine of instruments. Fro. a these scales all music is written, of
whatever character, and I'-wn them every possible combination of sounds
may be made.
Note — \ nine nmv he written upon two <>r mure scales; mat ts. a pier* ot music may
commence in one key, and du j ns progress he changed into another l>-v. winch is
modulation. When 'he change *■ continued several measures, the syllables should he
changed, !>ut when ihe change i.- ,i<ade lor one or two notes only, the *4ih. or Iwth. Si.c,
should he introduced; hence ihe lie salty it singers practising 'In chromaiic scale.
QJ'MTfONS.
advantage in singing sharp and flatted n.UJn Ui chanire the pronunciation ol the syllables!
What change is recommended?
Inxl rtimrti ../ — Whin a i •■'<• appears •>■ 'he siatT wnh a * prefixed, how is it :o be
played ' [An*. 1 he sound is to lie r.iscd iiail-nncrval When n •, how I I Ism. I lis
•...iiiui w 'n lie lowered n hVl-nnervn nc kev ol V 'he :4\\ is on V, how is the note
h( ; layeu ' ' !«*, B i m iral. i a.- li i- p'layed n. (lis C scale.. In ilie key ol Li .he
[/'.oi u> on 1 , Uovt iu oil- uuie lo he p!jy«u / ,A m. i ualurai.1
«s
ELEMENTS OF MUSIC.
■— fry Qj
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PRACTICAL EXERCISES.
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1. Awake, my soul, in joy-ful lays, And sing ihy great Redeemer's praise ; He justly claims a song Irom me, His loving ■ kind - ness, O how Iree !
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3. Though numerous hosts of mighty foes. The' earth and hell my way oppose, He safely leads my soul a • long, His lov-ing • kind • ness, O how strong]
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5. ( Mien 1 feel my sinful hi S3
Prune from m> Saviour to nvpnn ,
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6. Soon I must pass the irloomy vale.
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And sing with rapture ami surprise
His loving kindness ui ilu- muci
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Snv. how may earth and hrav'n unite 7 And how shall man with angel* join? ),.,,, , • . d .u .i i ii
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No more fatigue, no more distress, Nor Bin nor death shall reach the place ; No groans shall mingle with the songs That warble from immortal toogues.
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.'hat warble from immortal tongues.
No rude alarms of racing I tie*, No
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No rude alarms of rag:ug fots, No cares to
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raging fi«.«, No earn to break the long re-po«e; No midnight shade, no clouded sun. But .««
end. high, e-ter - ual noon.
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rude alarms of raging foea, No cures, to break the long re - pose; No midnight .-hade no clou'l" i * lu. But sm
cred, high, e-u-r-nal noon But sacred, high. • • tor - nal noon.
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cares to break the long repose; No mid ■ night shade, no cloud - cd sun. But aacred, high, e - ter - nal noon.
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oreaa the long n pom, No midnight shade, no clouded sun, But sacred, high,* - Ur- nsJ noon.
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1. When Da - vid tuned the trembling lyre. The speechless mul-ti-tude were 'still ; lie shed abroad ce - les - tial fire, And praise was heard on Zi - on's hill
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2 The tribes par - took the spreading joy. And join'd the cho-rus of the song. And dul-cet voices sounding high, In concert moved the praise a - long.
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Now light - ly moves the gen' le strain, And now more loudly swell-ing; The sweetest note, the richest strain. Is of Zi-on's glo - ry tell-ing!
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Behold a ti.'ce an • gel - ic sounds, And bide the nations all attend; "lis heard to nature's utmost bounds. As far as space and time ex-tend.
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"Wit -41488, you skies, and. nftn. give ear, That walk the ton h from phore to fc'iore; Time'a mi{ju+y course sliaJI dm - ap-pear, 1 1« rothng years ehall t>e no more:"
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- nous, you skies, and men g:ve ear, '1
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When Marshalled on the Nightly Plain. L. JT1.
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1. When mar shall' d ou t lie mght-ly plain The glitt'ring host be - stud the sky, One star a - lone, of all the train, Can fix the sin - ner's wand'ring eye.
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2. Once on the ra - ging seas I rode, The storm was loud, the night was dark ; The o - cean yawn'd, and rudely blow'd The winds that toss' d my found'ring bark.
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3. It wan my guide, my light, my all, It bade mv dark fore - bod-ing cease ; And through the storm and danger's thrall, It led me to the port of peace.
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Hark ! hark ! to God the cho - rus breaks. From ev' - ry host, from ev'-ry gem; But one a-lone the Saviourspeaks.lt is the Star of Beth-le-hem.
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Deep horror then my vi - lals froze ; Death-struck, I ceased the tide to stem ; When sudden - ly a star a - rose, It was the Star of Beth-le-hem,
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Now safe - ly moor' J, my per - i
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- lis o'er, I'll sing, first in night's di a - dem,
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For ev - er aud for ev - er-more The Star — the Star of Beth-le-hem.
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Blest who with generous pity glows, Who learns to feel for other's woes; Bows to the poor man's wants his car. And wipes the help - less orphan's tear.
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Compassion dwfd Is with-
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Compassion dwells within his mind. To
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Compassion dwells within his mind. To works of mercy still inclined, Com
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36
SEASONS, or SUPPLICATION. E. HI.
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Go. search the «•• - r.rets of thy heart, And lay thy in-ward bosom bare ; And bid far hence each vice depart, Which lias crept in, unconscious, there.
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Time's rapid wheels no one can stay, Or urge the moment* fast - er on; "lis ours a - lone the present day, To-morrow, who can call his own I
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Death, like an o • ver • flow - iiii; stream. Sweeps us away, our life's a dream, An empty tale, a morning flow'r Cut down and wi'li - er'd in an hour
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And wipes the U*nr Iroui sorrow** eye, \\ hUu faitli point* upward to Uve *fc.y.
Oome, „'i Tit!.> p.ttience, smile on p<in. Then dying hope reviT.'S again, AnJ wiped tbc tvnr from sorrow's eve, Anil wipes the tear from sorrow'* eye, While fa th point* upward to lb* iky.
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And wiiiet the tear from mrrow'i eye. While faith f».int« upwanl to tba »ky.
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Aud wiyoi the tea* Irum sowo* • aye, And wipws the Uar from sorrow's ry*, \V iuU- Gaith points upward to *-b.» iky.
38
L1MEHOUSE. L,. M
■ L'SBAND.
With te^tibrnm*
Not too slow
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2. We've no a - bid - ing ci - ty here! Sad truth were this to be our home ; But let this thought our spi - rits cneer,
3. We've no a - bid • ing ci - ty here! Then let us live as pil - grirns do; Let not the world our rest ap - pear,
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4. We've no a - bid - ing ci - ty here! We seek a ci • ty out of sight; Zi - on its name, we'll soon be there,
5. Oh sweet a - bode of peace and love, Where pil - grinis, freed from toil, are blest ; Ihid I the pm • ions of a dove,
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We seek a ci - ty yet to come.
But let us ha^te from all be - low.
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Jt shines with ev - er - last - ing light.
I'd fly to thee and be at rest.
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When Spring displays her various sweets, And op' - ning blossoms cheer the eyes.)
And tan - ey ev' - ry beau-ty meets, Whence does the pleas-iug transport rise t J
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Soon will their tran-sicnt date ex - pire, They fly and mock the fond pursuit ; New pleasures then the thought inspire, And beauteous autumn yields her fruit.
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Blest are the saints who sit or. high, A • round a throne a - bove the sKy, Where Dngntest ir.ones shine a-r>ove. And all their work is praise and love.
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REST. L. M.
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1. "Asleep ii. Je-sus '." blessed sleep From which none ever wakes to weep — A calm and un dia - turb'd re - pose, Un-bro-ken bv the last of foes.
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2. "Asleep in Je-sus !" oh, how sweet, To be for such a slumber meet! With ho - ly con - fi - dence to sing That Deaih has lost his venom'd sting
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3 "' Asleep in Je-sus!" peaceful rest. Whose waking is su-preme-ly blest : No tear nor wo shall dim thai hour Thai man-i - tesis ihe Saviour's pow'r
4 "Asleep in Je-bU8 !" oh, lor me May such a blissful refuge be: Se-cure-ly shall my ash - es lie. And wait the summons from on high.
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Oh sweet a -bode of peace and love, Where pilgrims freed from toil aiu tiiest ; Had I the pin - ions of a dove I'd fly to thee and be at rest.
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When Winter came, the. gor-geous sun Turn'd pale, anil eccm'd to wait his doom; Aud all that late so ra - diant shone. Now sunk in Win - - ter's joy -less tomh.
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Bat bood re • - Ti - Ting Spring ap- pcar"d. And spread her rich e«t robe around; The gloomy Uuw of na-ture chcer'd, And made the ei -th w.Lh joy a hound.
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COJI PLAINT, L. SI.
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O could I soar to worlds a - - bove. The blest a - - - - bode of pence and love,
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How glad - ly would I mount and fly On angels' wings to worlds on high ! On angels' wings to worlds on high!
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mount and fly On angels' wings to worlds on high ! How gladly would I mount and fly On angels' wings to worids on high !
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When nothing dwelt butheasts of prey, Or men a» fierce and wild o» tli*y, He bid* th'op-preea'd and poor re-pair, And build then) towns audci - tics there.
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i»ow their flelda, *nd tree* tbey plant, VYhoae yearly fruitsupplief tht-ir waut; .
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They bow their fleld*. and ti"*> thty plant. Whom* yearly fruit supplies thHr want; .... Their race grows up from fruitful rtnrk*. Tli«*ir w.*lth tn-oT«*aw« with tl»«*ir (lurks.
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Where'er 1 turn my weary eyes, Distress and griel before me rise, ^.nd ev' - ry pale a - Ions that blows, Brings its sad [ale of human woes.
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1* or human woes, what harp is strung, Or who to mis - 'ry lends o song? Can we . . . depend on joys to come ? When all, <i,c.
in
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For human woes, what harp is strung, Or who to mis'ry lends a song ? Can we depend on joys to rome, When all are hurried to the tomb f
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nd on joys to come, When all are hurried to the tomb? When all, &c.
human woes, what harp is strung. Or who to mis'ry lends a song ? Can we depend on joys to come, When all are hurried to the tomb ? When all, &.C.
narp lsstrun
to mis'ry lends a son t> ? Can we ae pend on j""» to come, When all are hurried to the tomb? When ail, &.C.
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How sonn the glo - rics of ihe morn Their fra - grance aned, and fade and die ;
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blooming youth, cut down, are borne A - way where old -er vie - - tims
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down, are borne A - way where old - er vie - tims lie,
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A - way where old - er vie - tints lie.
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So blormiine youth, cut down, are borne A - way, &.C.
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way wnere old • er victims lie,
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So blooming youth, cut down,
A • way, Ate.
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I. Why should we surl and fear to die? What tim - 'rous worms we mor-tals are; Death is the gate to end • less joy,
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2. The pains, the groans, the dy • ing strife, Plight our ap - proach-ing souls a - way ; And we shrink buck a - gain to life,
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3. O if my Lord would come and meet, My soul would stretch her wings in haste; Fly fear - less through death's i - ron gate,
4. Je. - sus can make a dy - ing bed Feel soft as down - y pil-iows are; While on his breast I lean my head,
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And yet we dread to en - ter there.
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Pond ot our pri • son and our clay.
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Nor feel the ter - rors as she puss'd.
And breathe my life out sweetly there.
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Shall life re - vis - it dy-ing worms, And spread the joyful in sect's wing ?
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The summer rays with vigour -hi up, To raise thpeorn andchevr thi
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His truck I see, and I'll pur - sue The liar -, row way, till him I vie
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2. 'The way the ho - ly prophets went, The road that leads from ban - ish - ment.)
The King's high - way of ho - li - ness, I'll go, lor all his paths are peace. J
I'm on my journey home to the
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m on my journey home to the New Je - ru - sa - lem.
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New Je - ru - sa - lem. I'm on my journey home to the New Je-ru - sa - lem ; So fare you well, So fare you well, So fare you well, I am going home.
3. This is the way I long have sought,
And mourn'd because I found it not ;
My grief a burden long has been,
Because I was not saved from sin.
4. The more I strove against its power
I felt its weight and guilt the more,
Till laic I heard my Saviour say,
"Come lzithcr, soul, I am the way '"
5. Lo ! glad I came to thee, blest Lamb,
And made confession of thy name.
Mysell alone had I to give,
Nothing but love did Freceive.
6. Now will I tell to sinners round
What a dear Saviour I have found ;
11 point to thy redeeming blood,
And say, " Behold iha way to God ."
DARLEY. L. B.
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mams lli« stil - Itn tongue, And Zi - on's song de • nies to sing, And Zi - on's 'jng de • nies to sinj;.
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Oli, if my Lord would come and meet, My soul should stretch her mugs in haste, Fly fearless through Death's i • ron gate, Nor feel the ter-ron
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Je - 6us can make a dy-ing bed Feel soft as downy pil - lows are; While on his breast I lean my
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1. Mt Chris - tian friends in bonds of lore, Whose hearts the sweetest a • nion prove, Youi friendship's like the strongest band — Vet w» .oust take the parking hand.
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2. You» nre - senee sweet, our union dear! What joys we feci to - ge - ther here! And when I see that we must part. You draw like cord* a- round in y t-arl
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» now iwwt the houji have pase'd a • way, Since we hare met to sing and pray I How loath are we to leave the place Wheie Je • ins shows l,i.» «mil !n# f»e».
4. ub «mud i stay with fridodj r- kind, Umr would It che.r my taint • Ins mindl But, pil-jruus in a w> - raisn '.and. We oft must take vh. part iat band
59
GREENWICH. L. HI.
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Oh what a thoughtless wretch was I, To mourn aud murmur and re - pine, To see the wicked, placed on high, In pride and robes of hon - our shinel
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But oh their end. their dreadful end! Thy sanc-tu - a • ry taught me so; On slipp'ry rocks I see tbem stand. And fiery billows roll be - low.
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But oh their end. their dreadful end ! Thy sanc-tuary taught me so: On slipp'ry rocks I see them stand, And fiery billows roll be • low.
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False are the ruen of high de-gree; The baser sort are van-i - ty :
Laid in a ba-lance, both appear Light as a puff of empty air
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r h<-ad Fmm dust and f'arkness and the dead ! Tho* humbled long, awake at length. And gird thee with thy SaviourV strength. And gird thee with thy Saviour's strength.
ants on. And let thy excellence be known: Deck'd in the robes of righteous- ness. Thy glories phull the world con - fess, Thy glories shall the world con • fess.
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3. No more shall foes unclean in-vade, And till thy hallow'd walls with dread; No more shall hell's in»ulting host Their vict'ry and thy sor-rows boast, Their vict'ry and thy sorrows boast
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4 God, from on high has beard thy prayer; His hand thy ruin shall repair: Nor will thy watchful Monarch cease To guard thee in e • ter-nal peace, To guard thee In e - ter-nal peam
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WAKEFIELD.
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1. 0 choose the path of heaYenly truth. And glo - ry in thy choice: Not all the riches of the earth. Not all the rich • cs of the earth. Can make thee so re - ioice
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2. A brighter Jay than earth atTonJs A - waits the son?" of pea^e: The meek nhall have their just rewards, The meek, Ac
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1. I love to steal a - while a - way From ev' - ry cumb'ring care, And spend [he hours of set-ting day In humble, grateful prayer.
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ROCKINGHAM. C. 1TI.
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When life's lem - pes-tuous day is o'er, May its de • part - ing ray Be calm as morn's im -- pres - sive hour, And lead to end - less day.
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Oh, h;ip - py is ihe man who hears In - etruction's warn-tng voice:) ,. . , , r „,
And who ee -les-jttal wia < dom makea Hi* ear - ly, on- ly choice'} for «he hath irea-aure. great -er far Than east or west un - told,
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ore pre-cious are her bright re - wards Than gems or st^.s of gold.
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NINETY-FIFTH, v. n.
0OLTO5. 57
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When I can read my ti - tie clear To mansions in the skies,
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I'll bid farewell 10 ev'-ry fear, And wipe my weeping eyes.
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IIARIHOIYY GROVE. C. 1YI.
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The long - ing youth im - pa- tient wait, To com-ing years look up; And boa - ry aj:e still for- ward look, For their yet ab -went hope.
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WINDSOR. v. n.
KIRBY.
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1. Hark ! from i he tombs a dolc-tu! sound. Mine ears, at - tend the cry; "Ye liv - ing men, come view the ground Where you must short 'y lie.
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2. 'Princes, this clay must be your bed. In spite of all your towers ; The tall, ihe wise, the rev'rend head, Shall lie as low as oifs."
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Vonglltfrlnirtoyiinf enr'tli, adieu, A nobler ehoic* bp mine ; ) A nBwwai, of my „,„», you specious baits of sense; In - es - ti - ma- ble worth appears, Tb» pearl of price immense.
A real prue »l-triu'l> my new, A treasure all di-vinu. / " ' 3 r r
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Let knowledge epreud both far and wide, From land 10 dis - lam sea, Till jus • tice flnws on ev' - ry tide, And all ilie eanh is free!
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And all ihecarih is free. And all the earth is free! Till jus - nee flop's on ev' • ry tide. And all i tie eanh is free!
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clo - ry gilds the snrn-rl pnge, .Ma • jes - tic like the sun! It e'vos n light to ev' . ry ntre. It gives hut bor • rows none.
II gives Dut bor • rows none, It gives but bor - rows none. It gives a litlln to ev' - ry age. It gives but bor - rows none.
■oi«-— TU« ilur "r«- the third bwiiun of the «J-.>« tuuwi u> tw ob*»r»»J aoiv wben tliv uu u r«| > muJ To be r»pe»UJ or not. at plwuM.
60
In itiiw Timi. A
PLEASANT UIJLMj. C. ?1
J. 2
Blest in the niHii whose softvn'd heart Peels all another'* pain: 1 Whose breast expands with gen'rous warmth.
To whom the- nup - pli -cat-iugeye Was ne - ver raised in vain. /
And bleedi in pi - ty o'er the wound
A stranger's woes to feel ; He wants the pow'r to besi.
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1. How sweet, how heavenly is the sight. When those that love the Lord.) ,, ,,T, . c i u u ,u • : u * -i ... f_-t
i .. „' .ui-i _ i ip u. « j '"^ . ci .u i > 2. When each can fee his brothers sigh, And wun him b
In one a - no . iher s peace delight. And so (ul • nl the word ;J •
When sor - row flows from eye to eye, And joy from heart to heart.
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When free Iron, envy scorn, and pride^. Our vush - es all above. ) wh , fa Qne rfe . ,; h . ^j stream Through every bo . 80m flow8i
bach can his bro - iher s tailings hide, And show a brother s love ; ) * ° '
When u - nion sweet and dcur esteem, In eve - ry aciion glows.
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5. Love is the gold- en chain fhnl binds The hap - py souls above. Aid he's an heir of heav'n that finds His bo - som giow with lov».
And he's an heir ol heav'u thai tinds His bo - som *Mow vmli love.
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And. as a lamp, our loolsiep leads, To walk in wis - dom'e way.
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LIBERTY. C. M.
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COJIITllJIVIO:*. No. 2.
That Freedom Ac.
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„ f Re • nvm-ber me, re - mem • ber mel 0 Lord, re - mem -ber me I
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Tis sweet to look beyond my pains, And long to fly a • way, And
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2. Sweet to look inward, and attend
The whispers ol his love ;
Sweet lo look upward, to the place
Where Jesus pleads above.
3. Sweet to look back, and see my name
In life's fair book sei down ;
Sweet to look forward, and behold
(vernal joys my own.
4. Sweet, to reflect how grace divine
M y sms on Jr-ii- laid ;
Sweet, to remember that his blood
My aeut ol suhVring paid.
5. Sweet, in hm righteousness to stand.
Which naves from second death
Sweet to experience, day by day,
ills Spirit's quickening I -emit.
»i Sweet, on his faithfulness to rest,
WhiMe love can never end;
Sweet on his covenant id grace,
For all things to depend.
7. Sweet, in the confidence of faith.
To i rust his firm decrees ;
Sweet to lie passive in his hands,
And know no will but his.
8. If such the sweetness ol the streams.
What mn.-i the fountain be,
Wlurc saints and angels draw their bli
immediately Iruin tue« I
'Tis sweet, 4lc
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6 may my days se • cure - ly pass, Without remorse or fear, With - out re- morse or fear; Anil let me for my part - Log boor,
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1. In time of fear, when trouble's near, I look to thine a - bode; Though helpers fail, and foes pre - rail, I'll put my trust in God, I'll put my trust In fi -1.
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2. And what is life, ruid toil and strife, What ter - ror has the grave? Thine arm of power, in per - il's hour, The trembling soul will The trembling soul will save
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3. In uarK-est sales, though storms arise, I will not bo dis - may'd : 0 God of light, and Iw.ur My soul on theo is stny'd. My soul on the* u stay'd.
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Be - hold a elurioua sound we hear. Our tribes devoutly say :" Up, Is - rael, to the tem - pie haste, And keep your festal day." At Salem's courts we must appear With
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Far from tliese nar - row scenes of night, Un • bound ■ ed glo • ries rise, Un - li'imd-ed glo • ries rise;
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BAND OF 1L.OVE. C. M.
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hearts have Iturn'd while Je • sus spoke. Andglow'd wiih sacred tire; He stoop'd, and talk'd, and led, and bless'd, A:id lill'd ihe enlarged desire.
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let ere • a - tion sing! A Saviour, let all heaven ring! He's (!"d with us, we feel him ours ; His ful - ness in our soul he oours. 'Tis
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Our eves have teen ilie ro - sy light Of youth's soft cheek de • c;iy ;
And fate descend in sudden night, On manhood's nnd-dle day.
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WAVERLY. C. RE.
A WeJdinn Hymn.
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1. Since Je • sus free • ly did ap - pear To grace a ninr - riage feast; 0 Lord, we ask thy presence here. To make a wedding guest.
2. L'p - on the bri • dal pair look down, Who now have plight - cd hands; Their uu - ion with ihy la • vour crown, And bless ihe nupnal bands.
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4. In pu • rest love their souU u - rule, '1 hat they, with Christian care. May make do - mes - tic burdens light, Hy taking mu-tual share.
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Je - ru - 6a-lem ! my happy home ! Je - ru - 6a • lem ! my hap - py home ! Je - ru - sa - lem ! my hap-py home ! Oh how I long lor thee ! When
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will my sorrows have an end, Thy joys when shall I see?
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How ma - ny wretched souls have fled Since the last set -ting sun;
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Yet mercy lengthen" out our thread,
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How shall the young se - cure their hearts, And guard their lives from sin T The Word the choicest rules im - parts, To k
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sound. Within the temple sound. Within the temple sound.
Now shall my head be lift - ed high. Above my foes a - rouud; And songs of joy and vic-to-ry With-in the temple sound, sound, sound, Within the temple
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1. The year rolls round and steals a - way The breath that first it gave.
i that first it gave, ) 2 In fi nite
Whate'er we do, where'er we be, We're trav'lmg lo the grave, J
\nd yet how un - con-cern'd we go, Up - on the brink of death.
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To that briKht world above the »ky, Where sorrow n-Vr mvadea! $ TIhtc joya unseen by mor-tal eyes Or reason's feeble ray, In ever-blooming prospect rise, Exposed to no de - ray.
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Come, let us lift our voices high.Hinhas our joys a -rise; And join the pongs a-bove the sky, Where pleasure never dies, And join the songs above the sky, Where pleasure never dies.
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When thou must quit this house of clay, And fly to unknown lands. And flv to unknown lands
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1. Soon will the glo - rious morn-ing dawn, When all the saints shall rise; And domed in their im - mor - tal bloom. As - tend a hove the skies.
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2. Thrice hap-py morn, fol pi - ous souls, Who love the ways of peace; No night of sor - row e'er shall close, Or shade iheir per- feet bliss.
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1. O and of res , for thee I sigh When w ill ihe moment come, ) « j 1 n ■ .u * a 1 j 11 ■ .u < wn t 1 11 1
,,;, 1 1 11 1 i° a i 1 n ■ . u »? And dwell in peace at home? And dvsel in peace at home? When I shall lav my
When I s ha ay my armour by, And dwe m peace at home ? J r v ™ ' "'
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armour by, And dwell in peace at home I
2. No tranquil joys on earth I view,
No peaceful, sheh'ring dome;
This world's a wilderness of wo —
This world is noi my home.
3. To Jesus Christ I sought for rest;
He bade tne cease 10 roam.
And rly lor reluge 10 his breast,
And he'd conduct me homo.
4. When, by affliction sorely tried,
I view the gaping lomb.
All hough I dread death's chilling tide.
Yet still 1 sigh for home.
5. Weary of foil, and wand'nng round
This vale of sin and gloom :
I long to quit th' unhallowed around,
And dwell with Christ at home.
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When each can feel his brother's sigh, And with him bear a part; When sor - row flows from eye to eye, And joy from heart to heart.
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And joy from heart to heart, And joy from heart to heart. When sor - row flows from eye to eye, And joy from heart to heart.
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Con - si - der, man, an - oth - er day Has join'd the ma - ny past, Which brings you farther on the way, Where all the liv - ing haste.
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1. There is mi hour of peaceful rest To mourning wnnd'rers given : There is a tear for souls distress'*!, A balm for ev'ry wounded breast — Tis found alone in heaven
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2. There is a home for weary souls By sins and sorrows driven. When toss'd on life's tempestuous shoals, Where storms arse and ocean rolls, And all is drear but heaven
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3. There faith lifts up the tearful eye, The heart with anguish riven; It views the tempest passing by, Sees ev'ning shadows quickly fly, And all serene in heaven.
4. Ther* fragrant flowers immortal bloom, And joys supreme are given; There rays divine disperse the gloom — Be - vend the dark and narrow tomb Ap • pears the dawn of heat en
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Plunged in a gulf of dark de-spair, We wretch -ed sin-ners lay, Without one cheering beam of hope, Or spark of glimm'ring day.
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1. To our Redeemer's glorious name A - wake the sacred song! On may his love, im - mor - tal flume ! Tune ev'ry heart and tongue. 2. His Ibve what mortal
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Ye wea • ry, hea-ry - la • den souls, Who arc oppress - cd sore, Ye trav'lers through the wil-der-ness. To Ca-naan's peaceful shore;
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Be - fore the ro - sy dawn of day, To thee, my God, I'll sing; Awake each soft and tune - ful lyre, A - wake eacli charming string.
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My friends, I bid you all farewell, Farewell, my friends, farewell, And If I nev-er see you more, While we on earth remain, Oh may we meet on Canaan's shore, And nerer part a - pain.
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How bright these glorious spi - rits shine! Whence all- tbeir bright ar - ray J How came they to the bliss - ful seats Of rv . er - lasting day?
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3. Sweet fleids beyond tbe jwellins flood
Stand dres«\l in living ^rrt-n;
So t<> the Jews old Canaan stood,
While Jordan roll'd between.
4 Could we hut ellmh where ilo«e« stood
And view the landeeat* oer.
Not Jordan's stream nor l>>ath's oold floe4
Should li n;Li us from the shore
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1. How hlrss'd are they who al - ways keep The pure and per - feet way; Who nev - er from the sa - cred paths Of God's commandments stray!
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2. Such men their utmost cau - tion use To shun each wick - ed deed; But in the path which he di - rects With con - stant care pro - ceed.
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3 Oh, then, thai Thy most ho - ly will Might o'er my ways pre - side, And I the course of all my life By thy di - rec-tion guide.
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Hew bless'd who to his right - eous laws Have still o - be-dient been; And have, with fer - vent, hum-ble zeal. His favour sought to win.
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Thou strict - ly hast en • jom'd us, Lord, To learn thy sa • cred will, And all our dil - i - gence em-plov Thy sta-tutes to ful - fil.
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Tht-u with as - su - ranee should I walk, From all con - fu - sion free; Convinced, wiih joy, that all my ways With thy commands a • gree.
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made of tcn-drr- ncss, His liearl is made of ten • der • ncss. His how-els niell with love. His bow - els inch with low
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Let fan - ry take her up - ward flight O'er na - ture's wide do - main,
Nor, thus cotl-fined, to oih - er worlds De • part her wi^h to gain
And he the high - est plea-sure knows, Who does to want im • part
.am! \ Con * te"'-menl dwells not f" a - way, B.it in the peace - iul heart ;
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T. HASTINGS.
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The hill of Zi - on yields A thousand sa-cred sweets, Be - fore we reach the heavenly fields, Or walk the gold-en streets, Or walk the gold-en streets.
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1. How sweet to Men (he Lord, And in bis pnitm join, Willi saints his goodness to record, And sing his power di - Tim:. With saints hie goodness to record. And ring hi* power df • vine.
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2. These seasons of de - light. The dawn of glo - ry seem, Like rays of pure, ce - lcs-lial light, Which on our spirits beam Like rays of pure, ce - les- tial light. Which on our spi-rits beam.
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3. 0 blest as - su-rance this; bright morn of heav'nly day ; Sweet foretaste of e - tcr-ual Miss, That cheers the pilgrim's way Sweet foretaste of e - ter-nal bliss. That cheers the pilgrim*! way.
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Suro as the truth shall last, To Zi - on shall be given The brightest glo - rics eanh can yield, And brighter bliss in hcav'n.
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The hill of Zi - on yields A thousand sacred sweets, Before we reach the heav'nly fields
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Belore we reach the heav'nly fields, Or walk the golden streets.
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Blesl are (he sons of peace, Whose heart sand hopes are one; Whose kind de - signs to serve and please, Thro' all their ac - lions run.
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mark'd the road Wiih ma-nya mys - tic sign.
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Our days are as the grass, Or like the morn ing flow'r: If one sharp hlust sweep o'er the Geld, It with - crs in an hour.
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Then let your songs a - bound, And
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fair - er worlds on high. To fair - er worlds on high, on high, We're marching through Immanuel's ground, To fair • er worlds on high.
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Ne'er think the vict'rv won. Nor lay thy armour down.
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We'll beep their end in sight, We'll spend them all in wisdom's ways, And let them speed their flight, We'll spend, 4c.
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Then nuic* our days must fly, We'll keep their «nd in light.
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I. SMITH 117
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Come, sound his praise a - broad, And hymns of glo - ry sing; Je - ho - vah is the sov' - reign God, The u - ni - ver - sal King.
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Praia* ye the Lord ' Hal - le - lu - jail ! Praise ye the Lord I Hal - le - lu - jab ! Hal - ]e - lu - jah ! Hal - le - lu - jali ! Hal - le - lu - jah ! Traise ye lh<
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may we all re mem-ber well The night of death is near.
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Is this the kind return, And these the thanks we owe, And these the thanks we owe,
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Whence all our blessings flow, Thus to a-buse e - ternal love, Whence all our blessing* flow f
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AMERICA. S. A. WETMORB.
I! one sharp blast sweep o'er ihe field, It wuh-crs in an hour.
Our days are as the gniss. Or like the morning flower,
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Thro' all i heir actions run. Thro' all their ac - lions run.
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To sing the blessings of the day. And evening joys to greet.
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Let ev-'ry cheerful lay Be join'd in concert sweet,
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So D«*ath will noon diprohe un all Of what we uow poNVM. So l>»-ath will soon disrobe u* all Of wlmt we now po*-M*M.
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We lay our garments by. Up -on nnr beds to rest; S<> Death will soon disrobe us all Of what we now possess.
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My soul, be on thy guard. Ten thousand foes a • rise.
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The hosts of sin are pressing hard, The hosts of sin are pressing hard To draw thee from the skies.
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EVENING IIYITIN. S. Ifl.
A. GOODRICH.
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The day is past and gone, The eve - ning shades ap - pear ; Oh, may we all re - mem - ber well The night of death is near.
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life to live. Nor all of death to die, "lis not the whole of life to live, . . . Nor all of death to die, Nor all of death to die.
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Let cru . el hate no place ob-tain, But all in peace and love re - man. ; , Let k'"dneSS in each bosom glow. And none the want of fr.cndsh.p know.
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You shining orbs, whose bril-liant light Dis-pen - ses beau - ty through the night. And cheers the lone • ly wan - d'rer's way,
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I would the way ol peace pursue, fur
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As long as time shall onward flow, Or 6ea-sons their return shall know, Or life shall in its channels glide; I would the way of peace pursue. For ev-er to it
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I would the way ol peace pur-sue. For ev-er to its counsels true, And in the words of truth a - bide.
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1. Come, O thou Tra - vel - ler an - known, Whom still I hold, but can - not see! My com - pa - ny be - fore is gone,
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And I am left
lone with thee; With thee all night, all night I mean to stay, And wres - tie till
the break of day.
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1 need not tell thpe who I am ;
My misery and sin declare;
Thysell hast called nie hy my name,
Look mi I hy hands, and read n there;
Bui who, 1 ask thee, Who an thou J
Tell me thy name, and tell me now.
In vain thou strutrglest to get free,
I never will unloose my hold ;
Art thou the man thai died for me?
The secret of thy love untold :
Wrestling, I will not lei thee go,
Till I thy name, thy nature know.
Wilt thou not yet to me reveal
Thy new, unutterable name?
Tell me, I still beseech thee, tell;
To know it now resolved I am:
Wrestling, I will not let tliee go,
Till I thy name, thy nature know
What though my shrinking flesh complain,
And mimnur to contend so long;
I rise superior to my pain :
When I am weak, then I am strong:
And when mv all of strength shall fait,
I shall with Jesus Christ prevail.
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I love the vo - luine of thy word; What light and joy those leaves af • ford To souls be - night - ed and dis - tress'd !
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Thy pre - repts guide my doubt - ful way, Thy four l-<r - bids my Feel lo stray, Thy prom • ise lends my heart to reel.
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Hap - py the man of heart up - right, Who harbours not re - venge-lul spite, Who harbours not re - venge-ful spite, But feels his neighbour's pain,
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Who kind - ly wipes the falling tear, The mourning heart does quick-ly cheer, The mourning heart does quick-ly cheer, And growing grief re - strain.
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Praise shall (he gen'rous man at - lend', Whose feel-ing heart does of • ten send, To make the sad re - joire. To make the sad re - joice ;
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The cheerful or • phan greets his name, The need - y spread a - broad his fame. And bless him with their voice. And bless him with their voice.
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To Him who shaped your
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Ilim who shaped your finer mould, Who tippM your glitt'ring wings with gold. To n.m, Ac.
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finer mould, Who tipp'dyourglitt'ring wings with gold.
To Him who shaped vonr flrer mould, Who tipp'd your glitt'ring wings with gold, And tuned your hearts to pinise.
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O could I speak the mn'ch-less worth, O could I sound lhe glo - ries forth, Which in my Sa • viour shine!
I'd soar, and touch the
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In notes almost di - vine.
In notes al - most di • vine.
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til while he sings, In notes almost divine. In note* al - most di vine. In notes »1 - most di • vine.
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How pleased and blest was I, To hear l he peo - pie cry — "Come, let us seek our God to - day."
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Yes; with a cheer-ful zeal We haste to Zi - on's hill, And there, &x.
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Like fruitful abow'rs of rain, Thai wa-ter all the plain, Desccndiugfrom the neighb'rinj; hills; Such streamsof pleasure roll Thro'every friendly soul, Where love, like heav'nly Jew, distils.
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2. /.ion. thrioe happy place, Adoru'd with wondrous grace, And walla of strength embrace thee round; In thee our tribes ap- pear. To pray, and praise, and hear The sa-cred (fOB-pel's joy -ful sound.
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4. May peace attend thy gate. And joy within tliee wait. To bless the soul of ev' - ry guest: The man who seeks thy peace. And wish - es thine increase. A thousand bless-in^ on him rest.
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1. O you im ■ nior - lal ihrong ()l an - gels round the limine. Join with our fee - ble song To make the Sa - viour known; < Inearth \ou know Hi
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2. You saw the heav'nly child In hu - man fle6h ar - ray'd ; All in • no • cent and mild, And in a man • ger laid; And praise to God, And
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peace on earth Proclaimed a - loud For such a birth, Proclaim'"* a - loud For such a birth.
ry Of G -1
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4. Around me bloody tree
You press'd wnh strong desire,
Thai wondrous smln lo »ee,
'I he Lord of life expire.
And could your eyes
Have known a tear,
In sad surprise
Had dropped it there.
5. Around his sacied tomb
A willing watch ve keep,
Till the blesi moment come
To rouse him Irom his >'cep.
Then rolled ihe stone,
And all adored
With |ov unknown
Your riser Lord.
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Thou an my Bun, and
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No burning heats by day, Nor blasts of evening air. Shall lake my health a - way, If thou be with me there.
Thou
'I'hou art my sun, and ihou my .shade. To
Thou art my sun. and thou my shade, To guard my
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tlw>u my shade. To guard my head by night or noon.
Thou an my sun. «fc.c.
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an mv sun and thou my shade, To guard my head by night or noon, by night or noon. Thou art mv sun, and thou my shade, To guard my head by night or noon.
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1. Blow ve the trumpet, blow The gladly solemn sound; Lei all the na-'ions know. Let all the nations know. To earth's re - mo-ifist bound, To
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2. Je-sns, our great High Priest, Ilaih full atonement made; Ye wea - ry sptr-its, rest, Ye wea • ry spirits, rest, Ye mournlul souls, be glad, \e
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You" God and King a - - dore ;
And triumph ev - er - more.
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Re - joice ! the Lord is King! Your God and King a - dore ; Mor - lals, give thanks and sing, And triumph cv - er - more.
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Lill up the heart ! lift up the voice ! Rejoice a - loud ! ye saints, re-joice ! Rejoice. &.c.
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The keys of death and hell
Are to the Saviour Given :
Lift up i he heart! lilt lip the voice!
Rejoice aloud ! ye saints, rejoice '
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3. lie every foe shall quell ;
Shall all our sins destroy :
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Lift up the heart ! lift up the voice ! Rc-joic« aloud ! ye saints, rejoice ! Rejoice. &.c
140
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High let the song as - cend, The pleasing, rapt'rous theme, That bids out sor-rows end, And tells of joys to come : A-way be care, Let troubles
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cease Foi oerfect bliax Awaits us there. Let troubles cease. For perfect bliss Awaits us there.
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Welcome, de - hghtful morn ! Thou day of sa - cred rest ,
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I hail thy kind re - turn: Oh make these mo-mcnts blest. From low de-lights and mor-tal toys, I soar to reach im - mor • lal joys.
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Where ran the mourner go. And tell his tale of grief ? Ah, who can soothe his wo, And give him sweet relief f Earth cannot heal the wounded lireast Or give the troubled sinner rest.
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1. High in yon-der realms of light, Dwell the rap- titred saints a - hove ; Far be-yond our fee - ble sight, Hnp - py in 1m - mamiel's love.
2. All is tran-quil and se - rene, Calm and un - dts - turb'd re - pose ; There no cloud can in - ter - vene, There no an • gry tem-pest blows s
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Once they knew, like us be - low, Pilgrims in this vale of tears, Torturinjrpain and hea - vy wo,
Ev' - ry tear is wiped a -way, Sighs no more shall heave the breast ; Night is lost in end - less day,
Gloo - my doubts, dis - tress-tng fears.
Sor - row in e - ter-nal rest.
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1. Hark! my soul, it is the Lord ! 'Tis thy Saviour — hear his word; Je - sua speaks — hespeaksto thee, "Say, Koor sin- tier, lov'st thou me?"
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2. I de - li - ver'd thee, when bound, And, when bleeding, heal'd thy wound; Sought thee, wand' ring, set thee right, Turn'd thy dark - ness in - to light.
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3. Can a mother's tender care
Cease tuwurd the child she bore?
Yes; she may forgetiul be,
Ym will I remember thee.
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4. Mine is an unchanging love,
Higher than the heights above,
Deeper than the depths beneath,
Free and faithful, strong as death.
5. Thou shall see my glory soon,
When ihe work of tnith is done ;
Partner oi my tnrone stialt be :
Say, poor einner, lovest thou me I
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6. Lord, it is my chief complaint,
Thai niv Iovh is s:ill so taint
Yei 1 love thee, and adore
O for grace to low tnwe more
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2. Though in (lis - tant lunds we
3 W'lit'ii ihe dreams of lite are
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1. Danii-IN iriftdom may I know;
>!• j Liu- fail b and npii It buow;
Jobq ; ■• De i QMiimiioD fuel;
M-c ii-hi.i'p zi-al ;
Hun ' <•■ ih-unwvt 1 Paul]
■\\5n tba 'lay, end con \vnt alL
Mary's love may I poflaeftfl;
i.i. [■ nder h. arl I
)'• i r - ardent spirit f-.-l;
J -.'ii. p 'f f;t ill ipy work?" reveal;
Like young Timothy, may I
Evi iv sinful passion fly.
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, Job's submission may I show;
David's true devotion know:
Saniui i - call, 0 amy I fieayl
portion share;
l.-t laaJnbV ballowM tin-
All my lu-w-born eoul inspire.
Mine be Jacob's wrrstlinc prayer ;
Gideon's steadfast, valiant care;
.l«t>. j.li '- purity impart ;
[saatrs meditating In-art;
Abraham's friendship; lei me prove;
Faithful to the (iod 1 love.
in s»e i sn<, LOVE. 7*.
5. Mo«t of all. may 1 pursue
That example Jesus drew;
By u»v lit* and nontlurt f-l.ow
How be Uw«d mi, | ftnlkM below;
Day bj 'lay, through imw* restored,
Imitate my blessed I^ird.
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tthe opening day ap - pears, FI.nhIs of light our vi-sion cheer, Wide the morning'* ItloriOlU ray Spreads a ■ broad the lit-ing day, Spreads a - brcul tho ht-iuk day.
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If to three-score years and ten. Dealt his fa- tal stroke de - lay. )
o. ii >. j .i ii; ■ i ....... / "e our part-ing hour ee - rene, On - ly joys ce - les-tial seen.
Sti , tis sure to come, and then We ruin earth must pass a - way. J r " ' ' J '
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YA hilf with ceasi-less course the sun Halted roun<l the former year. ) Fix'd in au e - ter - nal stat**. We a lit* tie Ion - ger wait,
Ma-ny souls their m* have run, Never more to meet us here. J They have done with all be - low ; But how lit-tle, none can know.
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While with cease-less course the sun Hast - ed through the form - er year, Ma - ny ton'* l heir course have run, Nev • er more to meet us here.
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Rijjht • eous • ness is joy and peace, Du - ty done is hap - pi - ness, Pleasure is in do • ing right. And in in - no • cence de-lu;ht.
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Blest thn man, and hap - py he, Who from ev - 'ry vice is free, In whose breast compassion glows,
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Storms may rise of fiercest blast, Gloom the hea - vens o - ver - cast; Peace and joy his soul pos - sess, Sweet the way of righteousness
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1. Ma - ry to the Saviour's lomb Hasted at the ear - ly dawn; Spice she brought, and sweet perfume, Bui i he Lord she loved had pone.
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2. But her sorrows quickly fled, When she heard his welcome voice: Christ has ris - en from the dead; Now he bids her heart re • joice.
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For a-while slie ling'ring stood, Fill'd with sorrow and sur - priso ; Trembling while a crys - tal flood Issued from her weep-ing eyea
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What a change ti>» word can make. Turning darkness in - to d;iy ! Ye wtio weep lor Je-sus' soke. lie will wipe your tears a - way.
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1. Jesus, lov - er of my soul. Let me to, Let me to. Let me to thy bo-som fly. While the nearer wa-ters roll. While the tempest still is hiirh ; Hide me.
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2. Other refuge I have none, Hangs my help- Hangs my help- Hangs my helpless soul on thee ; Leave, ah ! leave tne not alone ; Still support and comlort me; All my,
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3. Thou, (' Christ, art all 1 want ; More than all. More than all. More than all in thee I find ; Raise the fallen, cheer the faint, Heal the sick and lead the blind. Just and,
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4. Plenteous grace with thee is lound, Grace to cov- Grace to cov- Grace to cov - er all my sin ; Let the healing streams abound, Make and keep me pure within. Thou of,
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Hide me. O my Saviour, hide, Till the storm of life is past : Safe in - to the haven guide. Safe into the haven guide. Safe into the haven guide. O receive my soul at last.
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All my trust on thee is stay 'd ; All my help from thee 1 bring ; Cover my defenceless head. Cover my defenceless head. Cover my defenceless head. With the shadow of thy wing.
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Just and ho - ly is thy name ; 1 am all unrighteousness; False and full of sin I am., False and lull ot sin I am. False and full of sin I am, Tnou art lull of truth and crace.
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I'hou ol life the fountain art, Freely let roe lake of thee ; Spring tnou up wnuin my heart, Spring thou, &.c. Spring thou, tc.
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, ri j ii i, i.. il„ . i ;.. i 1 hro l lie earth good - wil a - bound - ing, Que s the s rife of ra • emu war:
J..\ - lul wnn ten thou-sand mercies, ynukiy bless our long- me eyes, J b *>< -* t> e
of joy and peace* re-sounding, Sim and death are known no more.
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Tell us, you who have be - fore us Gone the wav to life's rle - cline. ) , , , , . , . , r ,r
Does the lump pi peace-fill promise &righrer on your path-way shine? \ Lead us, lead us by your counsel, As the race ol life w0 run.
Guide US lo its hliss-lul ending. Teach us how its snares to shun. ( , , r- <■
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Days and years re-volve but slow-ly, Time is le-dious to the young; ) o ,■ n . , ■ , A
, ' ,, i , ■ ' /->,-. • i , _ ? boon they »Jy- we know not whither, Age comes on us un - a - wares--
In ihe hope 01 coin - mg pleasure, Oil we wish our days were gone. J * '■ ■
All our hopes and promised pleasure Pass a - way with pass - tug years.
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See the ver - nal landscape glowing With ihe choicest flowers of spring ; ) 0 r, . , , , . , . , r„ .
See ihe si ream.- and nv - ers flowing, While ihe cho - ral songslera sing \ Softly breathe the whtsp ring zephyrs O ur the gay and smiling scene;
IV a- lure decks both field and lor - est In her ricli - est robe of green.
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See the leaves a - round us falling. Dry and wither d, to the ground:) .-. r , , r • ,,-, • -, , ,,. , r ,,
., . i ■ i , i - iii? sods of Adnin, once in L-den. When, like us, he bliuht-ed fell,
I i i us to thoughtless mor-tals cnl.mg, In a cad and solemn sound : ) ' ' ' ' •
Hi ■ ir the les-son we are reading, "1'is, a - las! the i rut li we rell."
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Why lament the Christian dying* Why in - dulgt in tears and gloom? Calm • ly on the Lord re - ly-ing. He can greet the op'-ning tomb.
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In the grave, dis-tress and sorrow Tiln no more 'he troubled breast ; There the wicked cease from troubling, And the wea - ry are at rest.
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There, tlic pris'ners, freed from bondage, Restse-cure from all their dread ; And the voice of proud op - pres-sion, By the Door no more is heard.
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1. Love and .. - nion, Zi - on's ba - sis, Sweet as sum-nur's morning air; ) L, . nion fcas|s our , wjth lea An<J ■ . creas . es
ho al - flic linn, lime, nor pla - ces Can the bless-iug Irom us leur ; J r
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love and zeal: U - nion is our heav'nly trca -sure, And its bless - ed - ness we feel.
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2. All who join in true devoiion
Tan hits .ii eternal real.
fYel tin* union, like an ocrnn.
Roll wiiIiiii I heir peaceful breasti;
They can i«ing eternal prau>ea
I Into i rod and 10 the Lamb,
Though I he w.irld arnuiid u? pazes,
We J, i lee I a heavenly calm.
3. Oil '. how peaceful and how lovely
Are i lie souls where union n igna;
Surli lire jjnod and kind and holy,
ll.ippy Bonis who union gam ;
'Tin I he ulb-pring ol kind lliuven,
Pu re mill lovely, all divine ;
Union, gentle, mild, anil even,
Union, 1 will make nice mine.
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1. Far from mor - tal cares re - treat - ing, Sor ■ did hopes and vain de-sircs; litre our will - ins fon»-">spo meeting, Ev' - rv heart to heav'n as-nires;
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2. V'ho ::iay share tliis great sal - va - lion ? Ev' • ry pure and hum - ble mind ; Ev' - ry kin - dred, tongue, and na - tion. From the stains of guilt re -lined;
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From the fount of glo • ry beam-ing, Light ce - lea • tial cheers our eyes, Mer • cy from a - bove pro-claim-ing. Peace and pardon from the skies.
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LiU and hmlih ami joy be -Mowing, Making all a - round l....k gay. \ A" >e na ,10n8' AU >'e "a - tlOl.a. Hail the long-ei-pect-ed day.
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Lord, liismis.- us with thv blearing, Kill our hearts with jov and peace, ) ,.. „ ,_ . „. „,, „ » . , „ —_ ._•!•__ .»,..„• .i,-. _■! i ., .
,. u.ui ' i, ■ u ■ i- f Oh, re - Fresh us, Oh, re - fresh us, irav 1 ng thro this wil-uer - ness.
Let us each, thy love pos - Bessing, Triumph id re - deem - ing grace ; ) ft ^
Trav'ling thro' this wil - der - ness.
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2. Thanks we give, and adoration.
For thy gospel's joyful sound;
May the Iruus of thy salvation
In our hearts and lives abound !
May ihy presence
With us evermore be lound.
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3. Then, whene'er the signal's given,
Us from earth to call away,
Borne on angels' wings to heaven,
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Glad the summons to obev —
May we ever
Reign with Christ in endless day !
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1. Shades of evening close not o'er m, Leave our lone - ly bark a - while ; I StiH fa) can dls . cov . er Sun-ny spots w. tre friends may dwell ;
IMorn, a - las ! will not re • store us Von - der dim and dis - tant isle. y
Dark - er sha-dows round us hov er. Isle of Beau-ty, fare thte well!
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V) ho will till our vacant places ?
Who will sing our eong ttr-night t
Through the mist that floats above us
Faintly sounds the vesper bell.
Like a voice Ironi ihose who love us,
Breathing fondly, " Fare thee well '
3. When i he waves are round me breaking,
As ] pace ihe deck alone.
And my eyes in vain are seeking
Some green leaf to rest upon ;
What would 1 not give in wander
Where my old companions rlwe' '
Absence niakea the heart grow fondei ,
Isle of Beauty, tare thee well !
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1. I'll for- bid my vain ns ■ pir-ing. Nor at eanhly honours aim ; No ambitious heights desiring, Far a - hove my hum hit claim, Far a - bove mv numhle claim.
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2. Weajj'd from earth's vexatious pleasures, In thy love rll seek for nunc ; Placed in heav'nmy nobler treasures, Earth 1*11 quietly resign. Earth I'll qui-ei - ly re -sign.
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1. Oh! what is life? 'tis like a flow'r, That bios - sonis and is gone;
It flou ■ rish - cs a lit - tie hour
2. Oh ! what is life? 'tis like the bow, That glis -tens in the sky; We love to see its co • lours glow,
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3. Lord what is life? if spent with thee, In hum - ble praise and prav'r.
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We feel no anx • ious care.
Though life de - part, our joys shall last When life and all its joys are past.
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Let song* of praises fill the sky. C. II. IT1
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i. Let songs ot prais - es fill the sky! Christ, our as • cend - ed Lord, Send down his Spir - it from on high, Ac - cord - ing to Ins word
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All hail the day of Pen - te • cost. The com - ing of the Ho • ly Ghoul!
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All hail the day of Pen - te - cost, The com - ing of the Ho • ly Uhost !
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Ami shows I hetll until men ;
Tin- fallen smil his temple makes;
(tod's image stumps again:
All h.ul the day >>i Pemecart,
Tbe coming .>l the Holy Ohoai '
4. The Holy Spirit from above
The tweWe apostle! orown'd,
AO'I gave them signs, and light, and !<iri,
To conquer nil sroand.
Tbe gi'fiel spread from Pentecost
When Jesus gave the Holy Qhosl
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1. How calm and beau-ti - I'ul the morn That gilds the sa - cred tomb, Where once the Cru - ri - fied was borne, And veil'd in mid-night gloom-
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Oh, weep no more the Sa • vionr slain; The Lord is ris'n, he lives a
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The gates of death were closed in vain; The Lord is ris'n, he lives a - - gain.
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3. Now cheerful to the house of pray'r
Your early footsteps bend ;
The Saviour will himsell he there,
Your Advocate and Friend:
Once by the law your hopes were slain,
But now in Christ ye live again.
4. How tranquil now the rising day!
'Tis Jesus still appears,
A risen Lord, to chase away
Your unbelieving fears:
Oh, weep no more your comforts slain
The Lord is ris'n, he lives again.
a. And when the shades of evening fall,
When life's last hour draws nigh,
If Jesus shines upon the ioul.
How blissful then to die !
Since he has ris'n that once was slain
Ye die in Christ to live again.
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From 01 - 1 - vet's ee-qu'eR-ter'd seats, What sounds of transport spread I What concourse moves thro' Salem's streets, To Zi-on's ho - iv head! Be - hold him then, in low-liisi guise, Thu
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THE BETRAYAL. S. O. JTI.
JOHN HPWRY.
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A - inong the moun - tain trees The winds were whisp' - ring low ; And night's ten thou - sand har - in« • nies Wer
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A voire of grief was on the gale, — It came from Ke - dron's gloom - y vale.
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1. Come. If i us a - new Our journey pur - sue, Roll round with ' lie year. And ne - Versiand c-till tilt the Mas • ter ap-pear: rlib a - dor - a - ble will Lei its
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2. Our life is a dream; Our lime, as a eiream. Glides swift -ly a - way, Andilie In - gi-iive moment re - lu - ses to slay: The arrow is flown. The
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3. Oh thai each, in ihe day Of his coming may say. " 1 have loughl my way through; I have tin - ish'd the work which thou gav'w me 10 do." Oh ihai each from his Lord May re-
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glad • ly ful - fil, Audour lal-enis im-prove. By the pa-nence of hop<-, and the la • bmr of love, By the patience of hope, and the la - bour of love.
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moment is gone, The mil - len - ni - al year Rushes on to our view, and e - ter - ni - ly's here. Rushes on to our view, and e • ter - ni-ty'shere.
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ceive llw; glad word. ' vVell anu laith-lul - ly done, En-ier in - to my joy,.indsit down on my throne, En-ier in • to my joy, and su down on my throne.
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1. My coun-try, 'tis of thee, Sweet laud of li - bor - ty, Of thee I sing; Landwhereour fa- then; died, Landof the pilgrim's pride, From ev'-'ry mouutain side Let freedom ring.
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2. My na-tive country, ftiee — Landof the no-ble,free — Thynamel love; I love tby rocksand rills. Thy woodsand templed hills; My heart with rapture thrills Like that a • bove.
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3. Let mu-sic swell the breeze. And ring from all the trees Sweet freedom's sY>ng: Let mor-tal tongues a-wake; Let all that breathe partake; Let rocks their si-lence break, The sound pro-Ion*.
4- Our fathers' God, to thee, A u-thor of li - ber - ty, To thee we siug; Long may our laud be bright With freedom's ho - ly light; Pro-tect us by thy might, Great God, our King.
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If dis • iress be - fall you. Pain - ful though it be, Let not grief ap - pal you, — To the Sa - viour flee; He e - ver near,
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Your prayer will hear, And nilm your per - tur - ha - tiofl ; Tin' waves of wo Shall ne'er o'er - flow . . The Rock of your sal - va - lion
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To drink .he flow-ine f„un-,a,„ ()l ev - er - last - ing love?J U hen sha" l be de " l«v • er d From this wan world or sin,
And wnh my bless-ea Je • sub Drink end • less pleasures in I _
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•ee the New Je - ru - sn - em, Itg ful - ness and its matchless Irnine. Sur ■ |>nss - my nil re • pun and lame, When the Kme »f kinus ronies.
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When t lie King of kings conies, When the Lord of lords comes, We shall hear a joy - ful day When the King of kings comes.
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To! see the na • tions broken down, And kingdoms once of great renown, And saints now sufTring wear the crown, When the King of kings comes.
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A - rise, mv soul, a - rise! Thy Saviour's sac - ri - fice ; All the means that love could find. All ihe forms that
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love could mke, Je - sus in him • self hath join'd, Thee, my soul, his own to m;iko, Thee, my soul, his own to make.
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A - way with our fears! The glad morn-ing ap - pears When an heir of sal - va - tion was born: From Je • ho - vah I
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came. For his glo - ry I am, And to him I will sing - ing re - turn. And to him I will sing - ing re - turn.
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Ho ! je rrmiinm appress'd, Scntter'd. bruised, and distress'd. 'Mong the nations in sadness that mourn, Your cai»tiv-i - ty's broke, Come »«ny from the stroke. And to 7.i • on with gladness re - turn.
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2. Lo ! a prophet of old,
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Where the rnnnfm d ol Israel may go;
Your Deliverer nnih ronie,
And he ealleih you home.
That his merry and peace you may know.
3. Come to Palem again,
And for ever remain
In the places where 1 >n\ i<l h.vh hecn ;
I,n ' in David s own mount
(Jod halh open'd a lount
For your guilt, your transgression, and sin.
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4. Let the leprous appear,
And he purified lure.
And be [mnish'd from Zion no more;
( In i lie Saviour helieve.
And Ins merry receive,
And bclore him devoutly adore
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Ou how pleasing to se«» Friends and kindred a-gree, And to- gether In bar - mony dwell : May contention and strife All be baninh'd from life. O'er the earth peace and concord prevail.
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1. The breaking wares dash'd high On a stern and rock-bound coast, And the woods against a storm -y sky Their gi - ant branches toss'd ; And the hea-vy night hung dark
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2. Not as the conqu'ror comes, They, the true-hearted, came; Not with the roll of the stirring drums, And the trumpet that sings of fame; Not as the fly - ing come,
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6s, 8s 4 4s. Proclaim the lof - ty praise Of Him who once was slain. But now is risen, thro' end ■ less days, 7b live . . . and reign ; He lives and reigns on high.
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The hills and wa - ters o'er, When a band of ex - iles moor'd their bark On the wild New Eng - land shore
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In si - lence and in fear — They shook the depths of the des-ert'e gloom With their hymns of lof - ty cheer.
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Who bought us with his blood, En - throned a - bove the far - tliest sky, Our Sa - - - viour God!
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3. Amidst the storm they sang,
And the stars heard, and the sea!
And the sounding aisles of the dim woods rang
To the anthem of the free.
The ocean eagle soar'd
From his nest by the white wave's foam,
And the rocking pines of ihe forest roar'd—
This was their welcome home '
4. What sought they thus atar J
Bright jewels of the mine 1
The wealth of seas, the spoils of war I
They sought a faith's pure shrine'
Aye, call it holy ground,
The soil where first they trod !
They have left unstain'd what there they found,
Freedom to worship God '.
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A • long where murm'ring wa-ters In rip - pling cur - rents flow, Where lof - ty pines and lau • rel In last - ing ver - dure grow,
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We'll go and view tlie em-blems Of ev - », - last - ing bloom, And glo - ry in the pros - pect Of ris - ing from the tomb.
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A • wake, you sons of Zi - on, Thai weep for Ju - dab waste; Your pro - mised light is shin - ing, And your re - proach is past;
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Put on your strength, O Is - rael ! In beauteous robes ap - pear; Je - ru • sa - lem
, be joy - ful, ror your re - demp - tion s near!
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1. How long, O Lord, our Saviour. Wilt thou remain a - way? Our hearts are growing wea • ry Of thy so long de - lay; O when shall come the moment. When,
2. How long, 0 gra-ctous Mas-ter, Wilt thou thy household leave? So long hast thou now lar-ried. Few thy re - luru be • lieve ; Immersed in sloth and fol - ly, Thy
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brighter far than morn, 'I he sunshine of thy glo-ry Will on thy peo-ple dawn.
servants, Lord, we see; And few of us stand ready, With joy to welcome thee.
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How long. O heav'nly Bridegroom,
How long wilt thou delay ?
And yei how few are grieving,
That thou dost absent slay ;
Thy very Bride her portion
And calling hath forgot ;
And seeks for ease and glory
Where thou, her Loid, art not.
4. O wake thy slumbering virgins!
Send forth the solemn cry !
Let all thy saints repeat it,
The Bridegroom draweth nigh;
Mav all our lamps be burning,
Our loins well girded be;
Each longing heart preparing,
With joy, thy face to soft
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1. IIoa long. () Lord, our Sa - viotir. Will ihiiu re - main a • way; Our hearts are grow - ina »cn - rv , Of thy so long uV • lay;
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2. Now long, O grn • cioii9 Mas - ler. Will ihou iliy house hold lenvi ; So long hasi hinu now lar - ried, Few ihy re • turn be - lieve.
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3. How long, 0 ImaVn-ly Bridegroom, II. .w long will h u de - lay; And yel how lew are griev - ing, Thai I linn dosl al> - renl stay:
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4. 0 wuke ill v slumbering vir - gins Send forth a so • lemn cry; Let all thy nanus re • peat it, — "The Bridegroom draw . cih nigh:"
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() when shall come the mo - mint, When hr;ght-er lar than m«rn, The aim - shine ol iliy g'o - ry Shall on thy pen - pie dawn
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Im-men-ed in slolh and I'nl . ly. Thy ner vans. Lord, we nee : And few •>! us stand ren - dy. VVnh joy. lo «■;.. thee
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Thy ve - ry Bride Inr |>« >r - lion And call - ing ho h lor • e«' : And Seeks l"r ease and glo • ry. VV'hera ihou. her l.nird. art not.
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May ail ou/ ouuix l>« burn - uig, Our luuu> well ^.iu • ed La ,
luni - mg lieari pre ■ par - uig. V> iO* joy. thy t&c» t« »-.
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Time is winging us away. 7s «fc «s.
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2. Time is wins; - ing us a - wav
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To our e - ler ■ mil horn* : Life is but a win - ter's <lny, A jour - nev 10 the inmbi
To our e - icr - rial home: Life is bill a wm - ter's i.'av, A jour - riey lo the lumb :
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Youth and via - our soon will flee, Bloom-ing beau - ly lose its charms; All that's nior - tal soon will he
Bui the chil-drcn shall en • jov Health and beau - ty soon a • hove. Far he - yond the world's al - l<>v.
En - closed in death's cold arms.
Se - cure in Je • mis' love.
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Praise the Lord who reigns a- hove, And keeps his courts he low; > „ .
Praise him for his boundless love. And all his greatness show; ] Praise him for h.s no - blc deeds ; Praise htm for his match-less power ;
Him, from whom all good proceeds, Let earth and heaven a - dore
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1. Jc - bus, lei iliy piiy • ing eye Cull bock n wand' ring elirep, False to ihee, like Pe • ler, I Would fnin like Pe -
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Sa- viour. Prince, en-ihroned a - hove., Re-penl-ance to im • port, line me, through thy dy • ing love. The hum • ble. mn • iriie heart.
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I,et me be by grace re ■ a'"Q>d ; <>n me be all luug-gufT'rin^ phmvn; Turn, and look up • on me, 1, >rd. And break my heart of (tune.
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dive, what I have long iinplr.'d, A por • I ion of iby grief un-known : Turn, and look up - on me. I.'<rd. And break niv heart nf utonr.
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1. Je -pus ilrinks > tie bit • ler cup, 'I h»- wine-pres.9 treads a • lone: '!\ars the graves and mnun-tains up. By his « .\ - pi r - ing groan :
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2. O my God, he dies for me, 1 feel the nior • lal smart ! *?ee him hang - ing on the tree, A eight that breaks my heart
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of heaven he shakes, Na - ture in con - vul-sion lies; Earth's pro-found • est cen - ire quakes, The great Re - deem - er dies.
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O that all to thee might turn! Sin - ners. ye may love him too; Look on him ye pierced, and mourn For one who bled lor you.
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l!e - hold I he rays of inorii-iiig. As bright lliey come from easi-ern skies; The ver - nal scenes a • dorn ■ ing, A thou-sand beau-ties meet the eyes:
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The new-born day re - j licinc Comes bomul-ing r/er ■ lie dew - y lulls. And with ii» rich • est bless ■ ings A thou - 1 mi lm asts with rap 'ore tills.
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' Soon as breaks the dawn of day. Soars the lark in songs a - way, L'p, un - nl his wings of lightness Oahe in morn's en les - naT bright net
is breaks ihe dawn of day, Soars I he lark in songs a - way, L'p
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2. I!less-ed be iliy name lor ev • er. Thou of life i he guard and giver; Thou didsi guard thy rhil • dren sleeping. F.v
sale while in thy keeping.
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So. in grateful notes of joy. Let our souls their powers employ, l'p - wsjid rise Irom toil and sadness To a world of .joy and glad - ress.
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We have seen itiy wondrous might Thro' the sha - duws of the night; Thou, who slnmh'rest i.ot nor sleepest. R lest are i lie y thou kind - ly keep - est.
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Though si onus dl ad - vrr-si • ly come, And blast ev'ry Reason of joy. We'll rest from <mr cares in I he tomb. Where troubles no longer annoy. Where troubles no longer annoy
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What sor-row-ful sounds do I heiir Moth slow-ly a - long in the gale? How so • lemn they fail on my ear, As soft • ly they pass through the faie.
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Sweet Co - ry - dou's notes are all o'er — Now lone - ly he sleeps in the clay: Mis cheeks lilooni with ro • ses no more. Since death call'd his sul - rit a • wav.
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■west woodbines will i-lse ronnd his tomb, 0 Corydon! hear the sad cries
4. 5. 8.
Ye shepherds, so blithesome and young. And when the still ni-jlit has nnfurl'd Since Corvdon hears me no more.
And willows there sorrowing ware;
Young hyacinths freshen and bloom,
While hawthorns encircle hts grave.
Of Caroline, plaintive and slow;
<> -pir.t ' look down from tlje -' i.s.
An. I pity tin mourucr Isdnw,
Ili-tii* 'rotn yftur sports on the preen;
Sin-. »,i-r\il-'n"> di at" ti- inv -onii.
Tie- wolves t ■-;> i tin lamli the plain
Her hihes o'.-r the hamlet around,
tirav twilight retires from tie- world.
And darkness ciicuiiil»-rp the grouud-
Kacfa no. rn. when the -iin gilds the l-'.ast, "lis Caroline's voire in lie- grove.
Kach swam round the forest will slruy, I'll leave .in tiwu giismiy abode
(The linen trass bespangled with dew,)
He'll nut iii- nrlght l~nnjs OB (ha, -.-lit,
To ahmrai u* Md Cai'olme't tww.
Wtyic.h lhil..n..-l hears on the plaiu,
»n.i sorrowing hang down Ins bead;
To Corydim's urn will i Hjy,
In gl.s.m lei the woodland- ap|u-ar;
Ve .-ikiis ! ••• still >.f vi.ur n.ai :
I..-I vtuui'iii .-xienil rimnil the year
I'll Iin- no- through meadow and lawn,
There cull the hrighl Hornet.* of Mu\
Then striving the mourn, -i to soothe, His pipe tin
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There Kneeling will ble.-> the just u.»i Tieii ru
win^s iif i lie . I'-rii,
\\ ith sympathy joins m her .inn feouie dirge lo youug Curyduu'n shade. V ho dwells m bright uiuusk.us ou high. Anu wait m> young spirt away
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Eiicoinpass'd with clouds oldis-trcss, Ju&l tea - dy nil hope to tc ■ sign; I pain lor I lie light of thy lace, A ml t< ar it will nrv . cr tie mine.
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l)is-bcart-en*d with wnit-ing
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long, I sink hi lliy li-ei wi !. my load; All planum- I pour 01:1 mv sons;. And stretch forth tny hand iin-io Hod,
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Mim- eyes ar* now closing to rest, My bo • dy must soon be removed, And mould'ring, lie buried in dust, No more* to be envied or loved, No more to I* envied or loved.
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All! ul.ut istlii* drawing my breath, AnJ iitealiiig my m-iimts a-wavf Oh! tell me,
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Oh! tell uie, my soul, is it dealh, lle-U'as-ing me kindly from clay?
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Now, mi iiipiing in) 'soulfihali descry. The regions ol pleasure and love ; My spirit triumpliant shall fly And dwell with my Saviour a- bove
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I. Tlic sun Ki i lie west lias descended. Kn - circled in crimson and jl'"M ; The Icau-lt-flil daylighl is end • cd, T 'he night-wind blows freshly and cold.
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2. The slienhenl lii^ Murk has now folded,
The Inrd.- Iinvi- nil untie In i In ir nest,
The vi.i.iL'i i slHir'lv lulling,
Announces iuu uour ol rest
3. The busy fn Ms nil :ire deserli J,
A II nature is i|inei ami sill..
Sue where in* Iresh liivt'sinf ••'•' wavaig
The pines on the side ol me mil
<. Wliilc all are so lovely and pcneolul.
To heaven lor one lilcMSiiii> we n i>r:i/
Oh' may uui life'* eve be •>- pleiuaui,
And in. Id an the cIom ut me uny.
188
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Hear ;he roy - ai pro - cla - ma - lion, "1 lie glad i id - ngs ol i-ji I • va - lii'n. Puli-lish - ii a lo er - 'ry crea - lure. To the ru - m'd
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suns of na • ture, "Jo • sus reigns, lie reigns vie - lo • rions, '> - ver lii-nv'ti nml earili, most glo • nous. Je -
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2. IN: • lined from all of carili - ly dross. Am - bi • lions hopes it counts hut loss. And lin • gers with joy a • round the cross.
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3. heard ye lhal sound Irom seraph's tongue, Thai glorious song ihe an - gels sung O'er lielli - Ic • hem's plains, when Christ was young?
4. 1 he suee'esi ol all Us null's lo me,
As swcci, no douhl, II is lo ihee,
1m " 1'eiice ou ihe uurili Irom bca to uea."
5. Y>i pence. :is n Irni' from love ilnlli grow
It blooms in Ilie souls ol saiins below,
And ripens the more thut Ciirist we know.
0. IVaih will dissolve all eanhlv lies. •
Bui souls lhal are one helow the skie»,
In Chrioi, will be oiie ui i'uxudu«».
GOSPEL TRf TIPFT. $9 <fc 4ft
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1. Hark! how the c"3 eel irumpet sounds I Thro' «ll the world r lie ech - o bounds, And Je-sus l>y re • deem-tng blood, Is brirg •
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2. Elail! ull vie - to • rinus conqu'riog (<ord ! lie ihou by nil ihy works n • dored, Whjiin-der - look for Bin • fill mail. And brought sal-
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va • lion through ihy name. Thai we wjih ihee may ev ■ rr reign. To end - irss day.
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3. Fichi on, ye conquering sonts, fighi on!
Anil when ihe conqitesi ymi have won,
Then |iab)IS ol viciory you shall l»ur.
And in hia kingdom have > -imre ;
And crowns ol glory ever »ta.-,
In endless d.iv.
4. There we -hill in full enorup join,
Willi s:un:- ;iiul angels :il' i-omlune,
To sing ol In- redeeming love.
When rolling years slnill cease 'o more.
And ihis shiill be our I heme ahove.
In endless day.
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The Son of man thcv did lie - tray — He was condemn'd and ltd a - way: Think, O my soul, thai mor-tal day — Look 0:1 Mount Cal-va - ry:
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Behold him, latnh-like, led a - long, Surrounded hy a wicked throng, Ac-cu-sed by caclt ly-ing tongue ; And ihusthe Lamb of God was bung Upon the shameful tree.
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Gent - ly on their pin - ions fly - ing, Hear t lie voice of
an - gels cry - ing, Clear and 8oft their ac - cents
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" Peace through all the world ex - tend - ing, Love from hcav'n to man de - scend - ing, Trace and love shall dwill be - low.
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L'n - dtr - neath ihe o - ccan's bil • low, Where i.o rose nor Lend - ing wil - low Springs to cheer a lone • ly grave;
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Oh! how ma - ny have been hur-ried! Ma • ny thousands there lie bu - ried, Far be - low the surg • ing wave!
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■in your roni|>iitiy: Here to pn>t»ke your pure delight. And Join your w-cn-J iymphony. My pain* hare eeaaed, my ore* are o'er, I
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now hare rrarb'd the b!lea-lul obore, And went"* of joy before ni»- rial) All behfeu bunt* up-on my evea. rt sound bin prune, ye hi-av'uly rhoir, Who naved me froa Ibe flaming fire.
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I, Weep not tor the saint thai as-iends To par-lake of the joys of i lie sky ; Weep not lor the seraph r licit Lends Wiih the wor-ship-ping chn-rus on higl
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2. Weep not for the spi-ril now crown'd With I he gar-land to mar-tyr-dom given; Oh, weep not for him: he has found His re - ward and his re - luge in heav'n
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3. But weep lor their sorrows who snnd And la-meni o'er the dead hy his grave ', Who sigh when they muse on the lan-i Of :u?:r home lar a • wav o'er ih
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HYMN. "Ere I sleep." 8, 3s & 6s.
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1. Ere I sleep, for ev' - ry fa - vour, This day show'd By my flod, I do Mess my Saviour, 1 do bless my Sa - - viour
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2. Leave me not. but ev - cr love me ; Let thy peace Be my bliss, Till ihou hence re-move me, Till thou hence re - move me.
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3. 'I hou, my rock, my guard, my tow - er, Safe - ly keep. While I sleep, Me. with all thy pow-er, M<\ with all thy pow - er.
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O, may the distant land* rejoice, And sinners hear the Bridegroom'! voire, \\ bile praise tin ir happy tongues employs. .A ml ali ob...m iui oior-Ul joys, And jItb to Jo • sus glo-ry.
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Thin? Is ii phut-, There is u place where uiy hn|*-s are staid. My heart and uiy treasure are there. Where rcr-dure and lilo»»m< ner-erfade. And Held." are e-ter- nal - ly fair.
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Oman. That blissful place. That blissful plni-c in my lather . land, l!y faith ltd delights I ex-plore; Come, favour my Bight, an - gel • ir band. And waft me in peace to the shore.
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There is n place where my hopes are staid ; My heart and my trea-sure are there : Where voruure and blossoms ne-ver fade, And fields are c - ter - nal - ly fair.
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That hliss-(ul place is my fa-ther-land ; By fail li its de-lights I ex - plore ; Come, favour my flight, an-gel - ic b'ind, And waft me, in peace, to the shore
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1. To leave my dear friends and with neigh-bours to pari, And
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from my home,
•f - flicis not my heart
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2. Dear bower! where the pine and the pop - lar have spread, And wo • ven their branch - es
roof oVr my head ;
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Like thoughts of ab
sent - ing my - pelt for a
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treai where I've cho - sen to pniy, I've cho - sen in pray.
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Iluw oft have I knelt on the ev - er-green there, And poured oul
6O11I to my Saviour in prayer! my Sa - viour In prayer!
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'I*he early shrill notes of a Inved mciitmcnle j How sweet were the zephyrs, perfumed by I For Jesus, mv haviour, oft deigned thereto I Dear bower. I must leave you and bid you
Thai dwell in my bower. I observed as my ' the pine, I went
Soil The iv\ . 1 hi- bnlanm. and wild eglantine ' I \ nd irn-s with h is presence my I":" ly ret rent ;
I'n coll im- MHtJum feiiiW bird* nl*tne air Bui Hweeiei oh sweeter superlative were Oil nil d me w 11 n rupture mid blessedness ihi re,
Sang aiith'-uis ol praue* as 1 weal to pra) er. 1 The joys that 1 ia--icd 111 auswer to prayer '. Iliiuuing 111 ueaveu'sowu language my piaycr.
adieu.
And pay my devn'inrts in pnrt« ihnt are new;
For Jesus 111) Sa» i"ur , «n ueui ■••cry w lure.
Aud can in ail place* gin ajuiwcr to prayer.
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De • hold how the pro-phets and mur-lyrs o( old Were ex • iled tu wan-der tliro' lem-pesl and cold! Through de • sens and lb-rents Iney cheer • ful • ly
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voice of t lie tur - lie is heard in our land; Come, lei's join to - gcthcr and fol-low i he sound. And march 10 the place where re - demp-tion is found.
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I luve ihrp. mv Saviour I love thee, mv I„nnl ) ... , ,
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I love iliv dr:ir peo|)le, ihy ways and ihy word. (
e - mo-lion I lov« sinners too, Since Jc-sus has died io r« - derm them from we.
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1. As down a lone val - ley with ce - - dars o'er-spread, From war's dread con • fn - sion I pen - eive - ]y strav'd. The
2. Per - tuning as of E - den flow'd sweet - ly a • long; A voice as of on - gels en - chant - • iiig - ly sung: "Co-
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gloom from the face of fair hea • vcn re - - tir"d; The winds hnsh'd their mur - mnrs, the thiin - ot - „ ex . pired.
hint - hia, Co - lum - bia, to glo ry a - - rise, The queen of the world, and the child of the skies."
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1. Ad down the calm river our light Teasel glides. Or n - ver the bil - lows tri-umphant-ly rides, We are making our way to the Land of the lilest, The home of the good, where the weary hare r.«t.
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2. ThJ .'iraiu will convey us, without iuurh delay, Fr">m toils and from troubles for ev - er a-way; Se - rcno - ly our sun will go down in the west, When safe we re-pose in the Land of the Blest.
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Though friends *lu>uld all tail.
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> let one thing se - cures us, what - ev • er be - tide,
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1. 1 ban f . ■ > 1 _- 1 1 1 tin' i;ood flcht. I hnve^flnbdi'd uiy race. Ami thee. 0 my Saviour. I soon shall embrace ; Tiny amy torture thin body, my »|.ir - it if (roe, Add the bllloui nf dmtli -hull bul bear it to th^r
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I 2. bel thy Itrongth, Lord, but cinl in.-, thy smile lie but mine. And my soul on lliy faithfulm-M r.nnly online. The dungeon, ilie sword, or 1 1 1»- nuki- I ran dure. Ami in transport* .-ipir.-, if my Jeauf he II
8. Did my Lord feel the •mure, did the thorn* nlercu Ins hrowf It, the darkness of death on the rn» did In >-» I All this did.-l thou suffer, my Saviour, fur nits, Then welcome Ihe nrHrr* th.it Mud me to Thee
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4. United in Bufferings, the promise is dear, 5. I sn in my Saviour. I wo m mv <!i»t :
I ahnll. wilh my jcbus. ip glory amit-ai I i rrud ■ I" •. |inih mv Ui-ilrt'iiu-r once >wd ;
Out oi ori'in tribulation in triumph I int, I nworihy nu Siivmni it i ui.riny nm i
Wnh my robe wooh'u m blood, and made whiter than snow. E'en to lull in my cause, h>r lliy truth e'en lo the.
nn my clear vision the penis nl ihe hless'd
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Thru ini.-lmke v -mil on me proiinx ■
"Though 1 die. ! shall live; though 1 lull, i mull ruo "
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1. Thou sweet glid - ing Ke-dron. by thy sil - ver sin-am Our Sa-viour wo.-M hn • ger in moonlight's soft beam; And by thy brigm wa - ters till
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2. O gar - den of Olives, thou dear lionour'd spot, Tlic fame of thy wonders shall ne'er be for • got; The theme most trans - port - ing to
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midnight would stay. And lose in thy murmurs the toils of the day. How damp were the vapours that fell on his head! How hard was hi«
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uer-aphs a - bore, The triumph of sorrow, the triumph of love. Come, saints, and a - dorehim; como bow at his tect : O give him the
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I, A tribal If pravlngTh* Saviour to limr, Fur hi* .laughter If Jy-ing, Willi no helper nrar ; Bcfvrching lllm greatlyt ll« full* al 111* fret. And hi* sto-ry uf sorrow, 0 hrarlim rr|>-Nl
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7. Mv drni linle ririnsn'o
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O i linn iiirri'ihil Saviour,
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Sin- survlv wni live.
Thru 10 i li< >■ nil -In- giory,
U Jeaua. I'll giau.
3. And Jrsus went wilh him,
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'J'o ■!■*■ lirnri-slrirkrn father,
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Wliv inmlile ilu- Muster,
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Dul lie kind Saviinir wJ"#p*
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Add Ihe mourners were there;
Who with un |i.nu ami wailing
Were rrniliiii! i he air ;
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Win n llir iiiii.'li'v PliVsirian
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And. aiii, Ir.nii del li .i un s
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Al the voire ui t !••- smu "ur.
u O damsel. aiuHi. — Mts P«»«
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1. Daughter of Zi-ou. a- wake from thy sadness I A • wake! for thy foes shall oppress thee uo more; — Bright o'er thy hills dawns the day-star of gladness, A - rise! for tne ni^'Uof thy
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2. Strong were thv toes, hut the arm that subdued them. And seatter'd their legions, was mighti -"ir far; They Bed, like thecliaiT. from the foa that pursued them: — Vain were thetr steeds and their
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3. Daughter of Zion< the pow'r that hath saved thee, Kx-toll'd with the harp iin-l the timbrel should he; — Shout! for the foeisdestroyMthateiishiix-dtl.ee, Th'oppres-sor is rani|iilsn'd, and
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imrmw i- oVr. Daughter of Zi-nii. a- wake from thy *a<l-nt*3s1 A - wakvl for thj foes shall nj>* juvss th**e no more
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1. Our Fa - iher, in hea - ven We hal - low thy name! May thy king-di>m ho - ly, On earth be the same! O giv* to us dai - ly Our
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por-tion of bread; It is from thy boun-ty That all must be fed.
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weak-ness and sin, And thine be the glo - ry Fur e - ver, A - nun.
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From thr I'talmist, Xo. 81 3.
1. " Do this." and remember the Mood 'lint was shed,
F.ri' Calvary's victim 10 slaughter «:is led:
When, sad and forsaken, the garden alone
Gave ear to Ins sorrow, and echoed Ins moan.
2. Remember the conflict with insult and scorn.
The robe of derision* the chaplet of thorn;
The sin-cleansing fountain that ttream'd Irom his side,
When, '• Father, forgive them," he utter'd. and died.
3. Remember that victor o'er death and the grave :
He livcth for ever. Ins people io -
O lake, with thanksgiving, ilus pledge of his love.
The foretaste of rapture eternal, above.
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1. A • long the banks where Ha - bel's cur - rent flows Our cap- live bands in deep de - gpondence stray'd ; While Zi-on'a fall
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When praise em - ploy'd, and mirth in - spired the lay. In niotirn-lul si-
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3. The bnrb'rous tyrants, to increase the wo.
In laiiiiinii! smiles a song ol /ion claim;
Ji itl ii.cred prftise in strains melodious llnw.
While they blaspheme the great Jehovah's name.
4. Bin no.v. in heathen chains and land-" unknown,
Shall Israel's sons a song ol Zion raise I
0 napless Salem! < toil's terrestrial ihrone!
TIlOU land of glory, — sacred mount ol praise!
5. If e'er my memory lose ihy sacred name.
If my cold heart nejilecl my kindred race.
Lei dire ntrhelion seize ibis l'uiI y liame.
My liiuid shall perish, and my voice shall cease.
6. Yet shall the Lord, who hears wnen Zion calls,
OVrlake her toes with terror ami dismay ;
His arm avenge her desolated walls.
And raise her children to ettmai uay.
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Behold ! i lie Judge descends! his guards ore nigh! I empests and firo at - lend him down I lie sky; lleav n, euxih and hell draw near, let all things come, I o heuriiis Justice
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Bui gather first my saints, the Judge commands; Bring them, &c.
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and the sin-nrr's doom;
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The voice of the dead to all speaks a - loud,
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And yet we would linger, and length - en the strile
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0, tell me no more Of litis world's vain store, The time for such tri - hVs with me is now
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The birds, with - out barn or store - house, are fed ; From them let us learn to trust for our bread ,
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Tl* finlsh'd. 'tis done the spirit in fled. The pris'ner is gone, the Christian is dead I The Christian is liTing in regions of love. And gladly re-cclv-ing a klog-dom a- bore I
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Far, far in the east may fair Frer-dom as - cend, And fly with the winds to the west;
While blessings un - num-ber°d her pro - gress at - tend. And lib - er • ty crowns the oppress'd.
> Let Peace her do - main o'er all na - tions ex -
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tend, With friendship all kin - dreds be bless'd ; Let strife and con - ten - lion and vi - o • lence end. And man from his mis - e - ries rest.
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I itiink of the years ihat for ev-er have fled; Of follies, bv others for - gt.t ; Of joys that are vanish'd, and hopes that are dead ; Of friendships that were and artnot'
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I. I came lo the spui (there the while* pilgrim lay, Ami pennively si nod by hi* tomb ; Whan, in a low whisper, a voice seem'd to say " How sweetly I sleep here a- lone.
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2. " 1 he lesapeal may howl, and the loud ihnndn h roil, .A nd gathering storms may arise ; Yet ralm are my feeln es, at rest is my soul. The icars are all wiped from my eyes
3. " "1 was the call ui my Master that led me Troniiionie, I bade my jcoinpai:ioiiS farewell; I left mv dear children, thai duw for me mourn, In a fur distant region u> dwell.
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<. " I wander'd a stranger and pxile below,
To puhlish salvation abroad ;
The I ruiiu. nl in, i>ii.i„'| i iiileiivuiir to blow,
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5. " Bui when at a di-tance. and far from mv horr.? 6. " Oh ! tell my companion and children moat dear,
No kindred nor relative mgii. To weep not lor Joxeph, though gone;
1 mi i ijie coinagioil. and -auk in trie inmtr. The same hand iliai led me through scenes dark and drear
\l \ - 1 . j j i j ascending mi Ingn. Has kindly assisted me home."'
* Alluiioji la bh1> W kl4»r Iluuuii appiM. wLi.li vu oiUiamrU/ white.
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Lo ! in the wil - der-ness, pounds of re - joic-ing, Joys greet the plains where no riv . u - let flows: ) , . , . .
For - ests shall flourish with beau - ty and gladness, Des - ens shall bios - sum and bloom like the rose. J Let) • a - non s glo - ry in waste places s-pn
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Car • mel and Sharon their ex - cel-lence yield; Mountains and hills fhall break forth in - to singing, Plen- ty and freshness shall glad • den the field.
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Dail the blest morn!" I (>» A lis.
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1. Hail the nlest morn, when 'he great Ale-Hi - a - tor Down from the regions of glo - ry descends; ) r> , . . . r ., f ..
t;i i j l .l F> j .1 „ i .i i f .i i i . r ii? Brightest and best of the sons of ihe morning,
shepherds, go worship the Babe in the manger — l>o . lor his guards the bright angels at - tend : J
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Dawn on our darkness, and lend us thine aid; Star of the ehst, the ho - ri - ion a - doming, Guide where our in - fant Re - deenier is laid.
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S. Cold on His rrndle trie dew-drops nre shining.
Low lira Ins head with ihe In a-:s <>t- I lie stall
Angels adore nun. in slumber redlining,
M&Ksr, and Mutiaxcli, and Saviour of oil
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3. Say. shall we yield him, in costly devotion,
Odoun ot Eden, and otfrings divine '
Gems ol the mountain, and peails ol the ocean,
.Myrrh lroin the tores:, or "old from the mine t
4. Vainlv we offer each ample oblation ;
Vainly with gibs would his favour secure !
Richer by '.ar i.- iiic bean- adoration.
Dearer to God are the prayers ot me poor.
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II .ti 1 1 In- M«-.- 1 mom, wb»*n the gnat Mediator Shepherds, go worship the Babe in the manger, Ijo'l fur your guide the bright angels attend.
Dowu from the rogionaof glory descends; Lo: for younguide^he bright angoUatUfndf
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• syriuneame down like the wnKon the fold, And his cohorts were gleaming in piirl-ple and «r> >ltl ; And the sheen of their spears was likestars on 'he sea W hem lie
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I — ——i — r r ' 1 — - 10 — 0 — —r0 — ~. 1 |-j — 4. And there lav the steed, with his nostrils all wide.
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! — LIT- IZIZZi 1_ J I TlpjZZj — >| I ' j [--p- ; " ' J , -f^ j| «- And ihe loam ol hi- gasping lav win-. i Ik- inn.
' "* And cold us ihi> .-pray oil the mrk-heaicn surf.
blue wave roll.- nightly on deep Ga • h - lee, When the jbitte wave rolls nightly on deep (»a - li - lee.
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5. And there lay the rider, distorted it"'1 pale.
1- ^ - — 1 fm ■ -i 1-— — -ir- o. Ana mere lay lite ruier, (iistorien »»■• pate.
I p [~. I l^"l~A~A I ~ AlIT Willi ,ne dew on Ins hrow. and the rust on ins mail ,
n — 0— ■ V-n — ^ -^ -^ -' — M — _ I^T — ■ — UX- T . ■ i-_ . . _ T._ lAX And the tents were all silnm. irm OHimers alone,
1 — F F~ '-f* — P-JT if — I *'+ ' The lu'"'es u"1,l,c<i- ,he 'ru"^el unblown.
2. Like the lea\es of the forest when summer is green. ? For the angel of deaui spread Ioj wings on the blast, f>. And the widows of Ashur are loud in then «vatl ;
That nos'. with their banners, at sunset was seen , And breath d in the liiee of ...e loci as he pass'd ; And the idols are broke in the temple ol liaal :
Like the leavet, oi t lie loiest when autumn hath hlown, An<) the eyes of the sleeuers wa.x'd deadly and chill, And ihe might ol ihe (tuning, iiiismote by ihe sword,
That uosi. on the morrow, lay wither' d and strown. And their hearts hut once heaved, and forever were still* Haih melted, inus snow, in the glance ol the Lord.
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1. Pil - grim, ihe vi • sioii be - lore I lice is glu • nous, 'I"lie enrill ;-li;i 1 1 al - lure lliv iried ^pl - rit no more;
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2. Hard was t he Blrife, lull Ihe utrong One in hnl • i lo Jlas been iliy dc - fend • or, arm vaiiqiiisll'd tliy i... -,
3. High was i tie an • iheiu those ra.i ■ lures re - veal • nig. Ten thou • sand ce - leu • Hals 1 1 »»r elio • rus pro - long;
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And lira - ven stood by thee lo help ihre in iron - bio. And jov'd when Ihe sound of iby iri - nmph a • r..*i\
Hut loud • er ihe strains ol I he ran-Miiu'd are peal - nig. And glo • ry is swell • nig ibe Con-n,ucr • or's wing!
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J«ru*»l«uj Uiumj^U. — Mi'mih. u King I
2. T. II lira In- i-.ni.lli fr<.ni naliim m nation.
Tin l.-iii i- I..- -rilM ii. « - i, i il,. . .,• il, . . I„, rnuuil;
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C'/iviu*. " **• ■■' llii" itliul liiium-. ■■ . nil iiil'I v innfc
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3. >li>r|j«l< vnur lirinuiff* '-■ fruitful!* ' r itiPnc,
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O. Jesus, the gl<>-ry, the wonder, and love Of an - gels and glo - ri - fied spi - rits a - bove, And saints who be • hold thee not, yet dear - ly love,
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Re -juicing in hope of thy glo - ry. Thou on - ly and whol-ly art love • ly and fair, Who robb'st not the Father with him to compare. The Fatncr's own
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tm • age glows in thee, shines there In vis-i-blc bod - i - ly glo - ry. \V0r1hines3 dwells in lliec, Excellent dig-ni-ty, IJcauty and majesty, Glory en • vi - rons tnee,
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Power, honour, do-nun-ion, and life rest on thee, O thou chicf-csl, O thou chief - est, O thou ehicfcst a - mong the ten tlmu • sands
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When stars in the morn-ing of time were ar • ray'd. Anil earth or lier last-ma; fonn - Ha - lion was laid; And in their strong hounds the wide waters were
'1 he new - ly made heavens, dis - closed to the sight, Re - splendent I) shone wnli the gleauiings of light; '1 lie son; of the inornmg in rap-tur-ous
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staid, Thick darkness per • vad • mg the In - - lows: ) „o i j » .i .l o r t. j i . • i
/],...•.. ' , 6. , > Sins a - loud oer he earth ; Songs of hon • or and praise, Let ev - rv he - ing raise
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To him who gave it birth ; Ma - jes - ty, or-der, beau - ty. and strength crown his works; Pow - cr, titer - cy, and in - fi - nite wis • dom !"
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1. The voire of free knee irnw - Escape lo .he nwun-ioin : ) p ?in an(J , . ,u tj f . . ,rans . _ ; nj b|ood fl f ,
h >,r A -dam s lost race (. hn>. huih open d a loun-iaiu : J ' '- B '
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Ve souls that are wounded, to th' Saviour re . pair; . . ) _., . jn-creas-cd as hizh as a moun.ain. His blood can remove .hem. it
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N..w Jesus, our Kin«. reikis m-un-ph-am - !y |l*-imi:] \V„h shouutig proclaim it, oh trust in his pas - sion. He saves us most free - ly, oh
O er sin. deaui, and hell, he is more than vie - 10 - nous;) fa ' * '
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1. 'I hot sweet glid • ing Ke • dron, by lhy sil - ver stream
2. IInw damp were the va - pours that fell on his head,
3. 0 gar - den of O - lives, thou dear ho - nour'd spot.
Our Sa viour would lin - ger in moon-light s soil beam'
How . hard was his pil - low, how hum - ble his bed,
The tame of thy won • ders shall ne'ei be tor - got ,
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And by tliy bright wa - lers 'till mid • night would stay,
'1 be an - trels, be - hold - ing, a - mazed -it the sinht,
The theme most trans ■ port - ing to se • raphs a - bove,
And lose in thy mur - murs the toils of the day.
At - tend - ed their Mas - ter with so - Icmn de • liaht.
The tri-umph of sor - row, the tri - umph ol love.
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Come, Faints, and adore liim ; come, bow at hie feet, And give hiin the glory, the praise that is meet; Let joyful ho-san-nahs un - ceas-ing-ly rise, And join the full chorus that gladdens the skies.
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I <>w pa n - fi - y pleasing the fond re - col-lec-tion Of youthful connections anil in - no-cent jov ) r „,•,, „• „ ,.,„ „i • „f _., t.L„ . _ ..
... r . . ... * ■ 7 i n v; iii ii/l st|" view i lie chairs ol my lather and mo - ther;
When blest « nh jia-rcu • tal ad-vice and allec-iion. ourrounded witli mercies — wit h peace Irom on nigh. J '
And i hut richest ol books which excels ev'ry other, The Fa-mi -ly Bible, that lay on the stand.
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The scats of their offspring, as ranged on each hand ; The old-fashion'd Bible, The dear, blessed Bible, The Fa - mi - ly Bi-ble, that lay on lite Bland.
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MARY'S INQUIRY.
0 0-. Q O Q 0'T~ o s •• 0 V O #v ^-v o o o r
1. Oil! tell where you've laid him, oh ! loll me, tell where. For I ask in the deep voice of wo; Oh! look on my tears. And com-pas-sion my lears,
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2. Oh! pi - ti - less men, all the sons of this age, My ho-som-iis sor - rows o'cr-tlow; My Lord first they slay. Then conceal him a - way,
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And the bo - dy of Je - sns be - stow. Grief im-por-tunee, Oh ! my Lord, then, and Mas- ter be - stow.
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And who now, ah ! who will be-stow. Grief speaks aloud, Oh ! my Lord, then, and Mas - ter be - stow.
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3. '."o »h#f ymi hare IsSI him. my steps hence direct.
Till- trihUtl* M> f»MiT»-,i I OW« —
To weep n'er his i^rme.
Ami with spices to -are
Hi- body, if you Mill Inflow.
linef fond I V Cfllls,
Oh I my Lord, thin. riiJ Miuter bestow.
4. Refuse, oh I refuse not oh! hear my complaint'
My soul pressed with sorrow bow» low:
liive me this delight,
Point my pathway aright
This Jesus so lovely hestow.
Grief is my plea,
Oh I my Lord, then, and Muter beitow
SONG OF DELIVERANCE.
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1. Our bondage here will end by and by, by and by, Our bondage bere will end by and oy ; From Egypt's yoke set free. Hail tint glorious jubilee. And to Canaan we'll re-
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Ami our sorrows have on end
Wnh our three-score years and ten;
day liy and by.
X~l X.T l":r 1 I IT And vast irlory crown the d
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turn by and by, by and by, And to Canaan we'll return by and by.
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e'll no on.
Chough our hearts dissolve with tear,
Lo ! Sinai's Uod i? m .ir ;
While the liery pillar moves we'll go on.
I. By Marah's bitter streams we'll go on,
Though Baca's vales be dry,
And tins land yields no supply.
To a laud ol corn and wine we'll go on.
5. And when to Jordan's flood wc are come.
Jcboviib rules the '.ide,
And the waters will divide.
And the rnnsuin'd host will shout. Wc are come.
6. There the friends will meet again w ho have loved
Our embraces will be sweet
At our dear Redeemer's feet,
When we meet to part no more, who have loved
7 There wiih all the happy throng we'll rejoice
Shounni! glory to our King,
Till the vaults of heaven ring,
And to all eternity we'll rejoice.
16
226
TOE NATIVITY. Ss & 7s. (Peculiar.!
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1. You na • tions all, on you I call, Come, hear ibis de • cla - ra • tion, And don't re-fuse the glo-rious news, Ot Je-sua and sai - va - tion •
2. To A - bra-ham the pro-mise came, And to his seed for ev - er : A light to shine in Isaac's line, By Scripture we dis - co - ver ;
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To roy - al Jews came first the news Of Christ the great Mes - si -ah, As was foretold by pro-phets old, I - saiah and Je - re - mi - ah.
Hail promised morn, the Sa-viour's born, A glo - nous Me - di - a -tor; God's bless -ed Word, made Mesh and blood, Be - came our Lord and Sa - viour.
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3. His parents, poor in earthly store,
To entertain the stranger,
They found no bed to lay his head
But in the oxen's manger;
No royal things, as used by kings,
Were seen by those who found him,
But in the hay the infant lay
With swaddling bands around him.
4. On the same night a glorious sight
To shepherds there appeared :
In snii.ine flume an angel came,
They saw and greatly feared.
The angel said, " Be not afraid,
Although we much alarm you,
We do appear good news to bear,
A» now we will intorm you.
"The city's name is Bethlehem,
In which God hath appointed,
This glorious morn a Saviour's born,
For him hath God anointed;
By this you'll know, if you will go
To see this little stranger,
His lovely charms in Mary's arms,
Both lying in a manger."
When this was said, straightway was heard
A glorious sound from heaven :
Each flaming tongue an anthem sung,
"To man a Saviour's given ;
In Jesus' name, the glorious theme,
We elevate our voices .
At Jesus' birth be peace on earth,
Meanwi,.,o all heaven rejoices."
Then with delight they took their flight,
And winged their way to glory.
The shepherds gazed, and were amazed
To hear (he pleasing story.
To Bethlehem they quickly came,
The glorious news to carry,
And in ihc stall they found them all —
Joseph, the babe, and Mary.
The shepherds then return'd again
To their own habitation,
With joy of heart they did depart,
Now they had found salvation.
" Glory," ihey_cry, " to God on high,
Who sent his Son to save us ;
This glorious morn a Saviour's born.
His name it is Christ Jesus '.'
"Christians, keep your armour bright." C. JI.
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O Christians, kern your nr-mour bright ; Rpjoice, give thanks, and sine : ) ,-. > . . _ r. ■ • x, , . , tI
In un.un Strong to - geth-er right, Ho - »aA-da to our Ku,g. | Come laud and ma8-m * <* his name, Nor lei hi. praise, cease. IIu ways are way, of
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plcasanlness, And all his paths are pence. Oh ! it will be glo-ri-ous, With crowns and palms victorious, With Jesus rcign-ing over us, When our sad warfare's o'er.
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PEACEFUL REST.
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There is an hour of peaceful rest, To mourning wand'rers given ; There is a tear for souls distress'd, A balm for ev'-ry wounded breast, 'Tis found above — inheav'n.
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"There's nothing true lint Heaven."
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1. The faithless world promiscuous flow, Enrapt in fancy's vision; Allured by sense, beguiled by show, And empty dreams, and scarcely know 1 here is a brighter heav'n
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2. Fine gold will change, and diamonds fade. Swift wings to wealth are given ; All varying time our forms invades. The seasons roll, life sinks in shade. There's nothing lasts but heav'n.
3. Empires decay and nations' die. Our hopes to winds are driven ; 'I he vernal blooms in ru - in lie. Death reigns o'er earth, and air, and sky, There's nothing lives but heav'n.
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4. Creation's mighty fabric all
Will lie to atoms nven ;
The skv consume, the planets fall,
Convulsions wreck this earthly ball:
There-'* 'nnlung lirm but heaven.
5. This world is poor, from shore to shore,
And like a baseless vision,
Their lolly domes, and brilliant ore,
Their gems and crowns are vain and poor
There'll nothing neb but heaven
6. Adieu to all below — adieu ;
Let life's dull chain be riven;
The charms of Christ have caught my vie^
To worids ol light 1 will pursue,
To livr» with IJim in httnvert.
"The winter Is come." 12s A; 9s.
229
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i. Now ihc win - ter has come with its cold chill - ing blast, And ilie. ver-dure has dropp'd from the trees; All nn - turo seems toucii'd by ilie
t; When t lie cold fcather'd snow docs in plen - ty descend, And whitens the prospect a • round ; When the keen cut-ting wind from ilie
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fin - <;er of death, An! the streams are be • yiu - niug to freeze. When plat
nor li docs ;i! - u iid, llaid chill - mg and treez - irg the ground. When the lulls
tnl young lads o'er the
mid the dales are all
riv - er may glide. When
man - tied in while, And the
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When in plen - ty you sit by a good lirc-.-idc, Sure you ought to re • mem. her ihe poor.
When the brighi twinkling stars shall proclaim a cold night, Don't lor • get to re • meni-be* the poor.
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When thf T"-t, tmrinlrsi hare ni:t\ tie traced to the wood,
U) in ; ■ i. | - iii,! lit.. I in ptiniq ;
Wb»u the lips hihI tin: liii^-.r- urn nil starting in blood,
A n i i In- marksmen u ffiwl-i.|iiioting ia>:
\\ hen f- i m ' rol In-red t i tOA H|»| rom Ilea the rot,
\ • i ■ mi|i hi the 'i""r :
\\u«n on- lo.n.l awuke* v,iit. euuielhing reviriim and hoi,
i hr I ■ Oi: uia- U. ruiueutbvr Uic pwl
Wh.-n a thnw shall en*ue. and the waters increase,
Antl the rivcrtt ail IomiIvuI gw»w ;
When thf fislii'K from iirisnn ntituin » release;
\\ hen in dahKer tin- travellers itf»;
Win ii tin iii' ii. I' « - are hid by the i r I strolling Good,
Anil tin- lirliiKvH hi-'- unfa in no
W ht-n in li!> u i-njiiy .-vt-rv iliinc Unit u> s' ud.
Can wu uiuriuiu Ui Uuu* u u» yoorl
Soon the <t«y will hf h.-rr when the Jariour w«» born.
All tin- unrl.l fhi'iiNI «irr>-t- with one *
All nut "ii* unite t'i -nliilt- tli.- Iili--l lu'irn.
All tl lira tirlb -lii-uld n-ji'ire
Grim -I nil i- ill | r t -tiluc
Ai I | liiiiiii| I, tut i < in
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▲ad ui« run ahall rvnuiubar the iiuor
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"A. home in heaven."
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I. A home in heav'n! what a joyful thought! As the poor man toils in his weary lot; His heart oppress'd, aud with anguish riven, From his home below to a home in heav'n, From hie home below to a home in heav'i
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2. A home in heav'n! asthesufTrer lies On his bed of pain, and uplifts his eyes To that bright home, what ajoy is given. With the blessed thought of a home in heav'n. With the blessed thought of a home in heav'n.
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3. A home in heaven ! when our pleasures fade,
And our wealih and lame in the dust are laid;
And our strength decays, and our healih is riven;
We are happy still with our home in heaven.
EXPUKSSITBLT.
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4. A home in heaven! when the sinner mourns,
And wiih contrite heart to the Saviour turns;
Oil! then what bliss in that heart forgiven,
Does the hope inspire of a home in heaven.
TEMPERANCE IIYIttN. E. I?I.
5. A home in heaven ! when our friends are fled
To the cheerless grave of the mould'ring dead;
We wait in hope of the promise given.
We will meet again in our home m heaven.
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f. Stay, fa-ther, Blay : the night is wild; Oh! leave not now your dy - ing child ; I feel the i - cy hand ol death, And short and shorter grows my breath.
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tot die. While thou, my fa-ther, art not by.
»n high She'll weep that I a - lone should die.
2. Stay, fa-ther, stay: e'er morning's light My soul may wing her inward flight, And oh ! I can -not, can-not die. While thou, my fa-iher, art not by.
3. Stay, fife 1 her, stay: my mother's gone, And thou and I are left a - lone ; And from her suir - hi home on high She'll weep that I a - lone should die.
4. Stay, father, stay: oh ! leave this night
The maddening howl,* whose wiiheiing blight
1 1 in li east so dark a shade around
The Home where joy alone was found.
5. Stay, father, stay : alone — alone —
With none to cheer, and none lo mourn ;
How can I leave this world of wo,
And to the land of spirits go?
6. Stay, father, stay: once more I ask;
Oh ! count it not a heavy lask
To stay with me till life snail end
My last, my onlv earthly Hend
THE CAPTIVE'S SONG.
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1. Oh no, irorannnl ring tie- mnipi Milde f-r Jehovah's pnumi \ ., Th bid ^ , mirtbful mood, And dry these tear* so sad ; but Judahs hearths are desolate. And wby should we be glad I
Our M>rruwiui{ biirji.-' rufUM th.-ir strings lo /.urn * gladsome lays, f ' ' J
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S. Pi «'nt our tinrps o it B:\1m-1 ^tn'ams Are huni on willows wet, } , , , , ., . . .. , „ • l * n » ,r • »_ ,, .. --.. ,. ,
, ,„" . , ... ™ . f , > 4. Jo - rusaleiu ! thy banish d ones Trove anguish and regret ; But Ilearen 8 own curse shall rest on them. If the* they e er forget
Aud /.ion we uo more shall see, Hut we can ue er for- get. J ' " ° ' * ■
"LIGHT IN DARKNESS."
1. O Tlmn who driest the mourner's tear, 2. The friends who in our sunshine live, 3. Oh who could bear life's stormy doom, 4. Then sorrow, tourh'd hy Thee, crows bright
Il.iw dark this world would be When winter comes are flown ; 1 >ui not Thy winy ol love W nil more than rapiure'i ray,
If, pierced by sins and sorrows here, And he who has bin tears to give, Come brightly wafting thro' the gloom, As darkness shows us worlds of light
We could not lly lo thee.
Must weep those tears alone.
Our peace-branch Irom above 1
We never saw by day.
FRIENDSHIP. 8s & 7s. (Peculiar.)
DlUliEIIATI. . f-.
1. (» o - ry to Je-sus' for his love. F nw-inc to ev -rv na-t.on,) .. . . , , . , , ,, , , ,. r ,
i, , f „f nr , ', . 'S Here may the poor, the lame, the bind, Ev - e ry need-cd b ess - ing find :
BOW-elS ot sweet com - pas-sion move, Ol • Wt • ing tree sal - vt. - lion. J i v < < s.
Jus -nre and mer - cy here coin-bine. Of - fer - ing I rue sal - va • lion.
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Sinners, repair to Jesus' nrms;
Why « ill you slight In- favour 1
Now he niviii - you to Ins charms,
Willing to be your Saviour.
() thai you would on him believe'.
A:! vm.r transgressions he'll lorgive;
fjbmtort and peace shall you receive,
Flowing L":>m Christ for evor.
Now is the time : no more delay —
F'ly from the pnth ol nature:
Fear HOI w!:al SCotting sinners say
Yield to your ureal Creator.
S.. shall youi dvmg souls obtain
Freedom Irom oil your emit and pain;
So snail you soon in glory reign.
Praising your great Creutor.
Then shall the heavenly nrrhes ring
" Glory to ( lod our Saviour!"
AtiL'el". and saims shall join to sing
Praises lor all his favour:
Thi ii shall the ilieiue m pi riect love,
Sounding through all the conns above
Every tuneful passion move
Praising the Lord lor ever
2S2
THE FEMALE PILGRIM. 8s & 7s
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Whither goest tlimi. pilgrim, stronger, Wn'w'.-r-mg ttirn" this gloomy vale? )
Kuow'ht thou not 'tis full of dange*-, rtiul will not thy courage fail? J
No! I'm hound for the kingdom: Anil you go to glory with Die? Hal - lu - lu - jahl Praise ye the Lord.
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Filgrim thou dost rightly call me,
Wand'ring through this waste bo wide;
But no barm will e'er befall uie
While I'm blcss'd with rorb a Ouide.
I ail) l.niin.l, Ac.
Such n jrnide ! No guide attends thee ;
Hence for thee my fear* urine:
If some guardian power defends thee,
Tto unseen by mortal eyes.
I am bound, Ac
Yes. unseen — but Ptlll, believe me,
Such a Puide my steps attends;
lie from every strait relieves me,
lie from every barm defends.
1 am iKiund, Ac
Pilgrim, see that stream before thee.
Darkly wand'ring through the vale;
Should its deadly waves roll o'er thee,
Would not then thy courage fail
I am bound, &c.
No: that stream has nothing frightful:
To its brink my steps I bend:
There to plunge will W delightful—
There my pilgrimage will end.
I am bound, &c.
While I gazed, with speed surprising
Down its banks she plunged" from sight:
Gazing still, I saw her rising
Like an angel, clothed in light I
1 am bound, &c
HOME.
Keyo/O-
1. Home, home, can 1 for-get thee? Dear, dear, dearly loved home; No, no. still 1 re-gret thee, Tho" 1 may for from thee roam. 1 1 nine, home, home, home, Dearest and hnp-pi-est home.
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2. Home, home, why did 1 leave thee? Dear, dear friends, di not mourn : Home. home, once more receive me, Quickly to thee 111 return. Home, home, home, home. Dearest and hap-pi-est home.
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I. We're irav'ling home to Heaven a - hove — Will you go?
To sing the Sn-viour's dy • ing love — Will you :_'.>?
And millions now are on 1 lie road — Will you go?
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Will you go?
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2. We're rroins to sec the bleeding Lamb — Will you 20? 4. You weary, heavy la ten, come — Will yon go?
In rapturous strains to praise Ins name — Will you go I
The crown of life we there sliall wear,
The conquer it's palm our hands shall bear.
And all the joys ol [leaven we'll share — Will you go?
3. We're going to join 1 he haaveirly nhoir — Will you go?
Tu raise our voice and nine the lyre — Will you go?
There saints and angola gladly slug
liosanna to their God and King.
And make the heavenly arches ring — Will you go?
In the blcss'd hon-e there still is room — Will you go?
The Lord is waiting to receive:
li yim will on tiii w believe-, [Oh believe !
He'll give vour troubled eonseience ease — Come, believe !
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5. The way lu Heaven i> Iree bir all — Will von »n(
For Jew and ( on lie ureal and Miiall — Will you go
Make up your iiinnl. give God your heart,
With every sin and idol part,
And now lor glory make a start — Come away!
JL O V K I. Y i?l O It X IX a.
C. The way to Heaven is straight ami plain — Will you go?
Believe, repent, be bom again — Will you go?
The Saviour cries aloud to ibec.
"Take up thy cross and follow me.
And 1I1011 shall my salvation see —Conic lo me !"
7. 1 >h could I hear some sinner say — " 1 will ;•< '
I II stun till.- lilollii'lil. 1 liar iln way — I. el lilt- go!
My old companions, tare von >\eil,
1 will noi «n » 11 b you 10 bell ;
I mean with Jesus Christ to dwell — I,et me 20!
— I are you well !"
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1. The last love
I a fast on -
Oh let lis
■ Iv morn - mg, All bloom-ins and tair. ) .... . . , . . 010
ward ileet -i,,g, And s will ap-pear, J w '»l« ,l,c m'S]' 'Y. mish-iy. m.gh-ty. trump Sounds, Come, coma
be tea - dy To hail the glad day '
way
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2. And wh hal bright morning
I n aplenuor shall aawn,
Our tears « 1!: nu ended.
Our sorrovt s all gout,
Whiie tue mighty, Ate
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3. The Bridegroom from glory -I The craves will he open'd, 5. The saints, then num.
Tu earth shall descend. Tin dead will arise. In slorv shall imjo.
Ten inousnnd bright angels
Around bun attend,
Whil« the mighty, &.c
4 The craves will he open'd,
'! nt dead v\iH arise,
Kedei ml r
Mount up 10 the skies,
While t he miguiy, &.C
The [iridu wiili the Uriucgroom
tor ever r< in in,,
W bile the mighty. vVc
234
MILLENNIAL, GLORY.
Pnwa* the tint STran
Re-juice, re - joice, the promised lime is coming ; Re -joice, re - joice, the wil-derness snail bloom.
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The Gos-pel ban-ner, wide un furl'd. Shall wave in tri-umph o'er the world ; And ev' - ry crea - ture, bond or free, Shall hail the glo - riotis jit - bi - lee.
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2. Rejoice, rejoice, the promised time is coming;
Kejoii e, rejoice, Jerusalem shall <m;;
1 rom Zion shall the law go forth,
And all shall hear, from south to north:
Rejoice, rejoice, the promised time ts coining;
Uejo.ee, rejoice, Jerusalem shall sing.
And truth shall sit on every lull.
And blessings Mow m every rill;
And praise shall every heart employ,
And every voice shall shout, for joy,
Rejoice, rejoice, the promised time is coming ;
Rejoice, rejoice, Jerusalem shall sing.
Rejoice, rejoice, the promised time is comine;
Rejoice, rejoice, the " Prince of Peace" shall reign.
And lambs may with I he leopard play.
For naught shall harm in Zion's way:
Rejoice, rejoice, the promised time is coming;
Rejoice, rejoice, the " Prince of Peace" shall reign
The sword and spear, of needless worth.
Shall prune the tree and plough ihe earth:
For peace shall smile from shore to shore
And nations shall learn war no more'
Rejoice, rejoice, the promised lime is coming;
Rejoice, rejoice, the " Prince of Peace" shall leign
THE ORPHAN'S PRAYER.
Air Oj EDSOU
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I. lYhal tlin' earthly friend- nnii frown, Why abouM 1 de • j^i-l ■ id be I
Father, let tliy will be known. Let ni«- find my nil in Thee. Never let my soul despair, Clod will bear trie
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orphan'* prayer, tlod will hear, God « ill hear, (Jod will bear the orphan'! prayer. Nev-er let uiy soul de-fpair, God will bear .... the or
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2. Sorrow's child T lone hnve hern.
Often lor unkindnetui mnnrn'd ;
Friendless orphan, | r and mean.
By the proud ami wealthy sinrn'd.
Still to Hod will I repair,
(jud will henr ilir orphan's prayer;
< !od will hear,
God will hear t lie orphan's prayer.
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3. Earthly comforts fade and die,
Sorrows oil our joys ailend ;
Bin il wc on God rely.
He will prow a constant lricnd.
On Him I'll cast ev'rv care.
He riL'irds ihe orphan's orayer;
lie regards.
He regards the orphan's prayer.
A Pilgrim and a Stranger."
Wrm runrri rxrrTEMiin*
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• ••■II j * - i r r t i rirn[»«iin. ^_ _ ^ aaj
1 I'm a pll t ' mi. and I'm a imager,
I ran tarry, I ran tarry but a night.
Iio not lie • lain uie, Kor I am go - inc To where the fountuius are ev - cr Bowing
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2. Th«*re the Biinbenms are ever shining,
I ion longing loi the eight ;
w i, inn ;i country, forlorn and dreary,
1 have been wandering, alone and weary
I'm a pilgrim, &.C
3. Of thai country to which I'm going,
.Mi Red' enter i> 'lie light ;
There t> no Burrow, nor Bny sighing,
Nor any sin there, nor any dying.
I'm a pilgrim, >i-c.
me
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1. Saw ye my Sa-viour? Paw ye my Sa • viour? Saw ye my Sa - viour and find ? Oil. he died on Cal-va • ry. To a - tone for you and roe, Ami to purchase our pardon with hlood.
2. lie was ex- tend - ed, lie was ex - tend - ed, Tain-fiil-ly uail'd to the
Th»Te he bow'd his head and died, There my Lord was crueified. To atone lor a world that was lost.
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3. Jesus hung bleeding. Jesus hung bleeding
Three die.idiul Injurs in pain;
And I lie solid rucks wert rent.
Through creation's vast exient,
When the Jews erueilied ilie Lamb.
4. Darkness prevnil'd. darkness prevail'd,
Darkness prevail'd o'er ilie land,
And ilie sun refused lo shine
When Ins Majesty divine
Was derided, insulted, and slain.
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5. When it was fiiiish'd, when it was finish'd,
And the atonement was made,
lie was taken by the "real
And embalm'd in spices sweet.
And was in a new sepulchre laid.
6. Hail, mighty Saviour ! hail, miclity Saviour,
Prince, and the Author ol Peace!
Oh. lie bur.-t the bars ol dcaih.
And. triumphant Irom the earth,
lie ascended lo mansions ol bliss.
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7. There interceding, there intereeding,
Pleading that sinners may live,
Crying. " r'athcr, I have died,
Oh behold my hands and side.
To redeem ilieni — 1 pray ihce, forgive."
8. "I will forgive ihcm — I will forgive them,
When they repent and believe:
Let them now return to thee,
And be reconciled lo me,
And salvation they all shall receive."
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THE PILGRIM'S REST.
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1. How hap ■ py that im • mor - tal mind Who rests beneath Je ho-vah's wings ! Who sweet employment there can find, With-out the help of earth - ly things.
2. The world may round me rage and (iglrt, 3. When surh do lay their bodies by, 4. They'll wine their way to mansions fair 5. Oh may I realize and know
And lav in oust their highest throne, And froi'it their annual labours cease, Where Christ the Lord in glory reigns. My span ol lime, how swill it flies!
Bui llolumg can that soul all'rjght They*!! find a band of angels nigh Meet hosts ol shining spirits (here, I soon must quo t Ins house below.
Who lives lor Uod, and him alone. To waft ihcir souls lo realms jf peace. Beyond ihe reach of mortal pains. To praise my Lord above ilie skies.
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1. How .-«'.ii to re • fleet on [hose joys that n-wnii me In yon liliss - fill re - gion, the ha ven of rest; Where gin n - lied sni - rita with
v.'. W'uili- an • gel'- ic ie-gions, with (iorpa lulled ce • lee - tinl, Hur - mo-iimus - ly join in ihe con -cert of praise; The saint*, as ihey flock from ihn
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welcnjiio shall greet me. And lead me to mansions prepared for the blest. Kn-cir-cled in light, and with glo - ry en - snrouded, .My hnp-pi-ness
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gioiiA ler • res-ir ial, In loud hal • le • lu • jahs ihcir voi-ces shall raise. Then songs to ihn Lamb shall re - ech • o through hea- ven ; My soul shall re-
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per - leei, mjrmwd ssRy un-clood-ed; I'u huihr in the o- rran of plea-wire nn - bounded, Andrtnge. with delishi.ihro' the K • den of love.
epfpd, To lin - inuii - uel be gi - ven All glo - ry, all ho - iiour. nil might and do - mi-uinn. Who brought us, ihri? grace, to the K - den "I love.
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J. '1 hen hail ! blessed sta'e; hail ! ye songs'ers of glory
i e ii irpera ol bliss, soon I'll meet yon above
I'll join your lii 1 1 ehoir, in reiieursing ine 6iory,
SaJvation inun norrow, through Je«ns'» lovo.
Though prison'd in earth, yet by anticipation.
Already my bouI feels ■ gwcei p elibntica
Or joys thai uwaii me. when irir.i fi >m probation'
My heari'n now in hrnven, ihfi Ivlon oil love
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PIL,GRII?i'S FAREWELL
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1. *arpwelil Farewell 1 Farewell, my friends, I must be gone; I have no home nor stay with you; I'll take my staff and trav - el on. Till I a bet - ter world can view.
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I'll march to Canaan's land, I'll land on Canaan's shore, Where pleasures never end, And troubles come no more. Farewell I Farewell I Farewell, my loving friends, farewelll
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2. Farewell, my friends, time rolls along,
Nor wails for mortal cares or bliss;
I'll leave you here, and travel on
Till I arrive where Jesus u>
I'U march, 6lc.
3. Farewell, dear brethren in the Lord,
To you I'm bound with cords of love ;
But we believe his gracious word.
That we ere long shall meet above.
I'll march, &•«;.
4. Farewell, you blooming sons of Ood,
Sore conflicts yet remain for you ;
But dauntless keep the henvtnly road,
Till Canaan's happy land you view
I'll march, &,c.
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BOLL. .11 AN. 9s tfc 8s. [A Judgment Hymn.1
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1. That great, tre-men - d i proaehing: That glorious scene will short- Ij come;] Think, 0 my eoull re - Heel and wou-derl
Twai long fore-told by un - cieui prophets, The long ex - pect - ed day of doom./ That sw-ful day
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2. See Da -tuxe stand all in a - ma7.ement.To hear the last loud trum - pet sound;) Loud thun-dcr ruin - bling through the concave
a - roun 1 ' /
A - rise, ye dead, and come to judgment, Ve uations of the world a
Bright, r^k-ed light -nings part the «kies;
The
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thou shalt see that great trans-ac-tion,When Christ in judg-incnt shall sp -near.
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heaf'nsare shnk • imr th' earth is quaking. The gloomy sight at - tracts mino eyes.
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3. The orbit lnrnn^ nil veiPd in «%ck cloth,
Nd more their shining course* run;
Tin- wheel* ol T mm. pfc pp'd in i moment, —
; rial things are now i- gun I
Doge, massy rock a. and towering mountains
tiv r their tumbling base* roar;
Tllf r:i □ - i rtiOIlf,
U dashing round bcr 'frighted shore.
4. Qiwn, turfy graveyards, nml tombs >** "nnrble
(Jive up thefr dead, both email and great ;
Bee the w hole woi Id l> ii h Mint and •
Are coi d I he judgment scat!
See ■ '< ta, on the throne of justice,
Conn- haul uing down the parted skies,
With count i I shining angi lSj—
To meet him nil the mint* ai -
6. Bricht shining streams tVnm hi* fcoly presence;
Hi* fact ten thousand pun* outshine*;
Ck'hoi'i him coming in power and glory, —
'Id uirvi Inui all his 8aiuU) combine.
"Go forth, yc hnrabK with *po<st like lightning;
Cull in my i«Jnt* from distant lands:
Thi --• thai mj blood has washd end ransnmM,
names to Life's tali book do tinial."
C. 0 a my Father,
The purchase of w •
i rowns "i hi".- anil glory,
Whu-h are laid up for you above!
For you, dear souls, » ho hart- continued
w ith me in all temptations bore,
I have ( rovided tor you a kingdom*
To r--i*:i with me for evermore.
7. There ar^ lowinff fountain* of living waters;
kl #8, pa n. nor death to fear;
No --n ... ighing, no fears Dor dying.
Shall evei have admittance there;
But how will sinner* stand and trvmble,
When justice raJIs them to the bar;
1 ) m that rejeel his off r <i mercy,
Hit ir e.crlasUn^douin to bear.
S40
Christ in the Garden. lis.
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1. While na - ture was sink - ing
si - lence to rest, And ih' last beams of day - light were dim in the west, I stray'd in the
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twi - light, un - conscious,
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2. I pass'd near a garden: there fell on my car
A voice of deep anguish from one that was there;
The lones of his agony melted my heart,
While earnestly pleading the lost sinner's part.
3. In offering to heaven his strong, matchless prayer,
He spake of the torments ihe sinner must bear;
Ilis life, as a ransom, he ollcr'd to give,
Thill sinners, redeemed, in glory might live.
4. So deep was his sorrow, so fervent his prayers,
Thai down o'er his bosom roll'd sweat, hlo'jd, inii tears
I wept lo behold It i m, and asked his name,
He answer'd, — ""lis Jesus: from heav'n 1 came.
"I am thy Redeemer. — for th c I must die:
The cup is most painlul. bir annoi pass by;
'I by sins, bke n mountain, • e laid upon me,
And all ibis oeep anguish ,ufier lor ibee !"
I heard, with attention, t he tale of his wo.
While tears, like a fountain of waters dm Mow ;
The cause oi his sorrow to hear him repeat,
Affected my heart, and I fell at bis lee;
I trembled with horror, and loudly did cry —
'* Lord. save, or I perish ! O save, or I die !"
He smiled when he saw me. ami said to me — "Live!
'1 by sins, which are many, I Ireely lorgi've."
How sweet was that language! it made me rejoice!
His smiles, () haw pleasa-nl ! how cheering Ins voice!
I ran from the garden to spread il abroad :
1 shouted, "Salvation1 O, glory to God!"
9. I'm now on my journey to mansions above:
I\ly soul full of glory, of peace, light, and love!
1 think of the garden, the prayer, and the tears,
And that loving stranger, who banish'd my tears.
10. The dav of bright glorv is rolling around.
When Gabriel, descending, the trumpet shall sound;
My soul then in raptures ot glory will rise,
To gaze on that Stranger with unclouded eves.
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1. Tliv wor • llii-m-.-s is all our song, 0 Lamb of Cod! t r thou want sliin ; And by thy blood brought'et us to God, Out of each di • tion, tribe, and tongue : To our God mad'st u<
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kings mid priests, And we shall reign up - on the earth. ilo-sanna! IIo ■ .-annul Ilo-sanna to the Lamb of God I Glo - ry, G'o - ry lit us dog I Grateful honouri to our King.
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2. Snlvutiou to our God, who shines
In lace of Jesus on (lie throne !
The only j list and merciful !
Salvation to the worthy Lainii,
With loud voice nil I lie church ascribes:
Aim-;-. ' any angela round the throne
1. To him who loved us. and lias wash'd
Us from our sins in Ins own blood.
And who has made us kings nna prieain
To his own Father an--! -is (lod,
I he i>Iory and dominion be
To him eternally. Amen'
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MOXART.
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1. See where the ria-mg sun In splen-dour decks the skies, His dai - ly course be-guu. Haste, and a - rise. Oh ! come wilh rot where violets bloom, And
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2. Fair is the face of morn ; Why should your eye-lids keep Closed when the night is gone ? Wake from your sleep ! Oh! who would slumber in his bed When
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'Teed my Lambs."
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till t!ie air with sweet perfume, And where, like diamonds to the sight, Dew-drops sparkle bright.
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darkness from his couch has fled ; And when the lark ascends on high, Warbling songs of joy.
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1. " Feed my lambs !" — how condescending ; How comp.iss'onate the grace
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2. Who, without that word of blesemg, Could our dark estate have told ?
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Of'.he Saviour, just ascending, Tims to bliss our infant race I Richest treasure, dearest token, From liis Ftores of love to give; Kept frc m age to ape unbroken, Till lt« bounty we reociva.
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Sin nnd wo oir -• -ing, Lost and wand'ring from bis fold. " Feed my lambs!" ye pastor*, hoar it: Feed the flock of his own hand : Oh, for him, for u* reran it; Keep the shepherd's laMeommind.
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(>OD IS LOVE.
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1. Ln! the heav'ns are breaking, Pure and bright a - bovc ; Life and light a - wak ■ - ing. Murmur " Cod is love!" "(J, id it love'"
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2. Round yon pine-i*d m vin'ain
Flows a |toldcn nouj :
1 .ear the »uurklint; fountain
Whiai/nr " trod is g<Hi<i "'
2. See the streamlet bounding
Through the vale and wood,
Hear its ripples sounding.
Murmur " God is good !*
4. Mimic now is ringing
'I hrough ili' shady erove,
Feailier'd songster* singing,
Warble '• (Jod is re>ve '"
5. Wake my heart, and springing
Spread thv « ingt abroad.
Soaring still nnd sing.iig,
Otid it- eTer jrooC '
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A poor, waylhring man or grief." (Dhane Street.)
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1. A poor, way - fa - ring man of grief Hath of - ten cross'd me on my way. Who sued so humbly for re-lief, That I could nev - er answer Nay.
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I nad not pow'r lo ask his name, Wliither lie went, or whence he came: Yet there was something in his eye That won my love, I knew not why.
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Once, when my scanty meal was spread,
Hi- entered : not h word be spake:
Just | '*■ ri - ?i i 1 1 <r for wan,i of bread,
I gaveh 111 all; In- &%*s**d it. brake,
Ami ati". but icave me pari ag,i n ;
Mine wiu> nri nn^-l's portion then :
Arid wh:le I fed with eager haste.
The crust wan manna to my taste.
I spied him where a fountain burst
''li-ar from rh** n>. k : hi< strength •*■<».« gone
The he*dl«*« waAvjt mot k i lib thirst.
Wfl rn-arii 'f, saw it hurrviua' oh.
I ran and ratecd the sufferer up:
Thrice from the stream Ins drained my cup;
Ihpp'd. and returned it running o'er.
1 drank, and never thirsted more.
Twnf night : the floods were out; it blew
A wintry hurricane aloof ;
] heard hi? voice abroad, and flew
To I. id him welcome to my roof.
I warm'il. I rlmhed, I cheer d my truest;
Laid him on mine own coach to rest;
Then imiUi' the earth my bed. and seem'd
In Kdeu's imnJen while I «liriiinU
6. Stripp'd, wounded, beaten nigh to death,
I found him by the highway side;
I roused his pulse, brought hack his breath,
Revived his spirit, and supplied
Wine. oil. refreshment; he was beard,
] had. myself, a wound conceal'd ;
Hut from that hour, forgot the smart,
Ami peace bound up my broken heart.
C In prison I saw him next, eondemu'd
'!'n meet a traitor's donm at morn;
The tide of lying tongue? 1 sU-mm'd,
A nd rmmmr'd hi in 'rind 'Twine and erom
My friendship's utmost r.eal to try,^
Jie ask'd if I for him would die.
The Hesh was weak, my blood ran chill,
Uut the free spirit cried. '-1 will I"
7. Then, in a moment, to my view
The stranger started from hisruisc;
The tokens in h's hands 1 knew ;
My Saviour bi.ood hefore inv ev" I
He spake. :m.l mv poor name tie named
'* Of me th«>u hast not been a>huiui d ;
The«» deeds shall thy memorial be;
Rear nrr » flwoi ditUf it nntn ma •'
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thai steals, that steals upon my Inline ! Is it death? Is il death? Thai soon will quench, will quench this Vital flnmet Is it death? Is it death f
tny friends, my friends, weep not for me, All is well — All is well. My sms are pnr - don'd, pardon'd, 1 am free. All is well — All is well.
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li ill.- be death, I goon shall he From cv' - ry pain and sor • row free; I shall the King of glo • ry see, All is well — All is well.
There's not a cloud thai doth a • rise, To hide my Sa-viour from my eyes: 1 soon slmll mount ihe up -per sk All is well — All is well.
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3. Tune, time your harps your harps, ye saints in glory,
All is well— All is well.
I will rehearse i rehearse ihe pleasing story,
All IS well — Ail is well.
Bright . ■ .hi' Irani glory come,
They're round my lied, they're in my room,
They wail in Mf»ll rm ; in: home.
All is wtli — all is well
4. Hark ! hark ! my Lord, niv Lord and Master calls inc,
All is well— all is well,
I soon stnrfl si i . shall see his t ice in glory,
All is well—nil is w. II.
Farewell, dear friends, adieu, adieu !
1 ran mi longer stay « it li \mu.
lily gl in ring cruwn appears m view,
All is well- All is well.
5. Hail, lnnl. all hail ! all hail ! yc blnnd-wash'd throng;
Saved hi grace — Saved by ^r:\cr.
I've come to Tom. 10 join your rupt urous song,
Saved bv prare — Saved I
All. vino.
Ami htiiven und glory ii"" iin mine*
All hallelujah lo uie l.iiinl..
All is well— All is m
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^iEVER PART AGAIN.
CHORUS.
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1. Jo - ru - sa - le:n ! my hap-py home! Name cv - er dear lo me! ) ,y , -.rphinn &.r
When shall my la - hours have a<i end, In joy, and peace, and thee? J
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,.., . , ' , ' .i r. , , ,■ , i ' > We re marching through Imman-ue s ground, We roon shall hear me
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Where con - gre - ga - lions ne'er hreak up, And Sab - baths have no
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Then shall my la-hours have an end, When 1 thy joys shall see. J we re marcUing, &.C
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1. If life's pleasures charm thee, (Jive (hem notthy heurl ; Lest the gill ensnare thee. From thy God 10 nan. Lest the gift ensnare (hoe. From ihy Got) to part.
2. If d:>ire?H he • fall t hop. Painful though it he, Lei not grief ap -pal thee, To thy Saviour lice. Let not grief n|> - pal ilirp. To thy Saviour (lee
3. When earth's prospects fail thee. Let it not die -tress: Bet-tcr comforts wait thee, Christ « ill froe.lv Mesa. Metier comforts wail thee, Christ will free-ly bli
•I- Lei not death a-larm thee. Shrink not "from hi- hlow; For i he contlicl arm thee. Triumph o'er the foe. Fur ilie conflict arm ihee. Triumph o'er the
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Friends of Freedom, sw ell the sons.'*
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I. Friends of frec-dom, swell the song; Young and old, the strain pro. long, Make the temp'rance ar - my strong, And on to vie - to - ry !
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Lift your han-ners, let them wave, Onward march a world to save; Who would (ill a drunkard's grave, And hear his in - ta - my?
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Shrink not when the foe appears;
Spurn i he coward's guilty tears,
Hear the shrieks, behold the tears,
( >' ruin'd families !
Raise the cry in every spot,
u1ouch uof, taste. :,ot, Imitilie not ;"
Who would be a drunken sot,
The worst of miseries !
(Jive the aching bosom rest,
Carry joy to every breast ;
Make the wretched drunkard blest,
By living Sobelly.
Raise (he glorious watchword high,
"TdiiiIi not. tnsii not, till tfou die! '
Let the echo rc.ieii the sky,
And e.artti Keen jubilee
Cod of mercy, hear us piead.
For thy help we intercede:
See how ninny bosoms bleed.
And heal them speedily.
Hast Lord, the happy day.
When, beneath thy gentle ray.
Temperance all the world shall uwrv
And reign triumphantly.
C HRISTIW M)LDiKH.
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1. Tin- war in which the soldier fights, Is nnt the war for mi.-; By it lire . Tush '■! all t" > : i . 1 ■!. I. -lit- An 1 -a In.-- I
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Dill there's a w:ir, — :i ho • ly "tr-fe, In which i» _
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blins-ful life Through nil i-t.-r - ni • ty; 0 that's th« war fur me! 0 that's the war for me!
0 that's the war for Me
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2. The sword i
Is not I lie
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To death
(I warrior wields,
sword lor me ;
iiiil; over idled fields,
ir v ctory ;
Hill there's a sword ihai pier • -
And of'en make- ilic sinner weep,
A nd in the Saviour llee ,
O that's t lie sword for me '
BMI)I\<» PLACE.
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3. The fame i hi: "s snin'd by men of blood,
l> HOI 'III' lame lor me ;
• iiehiiiy enrlh in Bury flood,
' H Iriend and enemy ;
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lint L), I lie fame, ilio glory bright,
The Christian soldier has in siyht.
As ohm ird marehes lie ;
0 lliul's, I lie lame lor lim
4. The wrenili ihat binds t he victor's brow,
Is noi i in' m real ii lor me :
For. ni p ■ i .v e il who would how,
Save thai through pride n be;
Bin there's a wreath, — a shining crown
lor him, who gains it > great re hum a
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U thui'n ilic wreath for nn- '
1 Hail I -I'-'p'i;.! I ra, that Orst began rheschonie to rescue fallen man: Hull I
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frit, c-tcr-iial eroce. That gave my soul a bid-inn ;
2. Asninsl ibe (Sod ihnt buili the p<y,
I fouolii with hiiiuls uplil'eri Ihl'Ii ;
I ii - 1 1 - 1 1 ! i he n . . 1 1 . > i ■ ii is < il 1 1 1 - u r
Too proud to seek a hidmy-plaeo.
ivrap' in dark. F'.L'vp'inn night,
A ml loud nl da i ihun iight,
Mildly I r.i . rai •■.
Si • ire M n I loll I a hn
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My soul for joy then claps her wings, And loud her love - Iv
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j 1- 4. " Now safely ntoor'd, no storms I fear,
~7IItT__ My (Jod. my Christ, my heaven are here,
And all the joys of Paradise
In loveliness and beauty rise.
"Tis now i he soul, with folded wing,
2. With cheerful hope her eyes explore
Each landmark on the distant shore,
The trees ol life, the pastures green,
The golden streets, lha crystal stream'
Again for joy she claps her wings,
And loud Iter lovely sonnet sings,
" I'm going home."
3. The nearer still she draws to land.
More eager still her powers expand ;
With steady helm, and free-bent sail,
Her anchor drops within the vail.
jr— I is now the soul, with tnldcd wins
ft Her thrilling notes of joy shall sins
|-L " Glory to God '."
And now lor joy she folds her wings
And her celestial sonnet sings,
" I'm sale at home."
Precious Bible, \\\\i\i a treasure. 8s «fc 7s.
Precious ui-ble! what a treasure Docs the word of God afford ! Precious l)i • hie
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1. Star of Peace, to yean . d'rers wca - ry, Bright the beams that smile on me, Cheer ihe pi - lot's vis - ion dr?a - ry, Far! far at
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Mess tin' soul iliai si<;lis lor ihec ;
Bless i lit- sailoi i : iow
Far. far al
Bless ihe >;\i'h*r\ lonely pillow,
Far, lar al sea.
3. Star ol Faith, when winds are mocking
A I! Ins loil. lie Mil's io I lice :
Save linn, on ilie billows rocking,
Far, i.ir ..
Save him. on ihe billows rocking.
Far, far ai si .i
I Star Pivinr ! O safely snide him,
llring i he wai ii'n i home in ihci :
eiii|n niiniij luiiu have iricd in
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Sore temiitaiiui s 1-jny !iavc tried luia,
Far, la: al set.
252
"Holy is IJ»e Lord/ [Sentence. j
Hold and poll
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Ho-ly! Holy! Ib>-ly is t lie Lord ! Ilo-ly ! Ilo-ly is the Lord of Sa ba-oth ! Heaven and can h are full of Ins glo-ry, Heaven and ear:li are full of his glo-ry,
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Oil praise l he Lord, all ye nations! Praise him, all ye people, Praise him, Praise him, all ye peo - pie, Praise him, Praise him all ye
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Wor Is innonlri from thr Orrtiian.
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1. Praise ihc Lordl Praise fbe Lord, v.*hcn blush - Injr morning Wakes the blossoms fresh with dew; Praise him wben revived Gre-a-tion Beams will •• tod n«-w.
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■ I l' UwLordl l'r.i'..— Lbe Lord, yu hois «f heaven; An - gels, sing your sweet • est lays. All things ut-ter fortl Round a-loud Je - ho - r«l
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14 And fo all Israel shall be saved." — Hoin. xt. 'JO. ^^
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3. Jews and Gen - tiles shall u - nitc, By Sa - tan's pow'r no more en - sla - ved, By Sa - tar; s> pcw'r no more en - sla - ved.
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THE BARRK.H FlCi-THEE. Hab. in. 17, IS.
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Although the lis -tree. Although the fin-tree shall not bios - soul, nci - llier shall fruit be in the vine; t lie labour ol tno
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olive shall [ail, and the fields ahull yield no meat; the flocks shall he rut ofT from the fold, and there "hall he no herd in ihe stall:
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Yet will I re-joice in the Lord — Yet will I re-juice in the Lord — Yet will I re-joice. will re - joice in the Lord, I will joy in the God of my sal - vntion
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I will joy in the God ot my pal • va - tion, — of my snl - ts - tion.
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THE CHURCH'S DFAOLATIOW.
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1. Wrll may tliy ser vnnts mourn, my God, The cunrch's oe» ■ o - la - .ion , / ,-, . ,, , ,
The siate of Zi on call, a - loud For grief and la - men - ta - lion; \ 0nce slie was a" a ' l,ve ,0 ,hee-
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And thousands were con - vert - ed ; Bet now a sad re - verse we see, Her glo - ry is de - part - ed.
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2. Her pastor." love to live at ease;
They covet wealth and honour;
A nd while they seek Mich things as these,
Thry 'iri.ri' iV>woaeh upjgn her.
Sii'li worthless otnects they pursue,
Warmly and iimliv er'ed,
The church thev lead and mm, too —
Hur glory la departed
3. Her private members walk no more
As Jesus Christ has taiiL'ln I hem:
niches and fashion ihrv ndort —
Wih ihese the world has bonuht ihem.
The Christian name they still retain,
Absurdly and false-hearted :
And while ihey in the church remain.
Hit uK>ry i* deirorted.
4. And has re'igion left the church,
Withou' a trace behind her ?
Where shall I «o, where shall I search,
That 1 once more may find her ?
Adieu ! ye proud ye lishi and gay!
I'll seek ihe broken-hearted,
Who weep, when they of Zion (say.
Her glory ts derrartpvl
5. Some few. like good Elijah stand.
While thousands have revolted;
In earnest for the heavenly land.
They i eve» vet have haled.
Wrh such, religion doth remain.
For they ore not perverted :
Oh ! may ihev all through them regain
The at«>rv thai n derjartwf
THE HAPPY LAND.
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There is a happy land. Far. far a • way, > 0li how ihev sweetly sing, Worihv is our Lord and Kins, Loud let hi* praises rine F-r-ev-er • more
Where saints in glory siand. Uright, bright as day. J ' ' B'
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2. Come to that hanny land. Come, come n - wav > ,., ,, , , ,,
,,., ,, , I ■ , ,,-, .,,1 i , > "It. then to go • rv run. '
Whv wi I you doubting s and. \Y hv sli de - ay I ) "
l- a crown and kingdom won, And bright a-bove the sun Reign ev - er - more.
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3. D right, in thai happy land,
Beams e* ry eye ;
K pi by a Father's hand.
Love cannot dm
There we shall happy he.
When from sin and sorrow free,
Lord, we shall reign wuh thee,
Ulest evermore.
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4. Oh, how I long to see
Jesus above.
From sin and sorrow free,
Perfect in love.
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Oh ! then, with angels bright,
I shall range the world* of light,
And in my Saviour's sight
Live evermore
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"Conic, sinners, lo the gospel feast."
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Come, sinners, to the gos • pel feast. Oli, c* no longer slay; Lei ev - 'ry soul be Je - SUB guest, Oh, do no longer stay a - way!
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C nor. vs. Oh. do no Inn • ger slay a • way, For now your Saviour calls. And ihe gospel sounds the ju - hi • lee, Oh, do no longer stay
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1. My drowsy powers, why sleep ye so? A - wake, my sluggish soul; Nothing hath half thy work to do, Yel nothing' j half so aim
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2. We, tor whose sake all na - ture stands, And stars iheir courses move ; We. for whose guard the an - gel hands Come fly - ing from a - hove ;
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Go to the ants; for one poor grain See how they toil and strive; Yet we, who have a heav'n t 'oh - tain, How neg - li -gent we live I
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Tor whom the bon of Cod came down. And labour'd tor our good; Now care-less to se - cure that crown lie purchased with his blood!
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1. Ye ransom'd sin - ners, hear. The pris' - ners of the Lord, And wait till Christ np - pear, Ac - cord - ing to his word: Rejoice in hope, re
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Re-juice in hope, Re - joice in hope, re • joice with me; We shall from nil our sins he free..
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joice with me, Rejoice in hope, re - joice with me ; We shall from all our sins be free.
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Re-joice in nope, fie - puce in hope. re - joice with me: Wb shall troin all our ninj be free
2. Let others hug their chains,
For sin and Sainn plead.
And say, from sin's remaina
They never can he fiwd :
Rejoice in hope, rejoice wuh me;
We shall Iroui all our sins be free.
3. In Hod we put our trust ;
It we our sins co
Fail libil is he, and just,
From all ill -ness
To cleanse us all. both you and me:
We .-hall from all our sins bi free
4. Surely in us the hope
( 'I glory shall appear ;
Sinners, your head* lift up,
And nee i'l' mpl ion near ;
Again. I say, rejoice with DM:
We .hall fruiii all our kins be free.
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Shake off dull sloili and ear - 1 y rise. Shake
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A-wake, my soul, and with the sun, Thy dai - ly course of du - ly run;
Shake off dull sloth, ana
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Shake oil dull sloth, and car - ly rise. To pay ihy morning
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Shake off dull sloth, and car - ly lise, To pay thv morn-ins sa - cri - lice. Shake
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Wukc, and lift up thyself, my heart, And with the angels hear . .
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aneelfi hear iliy part; Who all nighl long unwearied sing, Who all night long un- wea-ried sing, '*Gln . . ry,
hear iliy pari; Who all night long unwearied sing. Who nil night hmg un-wea-ned sing, un-wea-rted sing. '* Glory in iht1 e • ler-nal King. ( • 1 • •
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Who all night long un-wca-ned sing, "filo-ry to the c - tcr-nul King,
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1. Sal - va-tioti! oh i lio joy - lul sound! What plea - sure to our cars! A sov'-reisrn balm tor cv' • ry wound. A cor • dial
2. Sal - va-tion! let the ecli - o fly The spa - cious eanh a • round. While all the or - mies of the sky Con - spire to
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3. Sal - va-tion! O thou bleed - ing Lainli ! To line the praise he - lonys : Sal - va • lion shall in - spire our hearts, And dwell up-
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for our fears, A cor • diaj for our fears. Glo • ry, hon • our, praise, and pow - er,
Be nil • to the Lamb for
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i.iise the sound , Con ■ spire to raise the sound. Glo • ry, hoi: - our, praise, and pow • cr, Be un - to the Lamb for
on our tonyucs, And dwell up - on our tongues. Glo - ry, lion - our, praise, and pow - er.
Be uu - to Hie Lamb for
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Hal • le - In • jali ! Praise t:; I
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Je - siis Christ is our Re -deem -it! Hal - le - In - jali ! Hal • le - in • jaii ! Hal - le - In ■ jali! . e ■ lie I
ev - er !
Je • mis Clmst ir our Re - deem - er ! Il»l - !'• - In -jalij Hal - le - hi - jali!
Hal • le • In • l'i i l.nrd '
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With Tixnit expbxisio*.
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HIVITY. Gs «fc 5*. (peculiar.)
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1. When -liull we meet again? Met'l nvVrto wrvrt Wlirn will pi-ucv wrvutli bvr dm in Hound u.- RireviTtnur la-arts will nv'i r repose Sale from ••a< li lilasi Hint blown In Lhiedark vale of worn, N.v.r, in\ i
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•J. When shltll love freely t!<->w. Pur* as llfe'l rivr? When shall eweet friendship glow, Changdue* for ever ? \l li.r.- j<\ - . . Icfttlnl thrill, Whnre Ui^s euch heart Khali all. An. I fi>nr» of parting dull. Serer. nn, m n-rl
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l i to I hill irnr'il «-t Item. Tuk*a u«. ilfiir SHvimir; \ln\ wimiII iIhtv unite. I hip - py for .*v -.t \\ Iter- k.nlr- (*| pi- nmy out nui-u writ. And tlnirour j<
i .-■ "ii lilmtl wv iiurt Hk'niii, Met t ui- i-r Lu wvi-r: Sfooii "ill i«*uiv u rt-Hlh ln*r t-liHiii l.uund it* toi • » ■ •■• . uur hcitrl.- u ill llu-u n (..«., !n*curv hi in worldlj nnvn; Our«*»iijjs < i |.mi* him i ■ :■ n« o*rl
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Fa - il:cr, how wide thy glo - ry shines ! How high thy won-ders rise! Known iliro' the cunli by thou-sand signs, By thousands thro' (lie skies. Thesfl
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might - y orlis po - rlnim thy pow'r; Their motion speaks (hy skill ; And on the wings of ev'- ry hour We read thy patience still.
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Dul wlien we view i h v pranii de-sign, To save re - Lcl - lious worms,
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iheir di - vi-nrst forms; Our thoughts ore lost in rev'rend awe! We love and we a • 'lore! The highest an-j Baw So much ol God bi
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Oh may I bear some bum - ble part In that im - mor - tal aong ! Won-der and joy shall tune my heart, And love com-mand my tongue.
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BEAVENLY VISION
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I beheld, and, lo, a great mul - ti-tude, which no man could number,
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Rev. Tii. 9.
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thousands, and ten times thousands,
Thousands of thousands, and ten times thousands,
Stood be-fore the Lamb, Ac.
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thousands, and ten times thou • sands.
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thou - • Bands, Thousands of thousands and ten times thousands, Thousands of thousands, aud tec times thousands, Stood before the Lamb, &c.
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Thousands nt thousands, and ten times thousands, of thousands, SMood b* for* tho Lamb, A*
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I It> - I v . Ilo - ly. Ho - ly, IIo • ly. Ho - ly. Lord God Al - mighl-y, Which was, &,c.
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ay nor night, say-h.ff, IIo ■ Iv. [In - ly. Ho - ly, Lord Cod Al • miff hi -y, Which was. ami is, ami is ip come, Which
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was. and is, and is to come.
And I heard a mighty an -gel fly
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be un - to llie earlh, by rea-son of the trumpet which is
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cried, cried to the rocks and mounlains to fall up • on them, and hide them from the face of linn that sit - tein on the throne;
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For the great day ol Ins wrath is co And who aliall he n - ble 10 Btand 1
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Hark ! hark! ye mortals, hear the trumpet Sounding loud the mighty roar; Hark ! the archangel's voice proclaiming .-Thou, old time, shall be no more!
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Sounding loud the mighty roar; Hark ! the archangel's voice proclaiming, Thou, old time, shalt be no more !
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His loud irumpet, (lis loud irumpet
See i he purple banner flying, Hear the judgment chariot roll.
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His loud trumpet, His loud trumpet rends the tombs
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ILs loud trumpet, His loud trumpet rends the tombs — Yc dead awake.
Hear the judgmcut chariot roll.
279
roll
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roll; [Iear the sound of Christ vic-lo-ri-ous, Lo he breaks iliro' yonder cloud, Mid»i ten thousand
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• Is that he who died on Calv'ry, That was pierced with the spear. Tell us
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thousand, thousand, thousand saints and angels see the cru - ci - fi - ed shine;
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serapns. you thai wonder' d. See lie rises ihro' iheair. Hail liim !
Ilal-le - lu-jah, lial • le - lu-jali. Oh! ye», ":ia Je-sus,
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spieiideiu slime his nail-prints, ev'ry eye .shall sec ihe wounds, They who pierced him shall :;t his appearance wail.
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They who pierced him shall al his ap - pearance wail. .
Thev who uieroed him shall at his appearance wail.
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F.v'ry i.-land, sea and mountain, IJcuv'n ;md earlh shall lice away ; All who hole him must, ashamed, Hear I he I rump proclaim ihe day, Come lo judgment, Come to judgment,
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lars of the vaults of heaven. Breaks up old marble, the repose ol princes;
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Flames all around them. )
gnawing within them. )
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pil - lars ol the vaults of heaven, Breaks up old marble, the repose ol prunes;
outcries of the guilty "wretches. Lively bright honor and unitizing anguish
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Hear I lie Saviour's words ol mercy. Come, ye ransom' d sinners, home : Swifi and joyful on your journey, To the palace of your God.
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Joy ec-les-liiil. hy .- harmonious,
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In ce-les-tinl glories move. Unl-lc-lu-jnh, big with wonder. Praisine Christ's eternnl love: llnl-le-hi-jnh. hnl - Ic - In - i<h. e-rhoihro' ihe realms of light.
In soli symphony it-sound; Angels, seraphs, liarps and trumpet.-. Swell the sweet angelic sound: lluil Almighty, hail Almighty, great, eternal Lord. A
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1. Oh come, come away, from labour now reposing, Let anxious care awhile forbear, Oh come, come away. Ob come, our sacred joys renew. And Christ will welcome you.
And here where faith will strengthen you, Ob come, rouu* away.
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2. From toll, and the cares on which the day is closing,
The hour of eve brings sweet reprieve,
Oh conie. collie away.
Oh come where < i « «J will smile on thee,
And itt our hearts will rapture be,
Aud time pass happily,
Oh enuic, come away.
3. While tuned tntind's love, the angel harps are ringing,
To sound his praise through endless days,
Oh eoliie. cnuie away,
'n answering songs of sympathy
We'-N siiil' in tuneful harmony,
Vroui earth's temptations free,
Oli come, come away.
4. The bright day is (rone, the moon nnr1. stars ippearing,
With silver light illume the nt^hL,
Oil eouie. come away.
Come, join your prayers with ours, address
Kind lleav'u our meeting here lo bite*
With peace — hope — happiness —
Oh come, come away.
THE BETTER LAID.
1. 1 hear thee speak of the better land. TUou callest its children a happy band; Mother, oh. where is that radiant shore? Shall we not seek it, and where rra2rantfnnwb> iH-rfuine thf brwif
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weep no more 'I Is it where the liow'r of the orange blows, And the fire-flies dance in the myrtle bough? '
\..t flu.
Not there! not there! not there!
My child ! not there! not there!
And strangi*. bright birds on their starry wings,
Dear the ri-h hues of all glorious things?
Nut there! not there!
3. Is it far away in some region old.
Where the rivers wander oVr sands of gold;
And the burning rays of the rubies shine.
And the diamond lights up the secret mine.
Ami the pearl glows forth from the coral strand:
Is it there, swet't mother, that belter laud?
Not there! uot there!
1 ^—
Eye bath not seen it. my f»enne *>oy,
Kar hath uot heard its >ony of joy:
Dreams cannot picture :■ world so tair.
Sorrow and death niav not enter there:
Time may not breathe on Its fadeless bloom.
Far beyond the clouds, and beyond the tomb
'Tis there 1 Tw there*!— Mat>. litmus
CMfS.T3I-:i.. 7sAf».
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1. Why shon'd we U-uf- frighted At pes - ti-lenceand wo: The fiercer be the tempest, The sooner it is o'er: With Je-sus in the vessel. The b.I - lows rise in I
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2. My way i« full of dan -ger, A ud foes that press me hard; ftut Jesus Christ has promised Hiui-self to Iw my guard: Here I shall not be tempt-ed A - bove what I ran bear;
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Mo - ses. To gaiu the mountain top. — There, at .le - lioeah's bidding. With cheer-ful-nes> III die,
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3. Although my flesh is mortal. Im-mor-tal is my hope; I'll try. like ho-ly Mo - ses. To gaiu the mountain top. — There, at Je- hovab's bidding, With chcer-ftll-n«*s I'll die,
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They on-ly will eon • vey mo To the K - ly - sian plain. With glo-ry iu my soul!
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Wli. n flgbting'silooe. es - rort • ed, Ills kingdom then to share, \Vith glory in my soul!
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i share, With glory in my soul!
And ti.en as -rend tii hea - Ten. And reign a - hove the sky. With glo-ry in my soul!
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4. I foil lh.it Jesus lovos mc,
lint why, I (In noi know ;
To linn I'm so iinhiilhlul
In nil I have In do
1 " . \t- in see on IiiiIimi's,
Yel he iloili nit forgive,
Which inukcs me lt»ve liim iloarly,
And strive, by ihiih, in live
With glory in my soul !
5. From him I have my orders ;
A ml « hile I i!;> obey,
I tind hi.s Holy Spirit
Illuminates my « iy :
The way is -n delighieome,
i mean lo n iivel on,
Till I urn call'd to heaven,
To receive my starry crown,
glory in my sou.
G I soon shall reach lair Canaan,
And on i lint hnppy shore,
Be) mid 'In reach • >! sorrow,
Shnll rt-i>_'n lor < \ erinore ;
Tin n- walk I he uoUlen I'avi-mcnls.
A ml hlood-M llsh'd o'lrnicii
And. to i-iiinj'li f in v r:i|"
King Jesus » ill lie iln-ri- !
W li glory m mv soul .
7 Mv song I i nw hn» e pi rled.
I'hn I mv will :
I long io have > he proi
A lid sing « hni I can h-el ;
I hi ii mi.-, when.
Immortal I
And M"U and |irnise my haviouf
To all eel
With glory iu my »ou!
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Head of* the church triumphant.
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1. Head el ihe church tri - imipli • am. We j< >y - (u I - ly n - dure t.hce; 'I ill i him np-.ponr, thy mem- hers here Shall sing like those in glo-ry:
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2. While in at - flic - 1 ion's fur - nace, And pass- ing through the lire, Thy love we praise, 'winch knows no days, And cv • cr brings us nigh-er:
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We lift our liearis and voi ■ ces With blest an - li - ei - pa - lion, And cry a - loud, and give to (Jod The praise of our sal - *><\ - lion.
We clap our hands ex - ull - ing In llune al - might - y la - mur ; 1 lie love Ji • vine, which made us thine. Can keep us thine lor ev - er.
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march op • po - ses ; I'>v thee we shall break through them all. And sing the song ol IMo - ses.
dv • ing Ste-phen, Shall see thee stand at (jod's rigln hand, '1 o take us L.p to hci • \en.
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The world, wiih sin and Sa - tan. In vain our march op • po - ses ; P>v thee we shall break through ihem all. And sing the song of M6 - SCS.
And if ihou count us wor • thy, Wc each, as dy • ing Ste-phen, Shall see thee stand at (.Jod's right hand, '1 o take us t.p to hci - \en.
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1. Glorious tilings of thee are spoken, Zion, ci-ty of our God ; lie, whose word can ne'er be broken, Chose thee (or his own abode. Lord, thy church is still thy dweilinf
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Still is precious m thy sight, Ju-dah's temple far ex-celling, Beaming with tSfe gospel's light. Hal-le-lujah ! Hal-le - lu - jahll Hal - le • Iti-jah! A -men!
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2. On the Rock of asc^ Ibat
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W1111 salvation s wail surrounded
Sin- ran smile at all tier foe*.
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The Lord, the Sovereign, sends his sum-muns forth, Calls ilie south na-tions and a-u'akes the north; From east to west the sove-reign or-ders spread, Through
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dis - tant lands and re-gions of the dead. No more shall a - theists mock his long de - lay; His ven-geance sleeps no more — he - hold the day!
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1. Hast thou heard of the land where do sor-row nor fad - ncss Can dim for a mo - meDt the light cf the skies? Ilast thou heard of the land where the deep tones of glad - ness Ne'er
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2. No eye hath e'er sxen its bright splendours, ex - eel • ling The visions of fan - cy, the dreams of the soul; No thought can e'er soar where heav'n's anthem is swell - ing.
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Ear hath not heard its deep mcl - o - dies roll ;
Death, with the touch of his cold, i - cy fln - ger, No more can a - larm, for his triumphs are o'er,
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t'mo can -not breathe ou its glo - ries, nor lin - gcr A - mid the fair scenes of that hea-ven - ly (Lore. Where the wea - ry re - pose, all their trouble* at rest, Tis tha
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1. Olil when stall I see Jesus, And dwell with him a - bove, And driuk the Sowing fountain Of ev - er - last-iug love? When shall I be de-liv-er'd From this vain world of
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P^M^ 1 . * *l^gp^ p p
■ . !
-M II'
3<V>
A TOM UK .... f0
A Home in Hea-
-■■ 2:10
All is well.... 245
A:l Saints New 50
.v mania 37
Am hey 38
America, s. n.. 1 I \)
A merica, p. m.. l 66
Amily 1-34
Anvern M
Apheka 99
Arcailia 67
Ashhelri 257
' "'lement .... 236
Aurora 183
Awake, my Sun I 'Z6Z
Babel 206
Band <ii' Love. 76
Baron 109
Barren Fig-tree 259
Bazetta 205
B'-i,i!ey ' -r>9
r pljage . ... 173
Eleirayal, ihe. . l.ni
Better Land. . . 286
Beulah 181
Biggleswade . . 105
Blackburn ... 86
Bollman 239
Bourbon 26
Bowmanvjlle . 118
Bower of Pray'r 197
Bowerbank . . . 35
Bovd's 2 is
Bristol 3:i
Brockeahurst . 148
Brown 55
Brownsville... 174
Bi;nibam 263
Calcutta 1 56
Camden '.->(>
Camphell's Re-
^':-ht
137
4'K'si
220
Destruction o
f
Canaan
63
Sennacherib
216
Canaan 2d
62
Devonshire . .
210
Canaan's Land
60
25
Captive's Sons;
231
Devotion, 2d..
47
< "armarthen . . .
136
Devotion, 3d..
261
Carmel
287
Duane Street. .
244
Celesta
59
176
East Needham 66
Child of Grace
103
Easter Antlvem
291
China
28
Eden of Love.
237
Churchward . .
106
Edinburgh . . .
192
260
Edom
72
133
laiioii, ihe. . .
Eicon
186
249
El"in
104
102
Christian Sold'r
Enfield
Christians, keep
Ephraim
155
your Armour
108
bright
227
Ere I sleep. . . .
194
Christ in the
Euphrates ....
53
Garden . .
240
Evening Hymn
122
149
Evening Shade
118
Come away. . .
286
Exhortation, l.m. 45
Come, Saints,
Exhortation, cm. 75
and adore him
222
Come, Sinners,
Fairfield
84
to the Gospel
289
feast
261
103
Communion . .
58
Far, far at Sea
251
Communion, 2d.
64
Fatherland, the
196
Compassion . .
123
Fayette
55
Complaint . .
42
Feed my l.amb
s 242
Concord . . .
110
Female Pilgrim 232
Condescension
73
83
Confidence. .
39
Florida
121
Congreve ....
110
Foster
100
( 'owper ....
46
Friendship . . .
231
217
Friends of Free
-
ilom, &c
248
Darley
49
Funeral Hymn
1 1 5
Darlington ....
78
122
Georgetnu ii . . .
78
'2 '3
God is Love. . .
243
A LPHAJEUETICAJL index
GospeKTrumpet 189 1 Joshua 171
Grafton 94 | Jubilee 299
Greenfield 126 j Judgment 97
Greenwich .... 52 Judgment Anth. 278
HaiUhebl, Morn 215
Hail the blest
Morn, 2d 216
Hallowell 93
Hampshire 70
Happv Land.... 2C1
Harpeth 29
Harmony 132
Harmony Grove 57
Haven 142
Head of Church
Triumphant. 288
Heavenly Union 195
Heavenly Vision 274
Higbton 168
Hiding-Place... 249
Home 232
Ib.pe 112
Hopewell 56
[losnnnah 241
How beauteous
are tin ir feet 297
How calm, &c. 162
Howard 173
Hubbard 80
linger 198
Humility 113
Huntingdon 35
Idumea 121
I'mandra 199
I'm a Pilgrim 235
I'm on my jour-
ney home. . . 48
Invitation .... 233
Italian Air.... 193
Kingsbridge . . 46
Kingston 157
Kingwood .... 130
Kirby.... 129
Knaresborough 69
Lamar 135
Lambeth 185
Hand of Rest. . 86
Land of Rested 87
Land of the blest292
1UI
88
°1 1
191
Let songs, &c.
161
Liberty, c. m.. .
64
l.ibertv, e. m.. .
128
Liberty Hall..
82
38
Ling-ham.. ......
66
120
151
127
Lochleven ....
154
11 I
Loving - Knid-
27
Love Divine. .
131
Lovest thou me
142
Lovely Morning
233
200
Lucas
1 65
153
Job
Joy
25
139
Majesty New. . 33
Marty® 147
Mary's Inquiry 224
Melodia 290
Memorial 188
Merrick 15 1
Middletown ... 146
Milbourti Port. 74
Millennial glory 234
Minerva 1 76
Montague 44
Montgomery . . 96
Mortals Awake 85
Martyr's Song 20 1
Motillon 158
Mount Calvary 190
Mount Olivet- . 163
Mount Neho.. 108
Mount Zion. .. Ill
Murray 140
Naples 125
Nativity, the.. 226
Newark 169
Newburg 116
New Durham. 90
New Jerusalem 71
New Orleans.. 89
New Wales . . 140
Never part. &c\ 246
Ninety-Fifth .. 57
North Salem. . Go
Ocean 68
Old Lisbon 120
Old Fashioned
liible 223
Oiney 150
Orford 26
Orphan's pray'r 235
Parting Hand. 51
Parting Friends 143
Paradise 172
Pastoral Elegy 104
Peaceful Rest. 228 j
i'ennsville .... 175 |
Penitence 179 |
Pil srrim's Rest. 236
I'ik'riiii's Fare-
well 238
Pilgrim's Re-
pose 213
Pi^gah 77
Pleasant Hill.. 60
Poland 82
Portsmouth... 138
Portland 268
Praise ye the
Lord.'. 255
Precious Bible 250
Princeton 169
Proclamation . 188
Protection 182
Redeeming Lovel43
Redemption. . . 198
Redemption, 2d 291
Repentance ... 98
Rest 40
Richland 204
Ridley 24
Rockbridge ... 23
Rockingham . . 56
Rock of Salva-
tion 167
Rome 152
Royalty 159
Rosefield ... . 144
Russia 54
Ruler's daught'r 203
Saint's Rest. .
194
36
83
Samaniha . . .
212
Sardinia
91
Savov
32
s.ivannnh. . . .
183
Scheneciaav .
3 1
Seasons,or Sup
AC,
Sentence 25?
Serug 166
Sherburn 81
Shields j 19
Silver Street.. 117
Solicitude 200
Song of Deliv-
erance 225
Sonnet 250
Sovereign Balm 266
Stafford :
Star in the East 2 I 1
Stepney 160
Si. Moifod .... 208
Si. Dennis 201
Suffield 104
Sun rise ■ . 242
Sutton 84
Symphony .... 207
Temperance Hy
Thanksgiving
Anthem ....
There is a place
There'siiothing
hue, <Stc. . . .
Thou sweet gild-
ing Kedioii.
Time is wing-
ing us away
Tribulation . . .
Turner
230
251
195
228
202
178
85
61
Unity 267
L'nitia 2U9
Upton 2U
Crania 144
Vallum 141
Venus ......... 124
Vernon 125
I Victory 80
i Virginia ... . '•'•'
ALPHABETICAL IADEX.
aoy
V'i'al Spark... 271
Voice "i free
grace 221
Wnlsal 79
Warren US
Wa'joher 298
Waterford 1*0
Wavenly 77
\\ ebb 177
Webster IIW
Weliun u 1 7
Wi sion ...... 41
Westminster . 101
When marshall-
ed uu, <Stc. . . 34
Whitestown. . .
43
WilliamMown.
87
Wilmington . .
1 15
W i.lall
59
58
Winter is ('nine
229
Wineuburg . . .
Hirt
\\ ' 'li.niil ....
92
Yrs, we hope
ihe Days &c-
256
Yionngsiowo . .
170
Zadok
J 35
Zloll
24
lis
ANTHI'.M*. HYMNS, AND SET-PIECES.
A home in Heaven 230
einenl 23(5
All i- Well
Bollman; a .lodgment Hymn 239
Christian No — ier 249
l)i Hon 264
Easier Anthem 29;1
Fr end-ship 23"l
Pair, fa r at Sea 251
Friends of Freedom, Ac 248
Feed my Lambs 242
(itid is I, uve - I i
Home 232
Hosannali '-Ml
Mark, "e mortals, hear ihe Trumpet.
II ! "I the Church Triumnnani... irtN
Heavenly Vision 274
In via I ion 233
I'm a Pilgrim and I'm a Stranger.. , 235
.In la ni Anthem 278
I '•(• 299
Lovely Morning 233
Mary's Inquiry 224
Song of Deliverance 225
Sunrise 'J 12
Sonnet 25tl
ence 252
Thanksgiving Anthem 2">i
The Barren Fig-Tree.....
The Church's Desolation
The Happy Land 261
The Nativity 226
Millennial dory 234 The Orphan's Prayer •_\)5
Nevei part again 24fi The Sun to the West has descended. I>?
Pilgrim's Farewell 238 I The Winter is Come 229
I'raise ye the Lord 255 Vital Spark 271
Portland 268 | Yes. we hope the Day is nigh 254
METRICAL I AIM] A.
I* M.
Accomack ....
40
AH Saints New
50
37
Am boy
38
Anvern
54
li lurbun
".'•
ISll-l,,,
.in
China
2*
Come, Sinnris,
to the (jrospe1
feast
2i.;
Uomnlaint ....
12
Confidence. . . .
.!!»
Cou-per
Darley
Devi. lion
Devotion, 2d.. .
Dnane Street. .
Euphrates . . . .
Exhortation . . .
( m eerfwich
Mi ih
1 1 ng- Place .
Huntingdon . . .
I'm on my jour-
ney hi
Job
I. n .dge .
Limehouse. . . .
Loving - Kind-
ness
Majesty New. .
ii e ....
Naples
Parting II in.1 .
it's Re .t.
Rest
Ridley
R Abridge ...
18 Ru a
25 s iiem
J li Savoy
17
211
53
l.-i
52
29
2*49
35
38 i Schenectady . . 31
S a Mins.or Sup-
ination 3f>
33 Temperance Hy.230
41 Weston 4 1
125 When marshall-
ed on, Ac..., 34
5i Williamsiown. 31
236 Whitestown . . 43
10 Zion 21
21
23 C. M.
54 Apheka 9!)
36 Arcadia 67
\ vake,mj Soul262
Band of Love.
I' leswade . .
Blackburn ....
ban ...
Brown
Canaa n
(J i in 2d
Canaan's I. and
Captive's S
i ta
Child of Grace
Churchward . .
Christians, keep
your Armour
hnghl
76
105
86
95
65
63
62
fid
231
59
103
I (Hi
Communion . . 58
Communion 2.1. 6 I
Condescension 73
Darlington 9
East Needham <>(>
72
I 104
I ... 102
nation... 76
Fairfield 84
Farewell 103
Fayette 55
Fiducia 83
!' ter 100
Georgetown ... 78
fJi ion
II • well
II impshire
II. ii in. • n \ i .
II •■ ell . . .
II
I
K
Land of Ri
I
Lapland
Leander
MtlbiHirn Port
M tgomery .
v ake
Who.
N I1 i ha m
<>; \
North -
Pi-gah
li
1
lOi
88
! rty 64
Liberty Hall. . 82 li
Lingliam 60, ICock'tngiiam .
74
85
108
9ti
71
1,5
7i
82
98
•>c/4
METRICAL I2VDEX.
Salvation
83
Ul
- i ■ irn . . .
SI
Sovereign B.ili
1 206
Suliield
mi
Kiuion
81
Tribulaiicin . .
85
01
Vicmrv
80
92
WaNal
79
Waved v ...
< i
Westminster
101
Windsor
58
•A'md.ill
59
A'oodlaild . . .
92
s. M.
America . ...
. 119
. 109
Bowman ville
. 118
Brownsville. .
. 174
Compassion .
. 123
Concord
. 1 10
. 110
Dauphin
. 122
. 108
Evening Hvm
i 122
Evening Shad
3 1 18
Florida
. 121
Hope
. 1 12
How beauteou
s
are iheir lee
1 297
Humility
. i 1 3
. 121
Lisbon
. 120
. Ill
Mount /ion. . . 111
Nswhurg no
Old Lisbon 120
Silver Street. . 117
Stafford 112
Venus 12 1
Webster 109
Wilmington . . 1 15
I.. >T. (> lines.
Greenfield 120
Liberty 128
Livonia. I 27
Vernon 125
JL. P. M.
Kirby 129
C. P. M.
Eleon 133
Harmony 132
Kingwood .... 130
Love Divine.. 131
Redemption, 2d 291
S. P. M.
Amity 131
Lamar 135
Zadok 135
II. M.
Btirnham 203
Carmarthen. . . 136
Delighl 13V
Joy 139
Murray HO
New Wales . . HO
Porismnirtri ... 138
Vallum 141
C. II. M.
How calm, tec; !02
Lei sonsrs, Ac. 101
Mount Olivet.. 103
Royalty 159
Stepney 100
S. II. M.
Betrayal, the. . 161
7s.
Brockenhurst . 148
Funeral Hymn 145
Haven 1 12
Lovest thou me 142
Martyn 147
Middletown ... 140
Farting Friends 143
Redeeming LoveH3
Rosefield ..... 141
Urania 141
Warren 145
7s A <>s.
Carmel 287
Ceylon 170
Minerva 170
Newark 169
Pennsv.ille .... 1 75
Watcher, the. . 298
Webb 177
7s & Os, (Peculiar.)
Time is wing-
ing us away 178
Zoph'm 178
7,G,7,«,7,8,7,G.
Fetuience 17|)
7,0.7,0,7,7,7,0.
Waterford 180
7 s it 8s.
Beulah 181
Ts & 8s, (Peculiar.)
Protection 182
is A 1 ! s, or Cs
& 1 2s.
Lucas 165
Os & is.
America 100
Serug 100
0,7, 1,7.
Rock of Salva-
tion 107
Wellon - 247
Witienb.urg ... His
(is .% 5s, (Pet uliar.)
Unity 267
Gs.7,8s.
Princeton 109
Voungstow-n . . 170
<!s i>i. 7 s.
Joshua 171
O.G.9.
Bethphage .... 173
Howard 173
Paradise 172
0,8.1.
Brownsville. . . 1 7 1
8s.
Aurora 183
Christian Song 180
Lambeth 185
Pastoral Elegy 181
Savannah 183
8s & .Js.
Proclamation . 188
8,3, 0.
Ere I sleep.... 191
8s & 4 s.
Gospel Trumpet 189
Ss .t G. 8s A (J.
Mount Calvary 190
8,0,8,8,0.
Peaceful RssT. 228
Woodland ....
8,7.8,8,7.
There'snothing
92 j 8« & 7.
Heavenly Union 195
8s cfc :>s.
true, &c. ... 228- Saint's Rest.
191
8s .t 7 s.
Ben.tAey 1S9
C, linden 150 j
n.'h.iua 149
Fair'and 289 j
Feed inv Lambs 242
Fell) ile Pilgrim 232
Lithuania 151
Lur hie veil 151
Lyltleton 153
Merrick 151
Olney 150
Precious Bible 250
Rome 152
Shields 149
8s, 7s «fe 4.
Calcutta 150
Ephraim 155
Highton 158
Kingston 157
Moulton 158
8,^,7.
Edinburgh... 192
Lena '91
8,7,8.7, dt 8s.
Italian Air 193
f»s <fc 8s.
Fatherland, the 190
There is a place 195
r,s & n.
St. Motl'od .... 208
Uuitia 209
IOs.
Babel 200
Melodia 290
Symphony .... 207
lO.IO.I 1,11.
Devonshire ... 210
Leeds 21 1
Upton 211
lis.
Bazetta . . 205
Bower of Pray'r 197
Christ in the
Garden 240
Come, Saints,
and adore him 222
Huger 198
frhandra 199
Loudon 200
Martyr's Song 201
.Redemption. . . 198
Richland 204
Ruler's rtaught'r 20.1
Solicitude 200
St. Dennis 201
Thou sweel glid-
ing Kedron. 202
1 Is & 8s.
Davis 'J15
Pilgrim's Re-
pose 213
Samanlha .... 212
1 I ,!),.:.
Boyd's 218
Campbell's Re-
quest 220
lis & IOs.
Hail the blest
Morn 215
Hail the blest
Morn. 2d.... 216
Star in the East 214
11,1 1,12,11.
Cowpens 217
12s.
Destruction of
Sennacherib 210
Voice of Free
Grace 221
12s & I Is.
Land of the blest292
Old Fashioned
BiWe 223
\
Hi
5?:
5!
?
1
IB
l|
is
IP
5
fi
1
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